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CeROArt Conservation Exposition Restauration dObjets dArt最新文献

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Une copie de L’Origine du monde par René Magritte ? rene马格利特的《世界起源》?
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2019-09-30 DOI: 10.4000/ceroart.6673
Catherine Defeyt, David Strivay
{"title":"Une copie de L’Origine du monde par René Magritte ?","authors":"Catherine Defeyt, David Strivay","doi":"10.4000/ceroart.6673","DOIUrl":"https://doi.org/10.4000/ceroart.6673","url":null,"abstract":"Pendant plus de 20 ans, la copie de L’origine du monde de Courbet, que Joseph-Marie Lo Duca attribuait a Rene Magritte, a dupe historiens et amateurs. Bien que la supercherie ait ete demasquee, la date de realisation, le contexte de realisation et l’auteur de cette copie sont restes inconnus. L’etude de l’œuvre par le biais de methodes d’imagerie et d’analyse scientifique paraissait un moyen de fournir des elements de reponse a ces questions. Les resultats obtenus dans le cadre de cette etude ont en effet permis de determiner que la presente copie ne pouvait pas etre anterieure a 1945. Par ailleurs, differents indices materiels indiquent qu’elle a vraisemblablement ete realisee non pas d’apres le tableau de Courbet, mais d’apres une reproduction en noir et blanc de celui-ci.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84026347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musées et recherche. Vulnérabilité, scrupules, dilemmes 博物馆和研究。脆弱，顾虑，困境
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2019-09-30 DOI: 10.4000/ceroart.6861
Muriel Verbeeck-Boutin
{"title":"Musées et recherche. Vulnérabilité, scrupules, dilemmes","authors":"Muriel Verbeeck-Boutin","doi":"10.4000/ceroart.6861","DOIUrl":"https://doi.org/10.4000/ceroart.6861","url":null,"abstract":"Les rencontres professionnelles « Musees et Recherche » s’appuient sur les alliances entre communautes museales et universitaires. Elles sont nees dans le cadre d’une cooperation entre l’Ocim (Observation, cooperation, information museales) et l’equipe de recherche de Joelle Le Marec (ENS de Lyon, puis Cerilac-universite Paris Diderot, actuellement Celsa-universite Paris Sorbonne). Des leur creation, elles ont ete envisagees comme un temps et un espace de partage et d’initiative entre les pro...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77767924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La restauration, la conservation et la valorisation du patrimoine technique semi-mobilier 修复、保护和加强半移动技术遗产
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2019-09-30 DOI: 10.4000/ceroart.6749
P. Tomsin
{"title":"La restauration, la conservation et la valorisation du patrimoine technique semi-mobilier","authors":"P. Tomsin","doi":"10.4000/ceroart.6749","DOIUrl":"https://doi.org/10.4000/ceroart.6749","url":null,"abstract":"Le patrimoine technique semi-mobilier designe les objets avec des volumes ou des masses occasionnant des difficultes et des frais prohibitifs lorsqu’il s’agit de les mouvoir dans un contexte patrimonial. Ces artefacts presentent de nombreuses particularites: grande variete de materiaux (certains presentant des risques pour la sante des restaurateurs), alterations tres variees et quelquefois ardues a traiter, conditions environnementales exigeantes pour la de conservation, difficultes et couts prohibitifs des interventions. Les principes reconnus de la deontologie en matiere de restauration sont parfois difficiles a appliquer.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"63 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74093898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Analysis of facing materials used as remoistenable temporary supports for facing on canvas paintings 帆布画上用作可拆卸临时支撑的饰面材料分析
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2019-09-30 DOI: 10.4000/ceroart.6532
Paola Alba, Susana Martín-Rey, M. Doménech-Carbó
