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Asian Diasporic Visual Cultures and the Americas最新文献

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Pamila Matharu: Where Were You in ’92?, Curated by Emelie Chhangur, Nasrin Himada and Charlotte Gagnier 帕米拉-马塔鲁：92 年你在哪里，由 Emelie Chhangur、Nasrin Himada 和 Charlotte Gagnier 策划
Asian Diasporic Visual Cultures and the Americas Pub Date : 2024-01-18 DOI: 10.1163/23523085-08030006
Adrian Deveau
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引用次数: 0
The City in Time: Contemporary Art and Urban Form in Vietnam and Cambodia, written by Pamela N. Corey 时间中的城市：越南和柬埔寨的当代艺术与城市形态》，Pamela N. Corey 撰写
Asian Diasporic Visual Cultures and the Americas Pub Date : 2024-01-18 DOI: 10.1163/23523085-08030005
Kylie Ching
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引用次数: 0
Au Fil des Îles Archipels | Islands and Archipelagos, Curated by Analays Alvares Hernandez and Raquel Cruz Crespo Au Fil des Îles Archipels |岛屿和群岛，由 Analays Alvares Hernandez 和 Raquel Cruz Crespo 策划
Asian Diasporic Visual Cultures and the Americas Pub Date : 2024-01-18 DOI: 10.1163/23523085-08030007
Anna Shah Hoque
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引用次数: 0
Surface Relations: Queer Forms of Asian American Inscrutability, written by Vivian L. Huang 表面关系：亚裔美国人不明确性的同性恋形式》，作者 Vivian L. Huang
Asian Diasporic Visual Cultures and the Americas Pub Date : 2024-01-18 DOI: 10.1163/23523085-08030004
Courtney Lau
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引用次数: 1
Giving Form to Refugee Memory: Ann Le’s Embody Wallpaper Portraits 赋予难民记忆形式：Ann Le 的 Embody 壁纸肖像
Asian Diasporic Visual Cultures and the Americas Pub Date : 2024-01-05 DOI: 10.1163/23523085-08030003
Kylie Ching
{"title":"Giving Form to Refugee Memory: Ann Le’s Embody Wallpaper Portraits","authors":"Kylie Ching","doi":"10.1163/23523085-08030003","DOIUrl":"https://doi.org/10.1163/23523085-08030003","url":null,"abstract":"\u0000In Vietnamese American artist Ann Le’s 2012 Embody Wallpaper Portraits series, wallpaper designs of repeating collaged and silhouetted documentary Vietnam War photographs cover the skin and faces of the artist’s own family portraits. The bodies of these haunting and preserved figures serve as sites of forged encounter between public and private photographic archives and commemoration. This article considers two works from this series, titled Mother Refuge and Re Education Graduation, which examine motherhood and the nation-state of the United States as sites that (un)make refuge(es) and question the relationship between re-education camps in Vietnam and the US education system as sites of indoctrination respectively. Theorizing collage as an art practice that prompts a relational analysis of the different war events, I argue that by suturing together seemingly disparate histories, memories, places, and photographs, Le makes visible and invisible the gendered and racial violence that sustains US imperial projects.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139536076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Downward Redistribution of Breath: Abolitionist Visions of Healing Justice from Chicago 呼吸的向下再分配：芝加哥废奴主义者对治愈正义的愿景
Asian Diasporic Visual Cultures and the Americas Pub Date : 2024-01-05 DOI: 10.1163/23523085-08030001
Ronak K. Kapadia
{"title":"The Downward Redistribution of Breath: Abolitionist Visions of Healing Justice from Chicago","authors":"Ronak K. Kapadia","doi":"10.1163/23523085-08030001","DOIUrl":"https://doi.org/10.1163/23523085-08030001","url":null,"abstract":"\u0000A new generation of visionary artists, activists, and healers from queer and trans Black, Indigenous, and People of Colour communities offer a crucial wellspring for insurgent ideas about breathing, healing, and justice that contrast the dominant militarized policing order in the United States. At a time when the proliferating calamities of global fascism, climate chaos, and endless warfare appear ascendant across the planet, how do minoritarian cultural workers living and labouring in the heart of empire make sense of this dying world order while breathing life into new worlds through their creative practices? The ecology of minoritarian aesthetics emerging from recent overlapping protest movements in Chicago are working to turn the tide against prisons, policing, and American warfare. They offer a powerful roadmap for indexing the dystopian here and now of US imperial decline and imagining rebellious futures that can move us from despair and isolation to coalition and transformation.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139629893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Piña, Why is the Sky Blue? Crafting Cyber Transfeminist and Filipinx Futurisms through Creative Technologies Piña，《天空为何蔚蓝？通过创意技术打造网络跨女性主义和菲律宾未来主义
