Lakon : Jurnal Kajian Sastra dan Budaya最新文献

{"title":"TEORI EKOKRITIK SASTRA: KAJIAN TERHADAP KEMUNCULAN PENDEKATAN EKOLOGI SASTRA YANG DIPELOPORI OLEH CHERYLL GLOTFELTY","authors":"Afriya Naili Zulfa","doi":"10.20473/lakon.v10i1.29774","DOIUrl":"https://doi.org/10.20473/lakon.v10i1.29774","url":null,"abstract":"Artikel yang berjudul Teori Ekokritik Sastra: Kajian terhadap Kemunculan Pendekatan Ekologi Sastra yang dipelopori Cheryll Glotfelty ini bertujuan untuk mengkaji dan membahas lebih lanjut mengenai latar belakang kemunculan teori ekokritik sastra juga definisi serta istilah-istilah kunci di dalamnya. Selain itu, artikel ini juga membahas lebih dalam mengenai inti pembahasan dan isu yang biasa diteliti dalam kajian yang menggunakan teori ekokritik sastra beserta cara penerapannya. Sebagai salah satu teori yang lumayan baru, teori ekokritik sastra mencakup topik dan isu yang sangat luas sehingga membuat kajian menjadi lebih fleksibel, meski demikian masih cukup jarang yang mengaplikasikan teori ekokritik sastra terutama dalam dunia kajian sastra di Indonesia. Maka dari itu, artikel ini mencoba untuk memberikan penjelasan singkat mengenai ekokritik sastra, pentingnya teori ekokritik sastra sehubungan dengan masalah lingkungan yang tengah dihadapi manusia, juga macam-macam cara penerapan yang diharapkan bisa membantu pembaca dan calon peneliti.","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125097730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REPRESENTATION OF THE NEW REGIME TRANSITION TOWARDS THE REFORMATION ERA IN THE TEMBOK PAK RAMBO SHORT STORY BY TAUFIK IKHRAM JAMIL: INTERTEXTUALITY STUDY","authors":"Ni Luh Ayu Sukmawati","doi":"10.20473/lakon.v9i1.19810","DOIUrl":"https://doi.org/10.20473/lakon.v9i1.19810","url":null,"abstract":"The transition era between the New Order Era to the Reformation Era in Indonesia in 1998 became one of the popular themes for Indonesian writers. One of the works entitled Tembok Pak Rambo inserted elements of historical facts that occurred in Indonesia. The representation of the obscurity of the new order in this short story cannot be read only with heuristic readings, therefore a theory is needed to explore more profound the significance of the story. This paper utilizes the intertextuality approach in dismantling the veiled meanings in the story. The results showed that the short story represents two Indonesian leaders in the era of the new order transition to the reform era. This representation appears when aligned with a book called The Long Way of Indonesia Towards Democracy written by B. J. Habibie. Moreover, the short story titled Tembok Pak Rambo is not just about the hegemony between the ruler to his subordinates, but how the Indonesian writers were trying to criticism on the government and the historical facts that happened in 1998.","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121887500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REPRESENTATION OF SAYURI AS GEISHA IN THE NOVEL MEMOIR OF GEISHA BY ARTHUR GOLDEN","authors":"Siti Lussiyandari","doi":"10.20473/lakon.v9i1.19862","DOIUrl":"https://doi.org/10.20473/lakon.v9i1.19862","url":null,"abstract":"The aims of this study is discover how this novel constructs Sayuri as a Geisha. In order to reach that results, this study figured out the functions of the narrative and connected it into seven spheres of action. Hence, in order to analysis the data, this study used qualitative method which all of the data had to be noted, identified, and then can be explained. This study used the theory of Vladimir Propp in order to figure the narrative structure out of the novel itself. Propp provided such tools to analyze the data. There are twelve functions out from thirty one found in this study: absentation, violation, trickery, mediation, departure, the first function of donor, branding, victory, unrecognized