{"title":"Cuerpo, dolor y danza. Autoetnografía de una bailarina moreliana y de aquellos que la acompanaron","authors":"","doi":"10.51995/2763-6569.v1i1e202204","DOIUrl":"https://doi.org/10.51995/2763-6569.v1i1e202204","url":null,"abstract":"El objetivo central de este trabajo es reflexionar desde el enfoque autoetnográfico acerca de las experiencias personales y compartidas que tuvimos como alumn@s en el campo de la educación dancística en la ciudad de Morelia. A partir de ello, buscamos visibilizar el efecto que tuvo el contacto con las prácticas y discursos de violencia y autoviolencia corporal y psicológica en la construcción de nuestras subjetividades y la relación con nuestros cuerpos.","PeriodicalId":297034,"journal":{"name":"Dance and Arts Review","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131472917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bailes y danzas en la época colonial. Dinámicas mestizas en la ciudad de Jujuy, siglos XVII-XVIII","authors":"","doi":"10.51995/2763-6569.v1i1e202001","DOIUrl":"https://doi.org/10.51995/2763-6569.v1i1e202001","url":null,"abstract":"This paper presents the identification of dances configured during the American reality of the colonial period in a city located between the Viceroyalty of Peru and the Viceroyalty of the Rio de la Plata, in the context of the 17th and 18th centuries, but with pre-Hispanic and modern projections in order to outline performances on which there are scarce records, and with comparative references to a wider space related to the case study: the Rio de la Plata, the Andean world and the border with the Chaco. In particular, the researcher proposes the hypothesis that dances were stabilizing poles for the conflictive and complex mimesis with the background of coexistence, articulated the diverse American societies of Europeans, Indians and Afro-Americans, based on mestizo dynamics which combined the dances with food and drink, sensuality, power and authority and local religiosity. The research was carried out from a cultural history perspective, working with original documentation generated by the state, the church and judicial records of individuals. However, due to the concise historical data, archaeological interpretations of pre-and post-Hispanic societies, as well as ethnographic surveys of the Andean and Chaco region were considered in this case study.","PeriodicalId":297034,"journal":{"name":"Dance and Arts Review","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115623357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prácticas corporales y articulaciones de resistencia en la danza como performance social","authors":"","doi":"10.51995/2763-6569.v1i1e202003","DOIUrl":"https://doi.org/10.51995/2763-6569.v1i1e202003","url":null,"abstract":"The body is one of the central axes –both in theory and in practice– of performance. Due to this important link between corporeality and performance, the paper aims to reflect on dance as social practice, understanding the body as a social sign through which groups transmit their norms and beliefs, and as an important link with the world to express concerns and problems within society. In this context, body language is considered a legitimate alternative to verbal discourses. Therefore, performance studies and dance analysis constitute an important tool for the observation of bodily practices and social behavior. The researcher argues that bodies have the capacity for perception and expression. For this reason, social actors have agency to express themselves through their bodies not only in an aesthetic-artistic way, but also to find in them a tool for resistance within complex power relations. To reaffirm this position, the article explores as an example Brazilian dance in the Lerma Valley (Salta, Argentina), where it was possible to observe these issues. Furthermore, the research highlights dance as social practice in everyday life where especially women take power of their bodies articulating themselves through dance.","PeriodicalId":297034,"journal":{"name":"Dance and Arts Review","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123668998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interview with Margarita Peraza-Rugeley","authors":"","doi":"10.51995/2763-6569.v1i1e202002","DOIUrl":"https://doi.org/10.51995/2763-6569.v1i1e202002","url":null,"abstract":"Margarita Peraza-Rugeley, artist and researcher, Doctor in Latin American colonial literature and university professor, is a creative talent who talks to us about her work and creative processes. Her passage through different cities and countries, especially during her formative years, have undoubtedly enriched her work. Among her references, she cites pottery, jewelry and the Mexican architect Luis Barragán Morfin. Below, we share the interview.","PeriodicalId":297034,"journal":{"name":"Dance and Arts Review","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130714095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE ART OF GROWING TOGETHER: KOREAN POETRY TRANSLATED INTO SPANISH","authors":"A. M. Peraza-Rugeley","doi":"10.51995/2763-6569.v3i1e202206","DOIUrl":"https://doi.org/10.51995/2763-6569.v3i1e202206","url":null,"abstract":"Art has no frontiers, but when the art in question is literature, it is more the language itself that limits that art’s diffusion and consequent appreciation. The translation of literature from other cultures, and especially from cultures that in earlier times were labeled exotic or alien to one’s own, has assumed greater relevance in our era. This essay explores poetry and other Korean cultural artifacts, some ancient and others contemporary, as a means of identifying both touchstones for and obstacles to cross-cultural communication.\u0000Keywords: Literary translation, Moon-Chung-Hee, Spanish poetry, postcolonial societies, cross-cultural comunnication.","PeriodicalId":297034,"journal":{"name":"Dance and Arts Review","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117052021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Communication, culture and performances: Female empowerment and the digital scene of Brazilian black music","authors":"","doi":"10.51995/2763-6569.v2i1e202205","DOIUrl":"https://doi.org/10.51995/2763-6569.v2i1e202205","url":null,"abstract":"In this work we assume that communication and its technologies mediate culture and that, allied to the value interests of the market, they contribute to the operation of meaning among the subjects. In this context we aim to establish a dialogue with studies whose objects are performances of communication in diverse cultures. It is important to highlight the way in which the Brazilian women/artists we have chosen for our reflections – Linn da Quebrada, Ludmilla and Karol Conka – fit into the anti-racist agenda. In dialogue with the perspective presented and focused on the representation of black women in media productions, we are interested in discussing how they perform gender and racial identities. In methodological terms, we conducted a bibliographic research and procedures for collecting empirical data on the YouTube platform. As results, from the communication point of view, we observe that the channels for the circulation of the clips are either the singers’ own or built in partnership, which implies greater autonomy for the transmission of content.","PeriodicalId":297034,"journal":{"name":"Dance and Arts Review","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129989874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Adriana Martins Correia, Grit Kirstin Koeltzsch, Carlos Alberto Figueiredo da Silva
{"title":"WALKING HISTORIES: NARRATIVES OF YOUNG URBAN DANCERS IN THE CITY OF RIO DE JANEIRO (BRAZIL)","authors":"Adriana Martins Correia, Grit Kirstin Koeltzsch, Carlos Alberto Figueiredo da Silva","doi":"10.51995/2763-6569.v3i1e202207","DOIUrl":"https://doi.org/10.51995/2763-6569.v3i1e202207","url":null,"abstract":"The aim of the study is to investigate the construction of street dances in the city of Rio de Janeiro, describing urban dancers and their daily 'art of doing', listening to their voices and observing their physical and virtual interactions. In this paper, a specific methodological approach is applied towards a tactical plan in order to understand the urban dance phenomenon within the universe of hip-hop culture. This particular approach includes the analysis of eleven narratives of young dancers and their everyday experiences, their personal life stories, interlinked with categories such as masculinity and business. The results reveal the complexity of hip-hop and street-dance culture in general, and specifically among young Brazilians. The narratives of these young men have provided an effective means for representing hip-hop dancers’ concerns and bodily articulations in order to comprehend their dance practice and the construction of spaces, but also indicate aesthetic and commercial dimensions.\u0000Keywords: Hip-hop; dance; urban; masculinity; Brazil.","PeriodicalId":297034,"journal":{"name":"Dance and Arts Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130039121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}