AVANCA | CINEMA最新文献

Cleo and Leo: Rigging of Quadruped Characters for a 3d Animation Series 克莱奥和里奥三维动画系列中的四足角色装配

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a549

Ana Luíza Leite Silva, Larissa Duarte Santana Farias, Marcelo Tannure, João Victor Boechat Gomide

引用次数: 0

Cinema, Teoria das Representações e a Produção do Espaço 电影、表象理论和空间制造

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a517

Éverton de Moraes Kozenieski

引用次数: 0

A Cinematografia do Passageiro a Motor: Experiências do Súbito na Literatura 汽车乘客的电影：文学作品中的突发体验

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a480

F. Silveira

引用次数: 0

ENCINE: uma prova de conceito de política pública para o audiovisual ENCINE：视听公共政策的概念验证

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a519

Pedro Gandolla, Ana Paula Dantas Passos

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Perspectives of Intertextuality in Cinema, with Special References to the Work of Kristeva, Barthes, and Jenny: A Comparative Study 电影中的互文性视角，特别是克里斯蒂娃、巴特和珍妮的作品：比较研究

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a528

Vahid Rajabi, Afsaneh Nazeri, Samira Khodabakhshi

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“A house as old as this”: Domestic Horror in Del Toro’s Crimson Peak "像这样古老的房子"：德尔-托罗《绯红山峰》中的家庭恐怖

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a492

Diana Marques, Ana Rita Martins

{"title":"“A house as old as this”: Domestic Horror in Del Toro’s Crimson Peak","authors":"Diana Marques, Ana Rita Martins","doi":"10.37390/avancacinema.2023.a492","DOIUrl":"https://doi.org/10.37390/avancacinema.2023.a492","url":null,"abstract":"The importance of ‘place’ in human experience has been widely recognised by scholarship in different fields of study (Smith 1987; Martin 2014; McAndrew 2020) that have pointed out how one’s sense of place and of personal identity are deeply linked. In this context, one of the most relevant places is the house in which one grows up and lives. Traditionally, the home has been depicted as a haven, a shelter from the menaces of the outside world, to where one can safely withdraw. However, what happens when the home creates feelings of horror and oppression, and becomes a site of conflict and brutality?Guillermo Del Toro’s 2015 gothic film Crimson Peak delves into these questions by introducing a house, Allerdale Hall, and a family, the Sharpes, haunted by a cruel past that is both alive and impossible to forget. In this paper, we intend to show how, by resorting to well-known gothic tropes, Crimson Peak subverts the audience’s expectations of home and forces us to question whether the latter can be a safe space. We also aim to discuss the role of the main female characters whom Del Toro seems to model after the Victorian ideal of womanhood, ‘the angel in the house’, Edith Cushing (Mia Wasikowska), and its/her antagonist, ‘the fallen woman’ and ‘the madwoman in the attic’, Lucille Sharpe (Jessica Chastain), whose sexuality threatens socially accepted norms.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"20 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139450448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Performative Cinema and Its Techniques 表演电影及其技术

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a482

Eugen Dediu

{"title":"Performative Cinema and Its Techniques","authors":"Eugen Dediu","doi":"10.37390/avancacinema.2023.a482","DOIUrl":"https://doi.org/10.37390/avancacinema.2023.a482","url":null,"abstract":"The aim of this paper presentation is to analyze in-depth the transition and transformation of performance art into the world of cinema, creating the notion of performative cinema – a notion that is very present in today`s cinematic language, however not enough recognized as a movement in itself. The core mantra of performative cinema is the involvement of the spectator – both the emancipation of the viewer in an age of consumerist blockbusters and his awakening into a certain state of mind (in some cases, performative cinema can even lead towards transcendental meditation). The paper will briefly follow the origins of performative cinema and its techniques, with roots in the works of Alejandro Jodorowsky, Pier Paolo Pasolini and Pere Portabella, while reaching into the present through works of film auteurs like Apichatpong Weerasethakul and Yorgos Lanthimos. The presentation will focus to unveil and analyze the approaches of performative cinema, conveying how it works as a piece of performance art in itself – and how its relay into cinema can be direct, with a dadaesque influence through a transgressive political message (`Holy Motors` by Leos Carax representing an example), or more subtle – through nuances and refined directorial interventions (Weerasethakul`s `Memoria`). The systematic analysis of these movies as core examples of performative cinema means an enterprise into both the narrative elements and the visual identity of the films, with the purpose of classifying a genre that has remained unknown for too long, deserving the treatment of a cinematic wave in itself.","PeriodicalId":297336,"journal":{"name":"AVANCA | CINEMA","volume":"15 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139450464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Monsters That Frighten Me, The Haunts That Feed Me: The Unusual And The Experience Of Marathon For Children And Youth 让我恐惧的怪兽，让我食欲大增的鬼屋：儿童和青少年的非同寻常和马拉松体验

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a532

Isac dos Santos Pereira, Maria Ignes Carlos Magno

引用次数: 0

The revival of Tunisian post revolution independent cinema: “Dachra” by the filmmaker Abdelhamid Bouchnak 革命后突尼斯独立电影的复兴：电影制作人 Abdelhamid Bouchnak 的作品 "Dachra

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a508

Maroua Médini

引用次数: 0

Live cinema e o seu potencial como recurso para as aulas online 实况电影及其作为在线课堂资源的潜力

AVANCA | CINEMA Pub Date : 2024-01-05 DOI: 10.37390/avancacinema.2023.a551

Rosimária Sapucaia, Mirian Tavares

引用次数: 0