arrived, recognition, exposure, and wedding. The researcher figured out seven spheres of action” which are in the following list: The Hero, The Villain, The Donor, The Helper, and The False Hero. Sayuri here is depicted as object of sexuality for man. Almost all of men subdued over her.","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"53 17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133287544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TOKOH UTAMA TAK BERPENGHARAPAN DALAM CERITA RAKYAT INDONESIA","authors":"Iit Purnama Asri","doi":"10.20473/lakon.v8i2.9506","DOIUrl":"https://doi.org/10.20473/lakon.v8i2.9506","url":null,"abstract":"Penelitian ini bertujuan untuk menguak bagaimana tokoh utama yang tidak berpengharapan diceritakan dalam cerita rakyat Indonesia. Penelitian ini berfokus pada dua cerita rakyat dengan tokoh utama pria yang tidak rupawan yaitu Bujang Katak dari Bangka Belitung dan Si Bungsu Katak dari Pulau Kei. Dua karakter laki-laki utama dalam cerita dijelaskan melalui teori aktansial A. J. Greimas. Fokus dari penelitian ini adalah kesamaan objek dalam bentuk pernikahan dengan putri raja dan penentang yang berbeda yaitu persyaratan dari raja. Temuan dari penelitian ini meliputi: 1) Objek dari dua cerita adalah sama yaitu pernikahan dengan putri raja, yang berarti sumber kebahagiaan bagi pria adalah pernikahan; 2) Penentang pada kedua cerita yaitu persyaratan dari raja yang menunjukkan bahwa raja dan putrinya yang menikahi Bujang Katak dan Si Bungsu Katak adalah materialistis. Hal itu dapat dilihat dari persyaratan yang diajukan oleh raja bersifat sangat material dan sang putri tidak menolak persyaratan tersebut.","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"515 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116209731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE STUDY OF INTERTEXTUALITY ON NOVEL ENTITLED A VERY YUPPY WEDDING AND DIVORTIARE BY IKA NATASSA","authors":"Zahria Farlydia Farikhin","doi":"10.20473/lakon.v8i2.19775","DOIUrl":"https://doi.org/10.20473/lakon.v8i2.19775","url":null,"abstract":"This research aimed to describe intertextual in the novel A Very Yuppy Wedding and Divortiare by Ika Natassa. This research used a descriptive qualitative approach in the form of structural. The result of the data analysis is that theme has similarity. The themes of these novels are love, friendship, and family. Figure and characterization in the novels has less different, the figures describe as  a work hard figure not only for the job but also on their relationship. In both of the novel, both of the main characters are women and use the first person as the point of view. Whereas the plot of the novels has different, that is novel Divortiare has a flash-back plot and A Verry Yuppy Wedding has a progressive plot. Both of the novel have differences in the story but have the same happy ending. The background of the stories are not different. Ika Natassa takes both of the settings in Jakarta. The conclusion is both of the novels have no significant differences.","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121345430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"RELIGIUSITAS WARIA DI SURABAYA","authors":"Fatmawati Fatmawati","doi":"10.20473/lakon.v8i2.19778","DOIUrl":"https://doi.org/10.20473/lakon.v8i2.19778","url":null,"abstract":"Tulisan ini bertujuan mengkaji religiusitas waria di Surabaya dengan menganalisis latar belakang kehidupan dan agama, representasi religiusitas, dan hak kebebasan beragama yang mereka miliki. Penelitian ini bersifat kualitatif dengan teknik pengumpulan data berupa wawancara terstruktur dengan dua responden yang dipilih dengan sengaja (purposive) berdasarkan kriteria tertentu. Data primer berupa transkripsi rekaman wawancara yang didukung oleh data sekunder berupa kajian pustaka. Hasil temuan menunjukkan bahwa para waria di Surabaya memiliki latar belakang kehidupan