[i2]: Investigación e Innovación en Arquitectura y Territorio最新文献_第4页

Urban Tattoos for new Landscape narratives. Explorando el papel del arte urbano en el contexto de la ciudad contemporánea.

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2017-12-31 DOI: 10.14198/I2.2017.5.04

Clara García-Mayor

{"title":"Urban Tattoos for new Landscape narratives. Explorando el papel del arte urbano en el contexto de la ciudad contemporánea.","authors":"Clara García-Mayor","doi":"10.14198/I2.2017.5.04","DOIUrl":"https://doi.org/10.14198/I2.2017.5.04","url":null,"abstract":"The study of contemporary city has evolved during the last decades introducing subjective factors: user’s preferences, behavior and experience, into the traditional morphological description to achieve a complete understanding of an urban public scene. This article analyses the transformation of contemporary public space narratives through mural art. The mural is tattooed onto the facade surface and surrounds the public space scene. Without altering the dimensions of the open public space, this urban art provides a new perception of place. Graphics and images generate new spatial narratives that become part of the urban landscape. Public urban space supports exchange and spontaneous communication of a cross-cutting nature among people in all communities — including intergenerational and multicultural exchanges—. In this spatial context, the urban mural art —\"Urban Tattoo\" — acts as a symbol of free expression and is available for all to see, providing an additional dimension of communication. This study makes a distinction between art created by individual initiative and art that is institutionally promoted. The art of the individual street artist is daring, spontaneous, genuine, and commonly underlays a specific meta-language only completely understood by insiders; but, at the same time, there is a graphic symbolism that connects easily with the public. By contrast, art that is sponsored by an institution is created with the objective of regenerating bland areas in the urban fabric. The same artistic techniques are used but the artist is constrained by a creative brief which is drafted by the sponsoring organization. Some unexpected consequences have resulted from these novel initiatives that promote the regeneration of urban areas using art to convert urban spaces into an open-air museum.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121326409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Habitando el bug. El urbanismo simultáneo del 22@ y la chatarra en Barcelona 住在虫子里。22@和巴塞罗那废料的同时城市化

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2017-12-31 DOI: 10.14198/I2.2017.6.08

Daniel Torrego Gómez

引用次数: 0

La modernidad en Valencia a través de tres obras del arquitecto Mauro Lleó 巴伦西亚的现代性通过建筑师Mauro lleo的三件作品

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2017-12-31 DOI: 10.14198/I2.2017.5.06

C. Gregori

{"title":"La modernidad en Valencia a través de tres obras del arquitecto Mauro Lleó","authors":"C. Gregori","doi":"10.14198/I2.2017.5.06","DOIUrl":"https://doi.org/10.14198/I2.2017.5.06","url":null,"abstract":"After town planning stagnation that the autarchic stage supposed, began the real urban \"boom\" which doubled the urbanized city of Valencia area. From the radio-concentric structural solution posed by the land-use planning of 1946, the new axes of both, urban development and industrial, were established being the west, Manises-Quart de Poblet-Aldaia, specialized in the metal industry. But the plan was not viable without a network of radial roads that gave the historical paths suitable proportion to their new condition. This is the case of Cami Reial de Castilla that in 1953 was opened to traffic, becoming the new entrance road from Madrid to Valencia and the connection to the Manises airport. A large commercial and industrial axis was created along which large companies given its good communications with the capital of the state would be installed. This is the case of the bottler Coca-Cola (1958), the metal processing factory FLEX (1961) or the subsidiary SEAT (1965), all buildings made by the same architect, Mauro Lleo Serret (1914-2001), that became pioneers of modernity in the city. Bottling plant Coca-Cola, still being debtor in materials of Gutierrez-Soto models, plays in its composition with simple volumes of one or two plants that join successfully linking the program contained. The FLEX factory is an industrial building height that shows in its facade the structural grid that holds it, although still built with concrete, is confirmed as a compositional resource that is approaching the architect to Miesian constructive solutions. Finally, the S.E.A.T. building was a step towards standardized construction and prefabrication, though still distrusts in the solution of its facades built with curtain walls, brise-soleil and metal canopies. Highlighting the exhibition vehicle building, a geodesic sphere of steel and glass.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"124 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124652080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La condición de supervivencia en la percepción de la Naturaleza 对自然感知的生存条件

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2017-12-31 DOI: 10.14198/I2.2017.5.02

Antonio Cerezuela Motos

引用次数: 0

Influencia de los parámetros de diseño en el éxito del espacio público. Hacia una reconversión de los procesos de proyecto pensando en las personas. 设计参数对公共空间成功的影响。面向以人为本的项目过程的转换。

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2017-12-31 DOI: 10.14198/I2.2017.5.07

