{"title":"Guilty Party, Curated by Justin Hoover","authors":"A. Storti","doi":"10.1163/23523085-07010021","DOIUrl":"https://doi.org/10.1163/23523085-07010021","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47600549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mimicry and Misrecognition: Re-dressing the Colonial Relation in Annu Palakunnathu Matthew’s Photographic Transformations","authors":"Rebecca M. Brown","doi":"10.1163/23523085-07010004","DOIUrl":"https://doi.org/10.1163/23523085-07010004","url":null,"abstract":"\u0000Annu Palakunnathu Matthew’s work “re-dresses” the legacies of nineteenth-century modes of imaging “Indians,” that is, both Native Americans and South Asian Americans. She honours the self-fashioning buried in nineteenth-century photographs of “native types” by restaging photographs with her own body, re-dressed in a construction of what an “Indian from India” is expected to be, all the while subtly pushing back at those expectations. For Matthew, photographs emerge as active participants in re-dressing and redressing the colonial and diasporic relation by demonstrating the ways in which Brown bodies continue to be forced into particular kinds of self-presentation; enacting the exhausting demand to assert oneself as Indian, American, human, legitimate, and belonging, and presenting these struggles as intimately linked to nineteenth-century legacies of representations of colonized, Brown bodies.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46089375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Tao Leigh Goffe, S. Gleeson, Atif Khan, Austin Kocher, Christin Washington, J. Salcido, Rewa Phansalkar, Ryan Persadie, Anisa Jackson, Elspeth Iralu, Erica Violet Lee, Hashem Abushama, Nisrin Elamin, Randa Tawil, Citlali Sosa-Riddell, Esmeralda Arrizón-Palomera, Kelsey Moore, Lydia Macklin Camel, Mónica Ramírez Bernal, Nancy Morales, Amanda Pinheiro, A. Ozaki, André Nascimento, Christopher Roberts, Essah Díaz, Reighan Gillam, Juhwan Seo, Priyanka Sen, Andrea Chung, Melanie Puka, Tauren Nelson, Heidi Amin-Hong
{"title":"The World We Became: Map Quest 2350, A Speculative Atlas Beyond Climate Crisis","authors":"Tao Leigh Goffe, S. Gleeson, Atif Khan, Austin Kocher, Christin Washington, J. Salcido, Rewa Phansalkar, Ryan Persadie, Anisa Jackson, Elspeth Iralu, Erica Violet Lee, Hashem Abushama, Nisrin Elamin, Randa Tawil, Citlali Sosa-Riddell, Esmeralda Arrizón-Palomera, Kelsey Moore, Lydia Macklin Camel, Mónica Ramírez Bernal, Nancy Morales, Amanda Pinheiro, A. Ozaki, André Nascimento, Christopher Roberts, Essah Díaz, Reighan Gillam, Juhwan Seo, Priyanka Sen, Andrea Chung, Melanie Puka, Tauren Nelson, Heidi Amin-Hong","doi":"10.1163/23523085-07010002","DOIUrl":"https://doi.org/10.1163/23523085-07010002","url":null,"abstract":"\u0000Tackling how racial justice and climate crisis are entangled, this essay introduces a speculative cartography experiment entitled The World We Became: Map Quest 2350. A collaboration between a collective of artists, poets, academics, curators, architects, and activists, this digital humanities project maps global ecological crises and shared Black, Asian, Pacific, Middle Eastern, Latin American, Caribbean, and Indigenous futures. Intentionally produced in a multimedia format, the born-digital speculative design experiment features visual and audio components presenting a planetary vision of the year 2350 as an underwater future in ruins. The atlas connects five transnational imaginaries that rescript the geographic boundaries of what we currently understand to be South Asia, the South Pacific, the Middle East, North America, Latin America, and the Caribbean. Situating nation-state borders as recent constructs, in this creative exercise the natural environment becomes a model for imagining interspecies relationality and co-presence. Mangroves and atolls form portals to speculative futures of non-human existence beyond the climate crisis and the impact of racial extractive capitalism. Anchored in five locales, the collective text brings together a global vision of survivance addressing migration, dispossession, Asian diaspora, Native sovereignty, Black fugitivity, and broader questions of global indigeneity. With life emerging from the ruins, this atlas forms a digital blueprint of suboceanic futures and the practice of interrogating what justice could mean in the far future.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43288460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ronak K. Kapadia, Insurgent Aesthetics: Security and the Queer Life of the Forever War","authors":"B. K. Singh","doi":"10.1163/23523085-07010019","DOIUrl":"https://doi.org/10.1163/23523085-07010019","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42503890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gaye Chan and Nandita Sharma: Eating in Public","authors":"Gaye Chan, Nandita Sharma","doi":"10.1163/23523085-07010016","DOIUrl":"https://doi.org/10.1163/23523085-07010016","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41765756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Diasporic Rhizome","authors":"Maya Mackrandilal","doi":"10.1163/23523085-07010024","DOIUrl":"https://doi.org/10.1163/23523085-07010024","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44036009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cross-Cultural Museum Bias: Undoing Legacies of Whiteness in Art Histories","authors":"Andrew Gayed","doi":"10.1163/23523085-07010006","DOIUrl":"https://doi.org/10.1163/23523085-07010006","url":null,"abstract":"\u0000When museums are used as sites of knowledge production and research, what are their responsibilities for anti-racist public education? Examining the racial logics that govern, organize, and fund museums, this essay focuses on institutional bias within knowledge production and argues that locating racial logics within museums can be an act of radical pedagogy. Museums are being challenged to become sites of social change, making it vital to study their power structures and the ways in which they organize and study other cultures, illuminating imperial and colonial biases existing at their foundations. The Canadian Museum of Civilization’s exhibition The Lands within Me: Expressions by Canadian Artists of Arab Origin, is a relevant case study as it opened within weeks of September 11, 2001. The moral panic surrounding the show provides a powerful glimpse of the ways in which certain narratives are excluded from Canadian national projects and how these racial projects exist within museums. Works by Camille Zakharia, an artist included in the exhibition, will be analyzed and the fragmented forms of his photo collages will be used as an organizing metaphor to discuss Canadian multiculturalism, racialization, and citizenship.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48163466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Eco Focus","authors":"Alexandra Chang","doi":"10.1163/23523085-07010001","DOIUrl":"https://doi.org/10.1163/23523085-07010001","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47265804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}