dan agama yang berbeda. Religiusitas mereka direpresentasikan dengan afiliasi pada agama tertentu, keaktifan di organisasi keagamaan, perilaku altruisme, praktik religiusitas, dan manfaat religius yang mereka peroleh. Hak kebebasan menganut suatu agama termasuk mempertahankan dan mengganti agama telah mereka peroleh namun hak kebebasan menjalankan ibadah keagamaan masih harus diperjuangkan.","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133246886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IDENTITAS ETNIS DAN PROSES AKULTURASI ROHINGYA DI BANGKOK, THAILAND","authors":"Rungthum Rangsikul","doi":"10.20473/LAKON.V8I1.9331","DOIUrl":"https://doi.org/10.20473/LAKON.V8I1.9331","url":null,"abstract":"Penelitian ini bertujuan untuk meneliti konstruksi identitas etnis Rohingya dan menemukan proses-proses penyesuaian diri mereka dalam pengungsiannya di Kota Bangkok Thailand melalui proses akulturasi. Dalam penelitian ini, saya berargumen bahwa pengalaman etnis Rohingya di negara Thailand dalam proses konstruksi identitas dan akulturasinya akan cenderung berbeda dengan negara tetanga lain berdasarkan budaya dan keyakinan. Perbedaan pengalaman ini selanjutnya menjadi dasar penelitian untuk melihat bagaimana change and continuities, berbagai perubahan dan hal-hal yang terus dipertahankan dalam konteks konstruksi identitas dan akulturasi etnis Rohingya sebagai bentuk adaptasi mereka di Bangkok. Populasi yang diteliti adalah Rohingya yang tinggal di kota Bangkok, Thailand. Wawancara mendalam digunakan untuk memperoleh data kualitatif dari lima responden Rohingya. Temuan utama adalah strategi akulturasi yang mencerminkan integrasi. Berhubungan dengan orang secara bertahap meningkatkan dari waktu ke waktu. Diskriminasi dianggap sebagai masalah problematik. Hidup dalam lingkungan yang berubah telah dimodifikasi tergantung pada konteks budaya, latar belakang individu, dan karakteristik sosial.","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115973234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PERBANDINGAN REPRESENTASI ETNIS UIGHUR DI MEDIA BERITA CHINA DAILY DAN BBC","authors":"Sun Wanting, Kukuh Yudha Karnanta","doi":"10.20473/LAKON.V8I1.9330","DOIUrl":"https://doi.org/10.20473/LAKON.V8I1.9330","url":null,"abstract":"Penelitian yang berjudul “Perbandingan representasi etnis Uighur di Media Berita China Daily dan BBC” ini dilakukan oleh peneliti untuk melihat citra etnis Uighur yang direpresentasikan oleh China Daily dan BBC. Metode penelitian ini menggunakan metode kualitatif dengan memanfaatkan pendekatan analisis wacana kritis model Teun A. Van Dijk terhadap analisis wacana media, yaitu melalui teks, kognisi sosial, dan konteks sosial dalam membongkar makna dibalik perbedaan representasi teks berita terkait isu etnis Uighur oleh kedua media tersebut. Hasil penelitian ini menunjukkan bahwa media berita online China Daily cenderung memberitakan etnis Uighur dalam perspektif eksotisme. Sementara itu, media berita online BBC memberitakan etnis tersebut secara lebih problematik. Perbedaan ini terjadi dikarenakan adanya pengaruh kognisi sosial dan konteks sosial para wartawan, seperti China Daily yang berada di bawah pengawasan Partai Komunis China dan BBC yang telah dipengaruhi oleh lingkungan sosialnya (sikap kritik).","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124304260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SPIRITUALITAS DALAM HEKSALOGI NOVEL SUPERNOVA KARYA DEE","authors":"Luthfita Nur Rosyidah","doi":"10.20473/LAKON.V8I1.9333","DOIUrl":"https://doi.org/10.20473/LAKON.V8I1.9333","url":null,"abstract":"ABSTRAKPembahasan penelitian ini akan difokuskan pada tindakan plastisitas spiritualitas dalam serial novel Supernova karya Dee dengan judul Kesatria, Putri, dan Bintang Jatuh; Akar; Petir; Partikel; Gelombang; dan Intelegensi Embun Pagi. Penelitian ini memanfaatkan teori struktur naratif Vladimir