Nineteenth Century Theatre and Film最新文献

筛选
英文 中文
Of Ships and Spectacles: Maritime Identity and the Politics of Authenticity in Regency London 《船与景观:伦敦摄政时期的海事身份与真实性政治》
Nineteenth Century Theatre and Film Pub Date : 2019-06-09 DOI: 10.1177/1748372719851329
O. C. Jensen
{"title":"Of Ships and Spectacles: Maritime Identity and the Politics of Authenticity in Regency London","authors":"O. C. Jensen","doi":"10.1177/1748372719851329","DOIUrl":"https://doi.org/10.1177/1748372719851329","url":null,"abstract":"This article considers three case studies – the first aqua-drama at Sadler's Wells in 1804, the naumachia in Hyde Park of 1814, and the launching of HMS Nelson at Woolwich, also in 1814 – in order to discuss maritime spectacle in Regency London. I identify an essentially political distinction between the representation of ships and the role of sailors, linked to wider questions of authenticity as understood by contemporary London audiences. I argue that the Thames riverscape itself contributed to Londoners' self-identification as nautically literate connoisseurs, unlikely to acclaim spectacles they perceived to be inauthentic. By this reading, the maritime spectacles of early nineteenth-century London constitute a misstep in a longer and more successful history of nautical theatre and melodrama, that remained fundamentally entangled with questions of democratic representation, the real versus the represented, and London's maritime identity.","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"1991 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125513628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Mutual Profiteering: Sensational Journalism, Society Columns, and Mrs James Brown Potter’s Theatrical Debuts 相互牟取暴利:耸人听闻的新闻、社会专栏和詹姆斯·布朗·波特夫人的戏剧处女作
Nineteenth Century Theatre and Film Pub Date : 2019-05-01 DOI: 10.1177/1748372718824096
E. Curley
{"title":"Mutual Profiteering: Sensational Journalism, Society Columns, and Mrs James Brown Potter’s Theatrical Debuts","authors":"E. Curley","doi":"10.1177/1748372718824096","DOIUrl":"https://doi.org/10.1177/1748372718824096","url":null,"abstract":"In 1887, amateur theatrical performer Cora Urquhart Brown Potter turned professional amid a maelstrom of international newspaper coverage. Newspapers picked up the story of her career, feeding a desire for salacious gossip at the expense of the elite celebrity cast as a fallen woman. Yet, Potter and the press developed a symbiotic relationship, as her non-traditional path to the stage required that she transform her personal celebrity into a professional one in order to attract audiences and bookings. The papers obliged and, as the story developed and her celebrity transformed, they shifted their coverage of Potter’s journey from society columns, to theatrical columns, to sensational front-page spreads. Potter’s early career paralleled and capitalised on such new developments in the newspaper industry and its messaging. While the press continued to sell her scandal, Potter used the papers to profit from her society past while forging her future as a theatre professional.","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"6 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120992421","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Marianna Zannoni, Il teatro in fotografia. L’immagine della prima attrice italiana fra Otto e Novecento 玛丽安娜·赞诺尼,摄影剧院。这位意大利女演员在8岁到900岁之间的照片
Nineteenth Century Theatre and Film Pub Date : 2019-05-01 DOI: 10.1177/1748372719835374
Linda Baldassin, Saba Burali
{"title":"Marianna Zannoni, Il teatro in fotografia. L’immagine della prima attrice italiana fra Otto e Novecento","authors":"Linda Baldassin, Saba Burali","doi":"10.1177/1748372719835374","DOIUrl":"https://doi.org/10.1177/1748372719835374","url":null,"abstract":"","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125765554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mediating Melodrama, Staging Sergeant Cuff 调解情节剧,表演手铐中士
Nineteenth Century Theatre and Film Pub Date : 2019-02-12 DOI: 10.1177/1748372719827274
Isabel Stowell-Kaplan
{"title":"Mediating Melodrama, Staging Sergeant Cuff","authors":"Isabel Stowell-Kaplan","doi":"10.1177/1748372719827274","DOIUrl":"https://doi.org/10.1177/1748372719827274","url":null,"abstract":"When Sergeant Cuff stepped off the page and onto the stage of the Olympic Theatre in Wilkie Collins’s 1877 adaptation of his own wildly successful novel, The Moonstone, he both joined the earliest ranks of the British stage detective and entered the world of melodrama. Though we might expect the rational figure of a detective such as Sergeant Cuff to be incompatible with the emotional excess of melodrama, in this article I show that such an assumption oversimplifies his relationship to melodramatic emotion and overlooks the surprising compatibility of the detective with melodrama’s epistemological and moral investments. I argue that in distinct contrast to the ambiguity and multiplicity instilled by the novel, Cuff allows for the clear resolution expected on the melodramatic stage, proving himself an agent of and for melodramatic style and substance.","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133656333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spectacle and Sensation in The Octoroon/An Octoroon 《奥克托伦》中的奇观与轰动
Nineteenth Century Theatre and Film Pub Date : 2019-02-10 DOI: 10.1177/1748372719826895
J. Curry
{"title":"Spectacle and Sensation in The Octoroon/An Octoroon","authors":"J. Curry","doi":"10.1177/1748372719826895","DOIUrl":"https://doi.org/10.1177/1748372719826895","url":null,"abstract":"Dion Boucicault's 1859 sensation melodrama The Octoroon; or, Life in Louisiana attracted audiences with emotionally charged situations, such as a slave auction, combined with the visual sensation of a realistic depiction of a scene of spectacular danger, the onstage burning of a steamboat. Branden Jacobs-Jenkins' 2014 adaptation called An Octoroon, while departing significantly from Boucicault's approach to visual storytelling, also uses a visual sensation to create an emotional impact. Jacobs-Jenkins invites an audience to enjoy Boucicault's storytelling, revisiting a melodrama now rarely revived, while simultaneously inviting them to engage with and critique the troubling racial stereotypes of the original.","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122646332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Jonathan M Hess, Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage 《黛博拉和她的姐妹们:一部19世纪的情节剧和一群著名女演员如何将犹太教推上世界舞台》
