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CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/ceroart.5489
Manon D'haenens
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引用次数: 0
Responding to White Supremacy: Public Images and Legacies at Yale University 回应白人至上:耶鲁大学的公众形象和遗产
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/ceroart.5682
C. Snow, Alan J. Dworsky
{"title":"Responding to White Supremacy: Public Images and Legacies at Yale University","authors":"C. Snow, Alan J. Dworsky","doi":"10.4000/ceroart.5682","DOIUrl":"https://doi.org/10.4000/ceroart.5682","url":null,"abstract":"Founded in 1701, Yale University ranks among the original nine colleges established before the American Revolution. It was named for Elihu Yale, who donated money, books, and a portrait of King George I to the college in 1718. Among the legacies of Yale and other early American universities, is the interconnected history of trade, politics, and higher education. Slavery, both native and African, is an undeniable part of that history. Indeed, early American academies sought to educate people t...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87288307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vandalism over Vandalism 蓄意破坏
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/ceroart.5752
Begum Gucuk
{"title":"Vandalism over Vandalism","authors":"Begum Gucuk","doi":"10.4000/ceroart.5752","DOIUrl":"https://doi.org/10.4000/ceroart.5752","url":null,"abstract":"Vandalism over vandalism is something we see very often today. Ultimately, it is seen in contradistinctive forms of expression. All sentient life is concerned with ownership either instinctively or rationally while having varied demands to express in relation to property. Graffiti is increasingly transforming into a cultural practice in Turkey in the sense that the urban space is artistically re-defined. This study aims to debate/discuss the issue of urban space and new cultural methods in t...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"2012 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73686996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Vandalism of the Winston Churchill appliqué glass screen: a story without an ending? 温斯顿·丘吉尔(Winston Churchill)贴花玻璃屏幕遭到破坏:一个没有结局的故事?
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/ceroart.5669
N. Tennent, Stephen Field
{"title":"Vandalism of the Winston Churchill appliqué glass screen: a story without an ending?","authors":"N. Tennent, Stephen Field","doi":"10.4000/ceroart.5669","DOIUrl":"https://doi.org/10.4000/ceroart.5669","url":null,"abstract":"The Winston Churchill memorial applique glass screen (Fig 1) was created by the artist Edward Bainbridge Copnall in the mid 1960s for an exterior location in a shopping precinct in Dudley in the West Midlands of England. Applique glass art involves the bonding of coloured glass to a support of clear plate glass and this magnificent creation consisted of 17 glass panels with a total width of c. 12 metres illustrating the life of Churchill, including the Houses of Parliament, St Paul’s Cathedra...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"55 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74584146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Droit d’auteur et restauration des œuvres à caractère technologique 技术作品的版权和修复
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/CEROART.5987
Anne-Laure Moya-Plana
{"title":"Droit d’auteur et restauration des œuvres à caractère technologique","authors":"Anne-Laure Moya-Plana","doi":"10.4000/CEROART.5987","DOIUrl":"https://doi.org/10.4000/CEROART.5987","url":null,"abstract":"Comment concilier les regles du droit d’auteur avec les principes de la restauration et, plus precisement, comment articuler les droits de l’artiste et de ses ayants droit avec ceux du musee qui a acquis l’œuvre ? L’objectif est d’instaurer des l’acquisition de l’œuvre un dialogue ou, a tout le moins, retablir une bonne communication une fois la question des modalites de conservation-restauration posee. Il faut anticiper en amont les conflits entre l’artiste ou ses ayants droit d’une part, et l’acquereur de l’œuvre d’autre part, par la voie contractuelle et, en tout etat de cause, concilier les interets en presence une fois le conflit ouvert. Le colloque a permis d’explorer quelques pistes de reflexion a partir d’exemples concrets d’œuvres a caractere technologique.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78397263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The problematic restoration of a conceptual light artwork 有问题的修复概念光艺术作品
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/ceroart.5969
Olivier Steib