Propp, yang terdiri dari dua tahap analisis. Pertama, analisis mengenai identifikasi motif spiritualitas dalam enam novel serial Supernova secara tekstual. Kedua, hasil identifikasi tersebut menunjukkan adanya unsur yang berulang terkait dengan motif spiritualitas yang disebut sebagai fungsi. Fungsi-fungsi tersebut kemudian dirumuskan sesuai dengan urutan kemunculannya dalam setiap novel. Melalui kedua tahap analisis tersebut dapat diperoleh makna dari adanya motif spiritualitas dalam keenam novel serial Supernova. Berdasarkan tahap analisis, ditemukan konsistensi motif spiritulitas dalam keenam novel merupakan sebuah proses pencarian dalam suatu kehidupan, serta merupakan usaha pemenuhan kekosongan diri untuk menemukan makna kehidupan. Plastisitas spiritualitas dalam keenam novel lebih menitikberatkan pada posisi sains sebagai unsur pembangun kesadaran setiap individu. Kata-kata kunci: Propp, fungsi, spiritualitas, plastisitas ABSTRACTThe research will be focused on the act of spirituality plasticity in Dee's Supernova novel series titled Kesatria, Putri, dan Bintang Jatuh; Akar; Petir; Partikel; Gelombang; dan Intelegensi Embun Pagi. This research utilizes the theory of narrative structure Vladimir Propp, which consists of two stages of analysis. First, an analysis of the identification of spirituality motif in six Supernova novel series. Second, the results of the identification indicate a recurring element related to the spirituality motif called function. These functions are then formulated according to the order in which they appear in each novel. Through these two stages of analysis can be obtained the meaning of the existence of a spirituality motif in the six serial Supernova novels. Based on the analysis phase, consistency of spirituality motifs can be found in the six novels as a process searching in life, and it is an attempt to fulfill the self-emptiness to find the meaning of life. Spirituality plasticity in the six novels is more focused on the role of science as an element of building awareness of each individual. Key words: Propp, function, spirituality, plasticity","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"15 8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128187870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"METAMORFOSIS POSMODERN DALAM KUMPULAN CERPEN EQUILIBRIUM KARYA BRAMANTIO","authors":"Dwi Mega Aryanto","doi":"10.20473/LAKON.V8I1.9332","DOIUrl":"https://doi.org/10.20473/LAKON.V8I1.9332","url":null,"abstract":"Kumpulan  Cerpen Bramantio dengan judul Equilibrium memuat permasalahan penanda dan petanda akibat adanya ketidakgrammatikalan di dalam teks. Adanya permasalahan penanda dan petanda tersebut, menimbulkan asumsi adanya makna secara tekstual. Tujuan penelitian ini adalah menjabarkan dan memaknai penanda dan petanda dalam sembilan cerita kumpulan cerpen Equilibrium karya Bramantio. Penelitian ini memanfaatkan teori semiotika Roland Barthes dengan dua tahap analisis. Pertama, analisis secara tekstual terhadap penanda dan petanda di kesembilan cerpen. Kedua, setelah mengetahui tanda dari formulasi penanda dan petanda yang terdapat dalam kesembilan cerpen, kemudian tanda tadi diformulasikan dengan korelasi tanda bagan Barthesian. Berdasarkan tahap analisis, ditemukan adanya kehadiran nilai-nilai posmodern di dalam kesembilan cerpen Equilibrium yang merujuk pada tindakan-tindakan ataupun peristiwa-peristiwa yang dialami oleh para tokoh. Analisis penanda dan petanda Barthesian telah menghasilkan bahwa setiap tokoh di dalam kumpulan cerpen Equilibrium sedang bergejolak dengan diri mereka sendiri yang sekaligus menunjukkan adanya metamorfosis penanda dan petanda untuk mencapai nilai-nilai posmodern.","PeriodicalId":289730,"journal":{"name":"Lakon : Jurnal Kajian Sastra dan Budaya","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130229850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}