行走的历史:巴西里约热内卢市年轻城市舞蹈家的叙述

Adriana Martins Correia, Grit Kirstin Koeltzsch, Carlos Alberto Figueiredo da Silva
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引用次数: 0

摘要

本研究旨在调查里约热内卢市街舞的构建,描述城市舞者及其日常 "行为艺术",倾听他们的声音,观察他们的身体和虚拟互动。本文采用了一种特殊的方法论,旨在制定一项战术计划,以了解嘻哈文化世界中的城市舞蹈现象。这种特殊方法包括分析 11 篇年轻舞者的叙事及其日常经历、个人生活故事,这些叙事与男性气质和商业等类别相互关联。分析结果揭示了嘻哈和街舞文化的复杂性,特别是在巴西年轻人中的复杂性。这些年轻人的叙事提供了一种有效的方式来表现嘻哈舞者的关注点和身体表达,从而理解他们的舞蹈实践和空间构建,同时也表明了美学和商业层面:嘻哈;舞蹈;城市;男性气质;巴西。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
WALKING HISTORIES: NARRATIVES OF YOUNG URBAN DANCERS IN THE CITY OF RIO DE JANEIRO (BRAZIL)
The aim of the study is to investigate the construction of street dances in the city of Rio de Janeiro, describing urban dancers and their daily 'art of doing', listening to their voices and observing their physical and virtual interactions. In this paper, a specific methodological approach is applied towards a tactical plan in order to understand the urban dance phenomenon within the universe of hip-hop culture. This particular approach includes the analysis of eleven narratives of young dancers and their everyday experiences, their personal life stories, interlinked with categories such as masculinity and business. The results reveal the complexity of hip-hop and street-dance culture in general, and specifically among young Brazilians. The narratives of these young men have provided an effective means for representing hip-hop dancers’ concerns and bodily articulations in order to comprehend their dance practice and the construction of spaces, but also indicate aesthetic and commercial dimensions. Keywords: Hip-hop; dance; urban; masculinity; Brazil.
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