María del Mar Melgarejo Torralba

{"title":"Influencia de los parámetros de diseño en el éxito del espacio público. Hacia una reconversión de los procesos de proyecto pensando en las personas.","authors":"María del Mar Melgarejo Torralba","doi":"10.14198/I2.2017.5.07","DOIUrl":"https://doi.org/10.14198/I2.2017.5.07","url":null,"abstract":"Public Space is an urban element that let us observe, measure, count, analyze and get objective and specific answers. It is the symbol of the city; it is the basis of our socialization, because of that, we are working on it. Some urban design has had little influence on the day to day use that citizens make of it. Therefore, pinpointing the reasons and redesigning accordingly allows connection with the most direct beneficiaries: its citizens. This Research aims to know the influence of urban design on the success of public space, understanding as success a place in full use, full of activity, a social scene where people interact using it regularly and voluntarily. We propose a methodology where the military coastal city of Cartagena works as an urban laboratory, and we analyze the urban areas that have the same conditions and morphology and we compare them. We explore their social and urban context, as well as the people who live there, who are, of course, the protagonists. Results confirm that the design and structure of an old-town public space of a city like Cartagena have less influence than other contextual factors such as the urban, financial, social and historical. This demonstrates the need, from the discipline of architecture and urbanism, to listen more to the citizens because they are the \"clients\" of the spaces and it is necessary to revert the thought process of Urban spaces towards a design for people.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131043407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reflexiones sobre un PFC en Lima. Arquitectura y Urbanismo como convivencia y cooperación 对利马PFC的反思。建筑与城市主义是共存与合作

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2016-12-31 DOI: 10.14198/I2.2016.5.10

María-Elia Gutiérrez-Mozo

引用次数: 0

Las familias de SANAA. O cómo Kazuyo Sejima y Ryue Nishizawa responden a sus intereses arquitectónicos mediante secuencias de proyectos 萨那的家庭。或者Sejima Kazuyo和Ryue Nishizawa如何通过一系列项目回应他们的建筑兴趣

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2016-12-31 DOI: 10.14198/I2.2016.5.05

引用次数: 1

De la invasión al barrio 从入侵到社区

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2016-12-31 DOI: 10.14198/I2.2016.5.09

David Fontcuberta Rubio, P. Pastor

引用次数: 0

La creatividad que se experiencia 你所体验到的创造力

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2016-12-31 DOI: 10.14198/I2.2016.5.13

Tim Ingold

{"title":"La creatividad que se experiencia","authors":"Tim Ingold","doi":"10.14198/I2.2016.5.13","DOIUrl":"https://doi.org/10.14198/I2.2016.5.13","url":null,"abstract":"Creativity is often portrayed as an X-factor that accounts for the spontaneous generation of the absolutely new. Yet the obsession with novelty implies a focus on final products and a retrospective attribution of their forms to unprecedented ideas in the minds of individuals, at the expense of any recognition of the form-generating potentials of the relations and processes in which persons and things are made and grown. In these processes, practitioners are characteristically called upon to copy the works of past masters. However, though they may be guided by a script or score, every practitioner has to improvise his or her own passage through the array of tasks the performance entails. With examples from music, calligraphy and lace-making, I show that the wellsprings of creativity lie not inside people’s heads, but in their attending upon a world in formation. In this kind of creativity, undergone rather than done, imagination is not so much the capacity to come up with new ideas as the aspirational impulse of a life that is not just lived but led. But where it leads is not yet given. In opening to the unknown — in exposure — imagination leads not by mastery but by submission. Thus the creativity of undergoing, of action without agency, is that of life itself.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125044766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La adaptación climática mediante la innovación en materiales como un proceso de supervivencia: The Revenant a través del análisis de Dersu Uzala 通过材料创新作为生存过程的气候适应:通过Dersu Uzala分析的Revenant

[i2]: Investigación e Innovación en Arquitectura y Territorio Pub Date : 2016-12-31 DOI: 10.14198/i2.2016.5.04

C. J. Camacho

{"title":"La adaptación climática mediante la innovación en materiales como un proceso de supervivencia: The Revenant a través del análisis de Dersu Uzala","authors":"C. J. Camacho","doi":"10.14198/i2.2016.5.04","DOIUrl":"https://doi.org/10.14198/i2.2016.5.04","url":null,"abstract":"Emergency situations caused by natural disasters or conflicts have the potential to speed adaptation processes to extreme weather situations and innovative building systems through composites and light structural prototypes. Four actors are involved from several points of view in the same matter: the survival. Initially, the first actor begins the project phase with a location plan by using a map that is constantly modified to in-corporate geographical data and meteorological events during his seasonal expeditions. The second actor collects surrounding materials to build an habitat that is able to take on and successfully defy the harsh weather conditions. The third actor creates atmospheres from three different points of view as 3D renders that allow him to show the importance of the weather forecast in the project. Finally, the fourth actor relates the project and he proves how local conditions determine the connection between the initial ideas and the final work. These four actors are all together in Dersu Uzala, Akira Kurosawa’s film, shot in Ussuri taiga in 1976. Nowadays, the project actors are preparing laboratory tests of new materials which can be applied from territorial macro scale with topographic movements in harsh conditions to nanotechnology implemented to composites that use reinforced elements such as carbon fiber or graphene by sewing system instead of stick them, which can be used in marine platforms, airplanes and emergency constructions to improve local environmental conditions. From Dersu Uzala’s film (Akira Kurosawa, 1976) to The Revenant’s film (Alejandro Gonzalez Inarritu, 2015) we can see the need for a more targeted approach to an architecture of survival as the main character of these films does: “As long as you can still grab a breath, you fight”.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133907523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0