{"title":"Analysis of facing materials used as remoistenable temporary supports for facing on canvas paintings","authors":"Paola Alba, Susana Martín-Rey, M. Doménech-Carbó","doi":"10.4000/ceroart.6532","DOIUrl":"https://doi.org/10.4000/ceroart.6532","url":null,"abstract":"L’article analyse de maniere critique les techniques de facing et la description d’un systeme novateur fonde sur l’usage de supports temporaires rehumidifiable qui vont permettre d’obtenir une protection superficielle avec une force de liaison appropriee et facilement reversible. Cet article comprend aussi la description de la premiere partie experimentale de l’enquete, focalisee sur l’evaluation des caracteristiques des differentes categories de materiaux (adhesifs et supports temporaires) et leur combinaison pour la realisation de supports temporaires rehumidifiable.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74246060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Man of Vision 有远见的人
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2019-09-30 DOI: 10.4000/ceroart.6849
Muriel Verbeeck-Boutin
{"title":"A Man of Vision","authors":"Muriel Verbeeck-Boutin","doi":"10.4000/ceroart.6849","DOIUrl":"https://doi.org/10.4000/ceroart.6849","url":null,"abstract":"La parution des Actes du colloque consacre en 2015 a Paul Coremans etait attendue avec impatience par tous ceux qui ont eu la chance d’assister a l’evenement: un public nombreux, specialise, et qui, pour certains membres de l’assistance, participaient de la memoire vivante et du temoignage de premiere main. L’ouvrage, paru dans la collection Scientia artis, presente les communications de chercheurs internationaux sous un angle construit, remarquablement documente et illustre, nanti enfin d’un...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"107 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77409147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aiming at reproducibility in lining canvas paintings 旨在再现衬里帆布画
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2019-09-30 DOI: 10.4000/ceroart.6488
A. I. Idelson, V. Garofalo
{"title":"Aiming at reproducibility in lining canvas paintings","authors":"A. I. Idelson, V. Garofalo","doi":"10.4000/ceroart.6488","DOIUrl":"https://doi.org/10.4000/ceroart.6488","url":null,"abstract":"This paper describes a process started in 2011 with the use of the “mist lining” technique for a large painting by Titian, conserved in Venice uncontrolled environment. After several experiences with a specific version of the method, Valerio Garofalo’s research thesis helped the standardisation of lining procedures aiming to obtain predictable, reproducible results. This was achieved through the production of a large quantity of mock-up painting linings and samples for peel tests. The bond created with a viscoelastic adhesive appears stronger with high speed testing, if compared with the same at a lower speed, but literature shows high variability of peel speeds. Preliminary tests with different speeds for Plextol B500 allowed to compare results with literature data. The study gives a deeper understanding of the mechanisms involved in adhesion when lining with this method.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"32 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73090994","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
La restauration du crocodile historique du Muséum des Sciences naturelles d’Angers 昂热自然科学博物馆历史鳄鱼的修复
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2019-09-30 DOI: 10.4000/ceroart.6921
Michel Beucher, Miguel Prôa
{"title":"La restauration du crocodile historique du Muséum des Sciences naturelles d’Angers","authors":"Michel Beucher, Miguel Prôa","doi":"10.4000/ceroart.6921","DOIUrl":"https://doi.org/10.4000/ceroart.6921","url":null,"abstract":"Presents dans l’histoire de l’Europe, les crocodiles naturalises vehiculaient un symbolisme puissant jusqu’au XVIIIe siecle. Par leur valeur historique, la conservation de tels specimens merite des soins particuliers et leur restauration demeure une entreprise delicate. L’objectif de cet article est de valoriser la restauration exceptionnelle d’un specimen historique de crocodile appartenant au Museum d’Angers, et de discuter sur les elements d’une possible intervention ancienne pratiquee au XVIIIe siecle sur ce specimen, tels que l’architecture interne en bois, la presence de mastic pour combler des manques de peau, des pieces de cuir a l’interieure de la gueule ou de l’utilisation de feuillets de papier pour combler certains endroits.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"54 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90676861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Patrimoines En Mouvement. Entre Préservation et Dévotion 运动中的遗产。在保存和奉献之间