Nineteenth Century Theatre and Film Pub Date : 2019-02-07 DOI: 10.1177/1748372719828557
C. Levick
{"title":"Jonathan M Hess, Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage","authors":"C. Levick","doi":"10.1177/1748372719828557","DOIUrl":"https://doi.org/10.1177/1748372719828557","url":null,"abstract":"","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128914386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Charles Lyell’s Principles of Geology, the Geological Sublime, and the Romantic Theatre 查尔斯·莱尔的《地质学原理》、《地质学的崇高》和《浪漫主义戏剧》
Nineteenth Century Theatre and Film Pub Date : 2018-11-01 DOI: 10.1177/1748372719826485
Alexis Harley
{"title":"Charles Lyell’s Principles of Geology, the Geological Sublime, and the Romantic Theatre","authors":"Alexis Harley","doi":"10.1177/1748372719826485","DOIUrl":"https://doi.org/10.1177/1748372719826485","url":null,"abstract":"Across the three volumes of his influential Principles of Geology (1830–33), Charles Lyell demonstrates that the scale of earth history is out of all proportion to human temporality. Lyell makes the case that geologists should assume a viewing position outside the drama of geological action. He repeatedly represents this distance through the figure of the theatre, invoking Romantic critiques of theatrical naturalism that aligned with developments in natural philosophy. At the same time, Lyell deployed technologies from the contemporary stage in his public lectures, and in personal correspondence, he reveals promiscuous tastes across genres, forms and sites of performance. Ultimately, I argue, these apparent inconsistencies point to the role of his subjectivity in a project that is deeply ambivalent about human points of view.","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116759551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Victor Emeljanow (1938–2018)
Nineteenth Century Theatre and Film Pub Date : 2018-11-01 DOI: 10.1177/1748372719833876
{"title":"Victor Emeljanow (1938–2018)","authors":"","doi":"10.1177/1748372719833876","DOIUrl":"https://doi.org/10.1177/1748372719833876","url":null,"abstract":"","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127435263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial: Theatrical Ecologies and Environments in the Nineteenth Century 社论:19世纪的戏剧生态与环境
Nineteenth Century Theatre and Film Pub Date : 2018-11-01 DOI: 10.1177/1748372719830001
Patricia Smyth
{"title":"Editorial: Theatrical Ecologies and Environments in the Nineteenth Century","authors":"Patricia Smyth","doi":"10.1177/1748372719830001","DOIUrl":"https://doi.org/10.1177/1748372719830001","url":null,"abstract":"This issue of Nineteenth Century Theatre and Film is dedicated to the memory of two distinguished scholars, Michael R. Booth, who died in October 2017, and Victor Emeljanow, who died in April 2018. Michael had intended to present a paper at the City, Space, and Spectacle in Nineteenth-Century Performance conference organised by this journal in conjunction with the University of Warwick and held at the Palazzo Pesaro-Papafava, Venice, in June 2018. As it turned out, the conference was dedicated to his memory, a tribute that we felt was apt given Michael’s pioneering work on the representation of urban environments on the nineteenth-century stage. Victor was also expecting to attend the City, Space, and Spectacle conference. The paper he had intended to give was presented by his longtime friend and colleague Jim Davis, who has also edited the version that appears in this issue. This special issue is dedicated to the theme of ecologies and environments, and most of the articles that follow originated in our symposium, Theatrical Ecologies and Environments in the Nineteenth Century, which took place on 1 July 2017 at the University of Warwick. In our call for papers, the theme was construed broadly to include proposals that addressed the impact of theatre and early film on the environment, ecological themes in theatre and performance, and the application of ecological methodologies to the interlacing economic, cultural, and social networks of theatrical production. While the interdisciplinary turn of recent decades has encouraged approaches to the subject that highlight the connectedness of theatre and performance history to other spheres, we wanted to invite participants to think specifically about what ecological themes or methodologies might bring to our understanding of nineteenth-century performance. As we wrote in our call for papers, ecocriticism is a live issue in both theatre studies and nineteenth-century studies, but remains an under-examined area in","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124001621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Actress in Nature: Environments of Artistic Development in Victorian Fiction and Memoir 自然中的女演员:维多利亚时代小说和回忆录中艺术发展的环境
Nineteenth Century Theatre and Film Pub Date : 2018-11-01 DOI: 10.1177/1748372718823663
Victoria Wiet
{"title":"The Actress in Nature: Environments of Artistic Development in Victorian Fiction and Memoir","authors":"Victoria Wiet","doi":"10.1177/1748372718823663","DOIUrl":"https://doi.org/10.1177/1748372718823663","url":null,"abstract":"This essay provides a new approach to reading actress memoirs in light of the influence of environmental thinking on Victorian culture more broadly and acting theory in particular. By demonstrating that actress autobiographies were written within a discursive domain that understood human temperaments and biographical trajectories to be fundamentally shaped by social and physical surroundings, I examine how renowned actresses narrate the conditions within which their temperament developed. In order to do so, I first examine the entanglement of environment and character in novels about actress protagonists in order to develop a framework for analysing the narrative qualities of actress memoirs. This essay focuses specifically on the trope of the ‘wild’ girl who, undisciplined by parents or teachers, develops a sensitive yet wilful and even anti-social temperament that enables her to become an actress praised for her authentic displays of spontaneous emotion.","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128366148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信