AVANCA | CINEMA最新文献_第9页

Cinema português e saúde mental: Clínica e estética — uma proposta de investigação 葡萄牙电影与心理健康：诊所与美学--研究提案

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a502

Edmundo Cordeiro

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Adult film industry leading the movie making into the AI 成人电影业引领电影制作进入人工智能时代

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a546

Narce Dalia Ruiz Guzmán

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“É você?”: a criação para si e para os outros "那是你吗？"：为自己和他人创作

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a524

Gregorio Galvão de Albuquerque

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Modern narrative structure in animated short films: a tool to increase suspense 动画短片中的现代叙事结构：增加悬念的工具

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a500

Elahe Saberi

{"title":"Modern narrative structure in animated short films: a tool to increase suspense","authors":"Elahe Saberi","doi":"10.37390/avancacinema.2023.a500","DOIUrl":"https://doi.org/10.37390/avancacinema.2023.a500","url":null,"abstract":"Classical narrative structure introduces specific principles and features to keep the audience engaged with the film. Modern, nonlinear narrative structures, however, provide their own techniques and tools in this sense. They can be utilized in animated short films to develop anticipation and suspense. The majority of animated short films are still focusing on classical narrative principles which only allows chronological order of time and sequence of events. Yet, a considerable potential of applying various nonlinear structures can be addressed when it comes to modern storytelling in animation. Consequently, filmmakers are able to increase suspense by solely adopting such variations. This paper discusses nonlinear narrative structures in five animated short films, “If anything happens I love you” (2021), “Alma” (2009), “Skhizein” (2008), “The house of small cubes” (2008) and “Maestro” (2005), and the way they suggest increased suspense by deviating from classical narrative principles. The present paper explains such potential by relying on David Bordwell theories, where he put an emphasis on important aspects of nonlinear narratives such as time, order, duration and frequency in particular. This paper argues that not only applying nonlinear structures are viable in the context of animated short films, different variations can be utilized as a powerful, innovative and beneficial tool in order to grab and hold the audience’s attention without having to concentrate on an excessively complicated timeline in the story.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"13 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139536178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dos Regressos 的回报

AVANCA | CINEMA Pub Date : 2022-09-21 DOI: 10.37390/avancacinema.2022.a398

José Duarte

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Entre a ficção e a realidade: o caso particular da curta-metragem “Bugs and Daffy’s Carnival of the Animals by Camille Saint-Saëns” (1976) de Chuck Jones 在小说与现实之间:以查克·琼斯(Chuck Jones)的短片《Bugs and Daffy’s Carnival of the Animals》Saint- saens(1976)为例

AVANCA | CINEMA Pub Date : 2022-09-21 DOI: 10.37390/avancacinema.2022.a399

Rosário Santana, Helena Maria Da Silva Santana

{"title":"Entre a ficção e a realidade: o caso particular da curta-metragem “Bugs and Daffy’s Carnival of the Animals by Camille Saint-Saëns” (1976) de Chuck Jones","authors":"Rosário Santana, Helena Maria Da Silva Santana","doi":"10.37390/avancacinema.2022.a399","DOIUrl":"https://doi.org/10.37390/avancacinema.2022.a399","url":null,"abstract":"The Carnival of the Animals is a piece for two pianos and orchestra written by Camille Saint-Saëns. It was composed in February 1886, when the composer was on vacation in a small village in Austria. The piece, far from being an innocent musical piece, appears as a social, political and artistic satire. The composer’s objective was to criticize the Parisian musical environment at the end of the 19th century.From the analysis of “Bugs and Daffy’s Carnival of the Animals by Camille Saint-Saëns”, produced, written and directed by Chuck Jones in 1976 -, we want to understand how the musical work defines the narrative contents of the animated film. In another, in this filmic proposal, the visual component that is built from two characters of animation cinema, Bugs Bunny and Daffy Duck, appears as a link with other form of arts, especially music, in order to clarify the various discursive plans that compete there. The narrative overlaps two planes, the real and the animated one. In another, it reflects, through a fictionalized narrative, a sharp critique of French society at the beginning of the 20th century. So, by its analysis, we expect to understand the contribution brought by the simultaneous use of the real and the fictional plans in order to shape the filmic object.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122583698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Perspectivas: uma excursão pelo cinema feito por mulheres no Amazonas 视角:亚马逊女性电影之旅

AVANCA | CINEMA Pub Date : 2022-09-21 DOI: 10.37390/avancacinema.2022.a411

Pâmela Eurídice da Silva Beleza Baltazar, Selda Vale da Costa

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Ecological Cinema with best practices and reducing environmental impact 生态影院与最佳实践和减少对环境的影响

AVANCA | CINEMA Pub Date : 2022-09-21 DOI: 10.37390/avancacinema.2022.a463

Narce Dalia Ruiz Guzmán

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Memórias em movimento: a criação de videoarte através do arquétipo antropológico e dos modelos a/r/tográfico e a/r/cográfico 记忆:建立运动videoarte通过人类学的原型和模型的a / r / tográfico和a / r / cográfico

AVANCA | CINEMA Pub Date : 2022-09-21 DOI: 10.37390/avancacinema.2022.a455

Alexandre Catarino Oliveira Martins

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Biografias em Vertigem: As Trajetórias de Petra Costa e Leni Riefenstahl 令人眩晕的传记:佩特拉·科斯塔和莱尼·瑞芬斯塔尔的轨迹

AVANCA | CINEMA Pub Date : 2022-09-21 DOI: 10.37390/avancacinema.2022.a441

Marcos De Bona de Carvalho

{"title":"Biografias em Vertigem: As Trajetórias de Petra Costa e Leni Riefenstahl","authors":"Marcos De Bona de Carvalho","doi":"10.37390/avancacinema.2022.a441","DOIUrl":"https://doi.org/10.37390/avancacinema.2022.a441","url":null,"abstract":"The article will discuss the trajectories of young women filmmakers who, with access to the backstage of power, made films about important events in the histories of Germany and Brazil.In 1935 Leni Riefenstahl launches The Triumph of the Will, using her proximity to Nazi leaders and Hitler himself. The same ones who deliver inflammatory speeches captured by the filmmaker applying innovative techniques that made her a reference in the world of cinema. But the World War II provoked a career turn for Riefenstahl, who later tries to hide his involvement with Nazism.In 2020 The Edge of Democracy is nominated for an Oscar for best documentary. The proximity of director Petra Costa to power also helped to highlight her film among others made about the impeachment process of Dilma Rousseff, who gives exclusive testimonies and is captured at intimacy moments by Petra. Intertwining the history of corruption of the construction companies that prospered during the military dictatorship in Brazil with recent events, Petra (granddaughter of a contractor) portrays the growing abyss that divides the country putting its democracy in jeopardy. The title of the film is prophetic, considering events that happened during the Bolsonaro government, which benefited from Dilma’s impeachment.Based on texts by Susan Sontag (Under the Sign of Saturn) and on articles from the Brazilian magazines Veja and Piauí, I will analyze the relationship of the filmmakers with their films and their times. Demonstrating that, despite having opposed political ideologies, their trajectories have several points of mirroring.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121198204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0