自然中的女演员:维多利亚时代小说和回忆录中艺术发展的环境

Victoria Wiet
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引用次数: 1

摘要

本文从环境思想对维多利亚文化的影响,尤其是对表演理论的影响出发,提供了一种阅读女演员回忆录的新方法。通过证明女演员自传是在一个话语域内写的,这个域理解人类气质和传记轨迹从根本上是由社会和物质环境塑造的,我研究了著名女演员是如何叙述她们气质发展的条件的。为了做到这一点,我首先研究了女演员主角小说中环境和角色的纠缠,以便建立一个分析女演员回忆录叙事品质的框架。这篇文章特别关注“狂野”女孩的隐喻,她没有受到父母或老师的约束,形成了一种敏感但任性甚至反社会的气质,使她成为一名演员,因为她真实地展示了自发的情感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Actress in Nature: Environments of Artistic Development in Victorian Fiction and Memoir
This essay provides a new approach to reading actress memoirs in light of the influence of environmental thinking on Victorian culture more broadly and acting theory in particular. By demonstrating that actress autobiographies were written within a discursive domain that understood human temperaments and biographical trajectories to be fundamentally shaped by social and physical surroundings, I examine how renowned actresses narrate the conditions within which their temperament developed. In order to do so, I first examine the entanglement of environment and character in novels about actress protagonists in order to develop a framework for analysing the narrative qualities of actress memoirs. This essay focuses specifically on the trope of the ‘wild’ girl who, undisciplined by parents or teachers, develops a sensitive yet wilful and even anti-social temperament that enables her to become an actress praised for her authentic displays of spontaneous emotion.
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