Asian Diasporic Visual Cultures and the Americas Pub Date : 2024-01-05 DOI: 10.1163/23523085-08030002
Marissa Largo, Fritz Pino
{"title":"Piña, Why is the Sky Blue? Crafting Cyber Transfeminist and Filipinx Futurisms through Creative Technologies","authors":"Marissa Largo, Fritz Pino","doi":"10.1163/23523085-08030002","DOIUrl":"https://doi.org/10.1163/23523085-08030002","url":null,"abstract":"\u0000Stephanie Comilang and Simon Speiser’s Piña, Why is the Sky Blue? (2022) animates speculative aesthetics through creative technologies that give rise to decolonial futures. The installation centers on the fictive artificial intelligent figure, Piña, who carries Philippine and Ecuadorian ancestral and matriarchal data into the present and to diasporic communities who have been separated from this knowledge and culture by colonial suppression and global migration. Recapitulating the connection of these two former Spanish colonies, the artist duo generates Piña as a gender-fluid embodiment of digital systems designed to archive and convey Philippine and Ecuadorian Indigenous worldviews for the future. Echoing the aesthetic and political impulses of Indigenous futurisms and Afrofuturism, the authors argue that this work crafts Filipinx futurisms, global Indigenous resurgence, and what the authors coin as “cyber transfeminist aesthetics” by eluding binary categorizations—both gendered and computational, collapsing geographies and temporalities through virtual reality and enlivening ancestral epistemologies.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139630146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unnested Histories: on Visibility and the Legacy of East Coast Asian American Art Movements 无争议的历史：论东海岸亚裔艺术运动的可见性和遗产
Asian Diasporic Visual Cultures and the Americas Pub Date : 2023-05-22 DOI: 10.1163/23523085-08010019
Christina Ong
{"title":"Unnested Histories: on Visibility and the Legacy of East Coast Asian American Art Movements","authors":"Christina Ong","doi":"10.1163/23523085-08010019","DOIUrl":"https://doi.org/10.1163/23523085-08010019","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42461566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decompositional Forms: Asiatic Disfigurement, Sensorial Excess, and Queer Inhumanisms in Candice Lin’s Natural History 分解形式:林倩琳《自然史》中的亚洲式毁容、感官过剩与酷儿不人道
Asian Diasporic Visual Cultures and the Americas Pub Date : 2023-05-22 DOI: 10.1163/23523085-08010005
Michelle Lee
{"title":"Decompositional Forms: Asiatic Disfigurement, Sensorial Excess, and Queer Inhumanisms in Candice Lin’s Natural History","authors":"Michelle Lee","doi":"10.1163/23523085-08010005","DOIUrl":"https://doi.org/10.1163/23523085-08010005","url":null,"abstract":"\u0000This article analyzes Candice Lin’s 2020 solo exhibition, Natural History: A Half-Eaten Portrait, an Unrecognizable Landscape, a Still Still Life, a show that reflects the artist’s ongoing enquiry into non-Western botanical knowledge and attempts to develop nontoxic death rituals by building more-than-human intimacies. Merging the biological processes associated with decomposition and the discursive formations of race and gender, the work also interrogates the knowledge systems constructed by museums. I examine Lin’s works through the lens of queer inhumanisms to illustrate how this exhibition challenges modern curatorial practices and historical representations of the Asiatic in natural histories. I refer to this aesthetics of disfigurement as “decompositional forms.” Ultimately, I forward that this method of representation renders Asian American racial form into multisensorial registers (which literally penetrate art consumers) to recognize racial histories beyond identity and alongside the omni-presence of the more-than-human.","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46843718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Karen Tam: With wings like clouds hung from the sky, curated by Anik Glaude 卡伦·谭:翅膀像云彩一样悬挂在天空，由阿尼克·格劳德策划
Asian Diasporic Visual Cultures and the Americas Pub Date : 2023-05-22 DOI: 10.1163/23523085-08010014
Eliza M. Tsui
{"title":"Karen Tam: With wings like clouds hung from the sky, curated by Anik Glaude","authors":"Eliza M. Tsui","doi":"10.1163/23523085-08010014","DOIUrl":"https://doi.org/10.1163/23523085-08010014","url":null,"abstract":"","PeriodicalId":29832,"journal":{"name":"Asian Diasporic Visual Cultures and the Americas","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64618536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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