{"title":"The problematic restoration of a conceptual light artwork","authors":"Olivier Steib","doi":"10.4000/ceroart.5969","DOIUrl":"https://doi.org/10.4000/ceroart.5969","url":null,"abstract":"L’œuvre Erlauf de Jenny Holzer est un panneau lumineux faisant partie d’une serie, realisee en 1998. Une etude prealable a ete menee en vue de sa restauration, qui a souleve les difficultes relatives a ce type d’objet. Ce cas a permis une collaboration internationale entre l’atelier de l’artiste, des techniciens et des musees, dont le Conservateur-Restaurateur a la charge de la coordination et de la gestion des points de vue parfois opposes de chacun.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"94 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83567284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Vandalism and the Rijksmuseum: three vandalized paintings restored by Luitsen Kuiper in the nineteen seventies 故意破坏与国立博物馆:1970年代由Luitsen Kuiper修复的三幅被破坏的画作
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/ceroart.5573
E. V. Duijn
{"title":"Vandalism and the Rijksmuseum: three vandalized paintings restored by Luitsen Kuiper in the nineteen seventies","authors":"E. V. Duijn","doi":"10.4000/ceroart.5573","DOIUrl":"https://doi.org/10.4000/ceroart.5573","url":null,"abstract":"In the past, the Rijksmuseum collection has recurrently been a victim of vandalism. Notable examples are a knife attack on Rembrandt’s Night Watch in January 1911 and an axe attack on the fragment of Rembrandt’s The Anatomy Lesson of Dr. Deyman in February 1931. However, this presentation focusses on three cases from the 1970s. In the Netherlands conservation history, this decade marks the beginning of the end of the wax-resin lining, also known as the “Dutch method”, a method that was previo...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74979382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The problem of vandalism on contemporary outdoor murals and street art 当代户外壁画和街头艺术遭到破坏的问题
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/ceroart.5761
I. Brajer
{"title":"The problem of vandalism on contemporary outdoor murals and street art","authors":"I. Brajer","doi":"10.4000/ceroart.5761","DOIUrl":"https://doi.org/10.4000/ceroart.5761","url":null,"abstract":"The preservation of contemporary outdoor murals is confronted with very special challenges. There is a vast amount of murals, the need for conservation is great and the technical challenges are enormous. It does not require much time for deterioration processes to commence on contemporary outdoor murals, which are often exposed to harsh climatic conditions. Lifespans can also be short due to urban expansion and development. Compounding these problems are conflicting attitudes dealing with phi...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"150 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75157448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Deliberate damage to polychrome church interiors 故意破坏教堂内部的彩绘
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/ceroart.5622
Tino Simon
{"title":"Deliberate damage to polychrome church interiors","authors":"Tino Simon","doi":"10.4000/ceroart.5622","DOIUrl":"https://doi.org/10.4000/ceroart.5622","url":null,"abstract":"Introduction Works of art have always been exposed to anthropogenic changes and iconoclastic interventions. On April 10, 1524, the Reformation movement reached a pinnacle in Stralsund, a town of the Hanseatic League, when a mob raided the town’s parish church of St. Nikolai. [Michalski 2000] Even five hundred years later, the traces of this eventful day are to be seen on the doors of the choir screen. Today, the faces of the saints are scratched, and numerous scores and other marks are visibl...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79984471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Point de vue de l'artiste et assistant d'artiste : problématiques et expériences 艺术家和艺术家助理的观点:问题和经验
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/CEROART.6061
S. Torres
{"title":"Point de vue de l'artiste et assistant d'artiste : problématiques et expériences","authors":"S. Torres","doi":"10.4000/CEROART.6061","DOIUrl":"https://doi.org/10.4000/CEROART.6061","url":null,"abstract":"Ce texte reprend la transcription de l’intervention de Santiago Torres lors de la premiere journee d’etude, le 3 novembre 2016 a la Villa des Arts (Paris). Il est accompagne de la video de la presentation qui illustre notamment les exemples cites. Santiago Torres y presente ses reflexions issues de son experience en tant qu’assistant d’artiste aupres de Julio Le Parc et de Nicolas Schoffer. Il detaille sa vision de la notion de langage en tant qu’element cle pour la comprehension et la restauration de ces œuvres cinetiques et cybernetiques ; et il s’interroge sur le devenir de ses propres œuvres numeriques.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73627036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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