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2019-09-30 DOI: 10.4000/ceroart.6800
Emmanuelle Nsunda
{"title":"Patrimoines En Mouvement. Entre Préservation et Dévotion","authors":"Emmanuelle Nsunda","doi":"10.4000/ceroart.6800","DOIUrl":"https://doi.org/10.4000/ceroart.6800","url":null,"abstract":"Le colloque Patrimoine en mouvement. Entre preservation et devotion est le fruit d’une collaboration entre l’Institut Royal du Patrimoine artistique et la Direction du Patrimoine culturel du Ministere de la Federation Wallonie-Bruxelles. Il s’est tenu les 27 et 28 avril 2017 a Bruxelles et a reuni une serie de specialistes du patrimoine culturel en provenance du nord et sud du pays, mais aussi de France et d’Espagne. Durant deux journees entieres, ces derniers se sont succedes dans l’optique ...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84883342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Determining Appropriate Preservation Conditions for Historical Mixed-Media Objects: a Risk-Based Approach 确定历史混合介质对象的适当保存条件:基于风险的方法
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2019-09-30 DOI: 10.4000/ceroart.6577
W. Anaf, Marjolijn Debulpaep
{"title":"Determining Appropriate Preservation Conditions for Historical Mixed-Media Objects: a Risk-Based Approach","authors":"W. Anaf, Marjolijn Debulpaep","doi":"10.4000/ceroart.6577","DOIUrl":"https://doi.org/10.4000/ceroart.6577","url":null,"abstract":"Les objets composites historiques sont constitues d’une large serie de materiaux organiques et/ou inorganiques. Ils sont souvent fragiles en raison de la nature des materiaux utilises et de leur etat de degradation avance. Leurs conditions de conservation doivent faire l’objet d’un choix reflechi afin de ralentir leur degradation. Chaque materiau ayant ses exigences specifiques, il est difficile de donner des recommandations de conservation preventive. Pour appuyer la decision, une approche basee sur la gestion des risques est developpee. La methodologie proposee (1) offre une base objective pour degager des compromis concernant les conditions de preservation et (2) permet la comparaison de differents scenarios afin de selectionner le plus approprie. Dans un premier temps, la methodologie est expliquee de maniere theorique. Une etude de cas sur un jardin clos medieval permet ensuite d’illustrer ces deux aspects.","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85955637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Atmospheric Monatomic Oxygen System For Non-Contact Nanoscale Cleaning Of Vandalized 20th - 21st Century Modern And Contemporary Artworks 大气单原子氧系统用于非接触纳米级清洁被破坏的20 - 21世纪现当代艺术品
CeROArt Conservation Exposition Restauration dObjets dArt Pub Date : 2018-12-02 DOI: 10.4000/ceroart.5722
T. Markevicius, S. K. Miller, B. Banks, Nina Olsson
{"title":"Atmospheric Monatomic Oxygen System For Non-Contact Nanoscale Cleaning Of Vandalized 20th - 21st Century Modern And Contemporary Artworks","authors":"T. Markevicius, S. K. Miller, B. Banks, Nina Olsson","doi":"10.4000/ceroart.5722","DOIUrl":"https://doi.org/10.4000/ceroart.5722","url":null,"abstract":"Introduction The paper discusses defacement materials used in diverse acts of vandalism against the modern and contemporary art and stresses the need for a safe and effective methodology to treat sensitive and fragile unprotected surfaces of 20th and 21st century artworks that frequently are vandalized using carbon based materials. The paper proposes the proven concept for a nanoscale cleaning mechanism based on monoatomic oxygen, which does not require any physical contact with the surfa...","PeriodicalId":30124,"journal":{"name":"CeROArt Conservation Exposition Restauration dObjets dArt","volume":"43 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75905568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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