Nineteenth Century Theatre and Film最新文献_第7页

Adaptable Near and Far: C. H. Hazlewood’s Double Adaptations 近与远的适应性:c·h·黑兹尔伍德的双重适应性

Nineteenth Century Theatre and Film Pub Date : 2020-09-13 DOI: 10.1177/1748372720949120

Joanna Hofer-Robinson

引用次数: 1

Giorgio Bertellini, The Divo and the Duce, Promoting Film Stardom and Political Leadership in 1920s America 乔治·贝尔泰利尼:《神甫与领袖:20世纪20年代美国电影明星与政治领袖的崛起》

Nineteenth Century Theatre and Film Pub Date : 2020-07-29 DOI: 10.1177/1748372720941274

David Mayer

引用次数: 8

Richard Abel, Motor City Movie Culture, 1916-1925 理查德·阿贝尔，汽车城电影文化，1916-1925

Nineteenth Century Theatre and Film Pub Date : 2020-07-23 DOI: 10.1177/1748372720943978

Jeffrey Klenotic

引用次数: 0

David Francis Taylor and Julia Swindells (eds), The Oxford Handbook of the Georgian Theatre, 1737–1832 大卫·弗朗西斯·泰勒和茱莉亚·斯温德尔(编辑)，《牛津格鲁吉亚剧院手册》，1737-1832年

Nineteenth Century Theatre and Film Pub Date : 2020-07-01 DOI: 10.1177/1748372720934205

Willow White

引用次数: 0

When Boucicault was ‘Boucicaulted’: The Octoroon, Race, Photography, and Pre-adaptation 当Boucicault被“Boucicault”:Octoroon，种族，摄影和预适应

Nineteenth Century Theatre and Film Pub Date : 2020-06-26 DOI: 10.1177/1748372720932748

D. Novak

{"title":"When Boucicault was ‘Boucicaulted’: The Octoroon, Race, Photography, and Pre-adaptation","authors":"D. Novak","doi":"10.1177/1748372720932748","DOIUrl":"https://doi.org/10.1177/1748372720932748","url":null,"abstract":"Boucicault’s Octoroon was famously ‘adapted’ by the author in response to British audience’s discomfort with Zoe’s death in 1861. As it turns out, however, a play very similar to Boucicault’s appeared in England nearly a year before its British debut. The Quadroon; or, the Sun Picture (1860) is not simply an act of plagiarism, or even simply an adaptation of Boucicault’s play. Instead, it is a pastiche of the sources Boucicault drew on for his play, along with unmistakable elements of Boucicault’s – a kind of meta-adaptation. I focus on how The Quadroon incorporates The Octoroon’s use of photography and his sources for the idea of a camera capturing a murderer in the act. What emerges is a play that offers a different representation of the figure of the photographer, the dynamics of racial justice, and the dynamics of racial visuality. By focusing on the use of photography in The Octoroon, The Quadroon, and Branden Jacobs-Jenkins’s An Octoroon (2014), I explore more broadly how the spectacle of photographic technology on stage itself offers a self-reflexive commentary on melodramatic form and structure. Melodramas that stage photography both highlight the strange temporality of the tableau and ask us to think of photography as both a frozen image (a product) and kinetic act (a process and performance).","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130253926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

May Holt’s Waiting Consent 霍尔特的等待许可

Nineteenth Century Theatre and Film Pub Date : 2020-06-03 DOI: 10.1177/1748372720925771

R. Fotheringham

引用次数: 0

Embodied Scholarship: A Performance History of William Richard Waldron’s Lizzie Leigh; or, The Murder Near the Old Mill (1863) 体现学术:威廉·理查德·沃尔德伦《丽齐·丽》的表演史或《老磨坊附近的谋杀案》(1863)

Nineteenth Century Theatre and Film Pub Date : 2020-05-01 DOI: 10.1177/1748372719853234

