Editorial: Theatrical Ecologies and Environments in the Nineteenth Century

Patricia Smyth
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Abstract

This issue of Nineteenth Century Theatre and Film is dedicated to the memory of two distinguished scholars, Michael R. Booth, who died in October 2017, and Victor Emeljanow, who died in April 2018. Michael had intended to present a paper at the City, Space, and Spectacle in Nineteenth-Century Performance conference organised by this journal in conjunction with the University of Warwick and held at the Palazzo Pesaro-Papafava, Venice, in June 2018. As it turned out, the conference was dedicated to his memory, a tribute that we felt was apt given Michael’s pioneering work on the representation of urban environments on the nineteenth-century stage. Victor was also expecting to attend the City, Space, and Spectacle conference. The paper he had intended to give was presented by his longtime friend and colleague Jim Davis, who has also edited the version that appears in this issue. This special issue is dedicated to the theme of ecologies and environments, and most of the articles that follow originated in our symposium, Theatrical Ecologies and Environments in the Nineteenth Century, which took place on 1 July 2017 at the University of Warwick. In our call for papers, the theme was construed broadly to include proposals that addressed the impact of theatre and early film on the environment, ecological themes in theatre and performance, and the application of ecological methodologies to the interlacing economic, cultural, and social networks of theatrical production. While the interdisciplinary turn of recent decades has encouraged approaches to the subject that highlight the connectedness of theatre and performance history to other spheres, we wanted to invite participants to think specifically about what ecological themes or methodologies might bring to our understanding of nineteenth-century performance. As we wrote in our call for papers, ecocriticism is a live issue in both theatre studies and nineteenth-century studies, but remains an under-examined area in
社论:19世纪的戏剧生态与环境
本期《19世纪戏剧与电影》致力于纪念两位杰出的学者,分别是于2017年10月去世的迈克尔·r·布斯和于2018年4月去世的维克多·埃梅利亚诺。Michael本打算于2018年6月在威尼斯佩萨罗-帕法瓦宫(Palazzo Pesaro-Papafava)与华威大学联合举办的19世纪表演中的城市、空间和景观会议上发表一篇论文。事实证明,这次会议是为了纪念他,鉴于迈克尔在19世纪舞台上对城市环境表现的开创性工作,我们觉得这样的致敬是恰当的。维克多还期待着参加城市、空间和景观会议。他原本打算发表的论文是由他的老朋友和同事吉姆·戴维斯(Jim Davis)提交的,他也编辑了本期的版本。本期特刊致力于生态与环境的主题,随后的大部分文章起源于我们的研讨会,19世纪的戏剧生态与环境,该研讨会于2017年7月1日在华威大学举行。在我们的论文征集中,主题被广泛地解释为包括解决戏剧和早期电影对环境的影响的提案,戏剧和表演中的生态主题,以及生态方法在戏剧制作的交错经济,文化和社会网络中的应用。虽然近几十年来的跨学科转向鼓励了强调戏剧和表演历史与其他领域的联系的主题方法,但我们希望邀请参与者具体思考生态主题或方法可能会给我们对19世纪表演的理解带来什么。正如我们在论文征集中所写的那样,生态批评在戏剧研究和19世纪研究中都是一个活跃的问题,但在戏剧研究中仍然是一个未被充分研究的领域
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