Thomas E. Recchio

{"title":"Embodied Scholarship: A Performance History of William Richard Waldron’s Lizzie Leigh; or, The Murder Near the Old Mill (1863)","authors":"Thomas E. Recchio","doi":"10.1177/1748372719853234","DOIUrl":"https://doi.org/10.1177/1748372719853234","url":null,"abstract":"Through a reflective account of the process by which William Richard Waldron’s Lizzie Leigh was staged by the Theatre Caucus at the 2018 North American Victorian Studies Association conference held in St Petersburg, Florida, I hope to present a picture of what it might mean to figure scholarship as an act of embodiment through performance as both a stimulus for and a mode of inquiry. Towards that end, I offer a process narrative that tracks the selection, editing, infrastructure planning, rehearsal, and performance of the play in an effort to capture the intentional, inadvertent, and retrospective avenues of inquiry that emerged through that process, with an emphasis on tracking as fully as possible the performance history of the play, of which the North American Victorian Studies Association performance became a part. In addition to documenting the performance history of the play in Victorian Britain, I will also document the career of the play’s author in relation to the changes in decade and in venue of performances of the play in order to suggest the appeal and staying power of an under-valued piece of Victorian theatrical culture that still can speak to audiences today.","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"237 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129564287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

A ‘Distinctive’ Map of London: Women, Theatre and the Classics in 1893 《独特的伦敦地图:1893年的女性、戏剧和经典》

Nineteenth Century Theatre and Film Pub Date : 2020-02-12 DOI: 10.1177/1748372719900453

Laura Monrós-Gaspar

引用次数: 1

Wilkie Collins, The Lighthouse – A Drama in Two Acts; Wilkie Collins, The Red Vial – A Drama in Three Acts; Joanna Hofer-Robinson and Beth Palmer (eds), Sensation Drama, 1860–1880: An Anthology 威尔基·柯林斯《灯塔——两幕戏剧》;威尔基·柯林斯《红瓶——三幕戏剧》;乔安娜·霍弗-罗宾逊和贝丝·帕尔默(编)，感觉戏剧，1860-1880:选集

Nineteenth Century Theatre and Film Pub Date : 2020-02-03 DOI: 10.1177/1748372719900430

J. Waite

引用次数: 0

Jane Austen Goes to Drury Lane: Identifying Individuals in a Late Georgian Audience 简·奥斯汀去德鲁里巷:识别格鲁吉亚晚期读者中的个人

Nineteenth Century Theatre and Film Pub Date : 2020-02-03 DOI: 10.1177/1748372719900454

D. Worrall

{"title":"Jane Austen Goes to Drury Lane: Identifying Individuals in a Late Georgian Audience","authors":"D. Worrall","doi":"10.1177/1748372719900454","DOIUrl":"https://doi.org/10.1177/1748372719900454","url":null,"abstract":"This essay identifies the theatre box where the novelist, Jane Austen (1775–1817), sat in 1814 to watch Edmund Kean in Shakespeare’s The Merchant of Venice. The Folger Shakespeare Library’s Drury Lane Box Book enables calendar analysis of box occupancy with names, titles and, occasionally, addresses. Critical practice has tended to treat audiences as undifferentiated groups. Assemblage theory makes it possible to conceptualise individuals in audiences as equivalent to audiences in their entirety. Sitting in the same box as Austen was Lady Cecil Copley (1770–1819), the divorced 1st Marchioness of Abercorn. Amongst the other boxes were parties formed by wives of army and naval personnel and a British consul to Brazil. A few boxes away sat Jane Akers, née Ramsay (1772–1842), the wife of a St Kitts slave owner. Akers later claimed compensation under the 1833 Slavery Abolition Act. That weekend Austen had with her the manuscript of Mansfield Park (1814), a novel recognised as a critique of a fictional parkland estate sustained by slavery. Given the steep cultural differentials evident in this single box tier, it is argued theatrical performance, even in Kean’s re-evaluation of Shylock, may have been only tangential in altering the behaviour of that night’s audience.","PeriodicalId":286523,"journal":{"name":"Nineteenth Century Theatre and Film","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124362905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0