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The Oxford Handbook of Sound and Imagination, Volume 2最新文献

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Musical Notation as the Externalization of Imagined, Complex Sound 乐谱是想象的、复杂声音的外化
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.41
H. Sinding-Larsen
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引用次数: 1
Musical Shape Cognition 音乐形态认知
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.10
R. I. Godøy
{"title":"Musical Shape Cognition","authors":"R. I. Godøy","doi":"10.1093/oxfordhb/9780190460242.013.10","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.10","url":null,"abstract":"Rolf Inge Godøy focuses on how notions of shape, understood as geometric figures and images stemming from body-motion, metaphors, graphic representation, and so forth, can be associated with the production and perception of music. Central to the chapter is the understanding that shape cognition is not only deeply rooted in the human experience of music and in specific musical imagery but also that it has the potential to enhance our understanding of music as a phenomenon in general. Godøy also discusses how musical shape cognition, given that it is becoming increasingly more feasible to analyze with new technology, can contribute to various domains of music-related research, and, further, that it can be highly valuable to practical applications in musical and multimedia artistic creation.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117053941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Bioacoustics 生物声学
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460242.013.73
Mickey Vallee
{"title":"Bioacoustics","authors":"Mickey Vallee","doi":"10.1093/oxfordhb/9780190460242.013.73","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.73","url":null,"abstract":"Through an exploration of the use of technology within bioacoustics and the interpretation of the resultant data in order to assess human acoustic impact on nonhuman species, Mickey Vallee introduces the term “transacoustic community” in order to illustrate the nefarious and transgressive means these data are put to. Vallee makes the charge that the bioacoustics community hears without listening, having a different imagination of sound to other sound-based researchers. This imagination springs not only from the specific aims of that community but also from the audio technology used (that ultimately relies on visualization for its data access), and this leads to a visually biased interpretation rather than a refined aurality.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114672452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Consumer Sound 消费者的声音
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460242.013.59
S. Bech, J. Francombe
{"title":"Consumer Sound","authors":"S. Bech, J. Francombe","doi":"10.1093/oxfordhb/9780190460242.013.59","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.59","url":null,"abstract":"Søren Bech and Jon Francombe provide an illustration of how sensory analysis is undertaken in the audio industry. They demonstrate how the industry attempts to quantify the listener’s imagination—which is taken to include a range of modifiers of the listener’s auditory experience including mood, expectation, and previous experience—in order to ensure that the end result, the listener’s auditory experience or impression after the audio transmission chain, matches the intended experience as closely as possible. An example is provided of sensory analysis used for qualitative and quantitative evaluation of the listening experience in a personal sound zone. A perceptual model has been developed to reliably predict a listener’s sense of distraction (due to interfering audio) from the experience of listening to audio intended for a particular zone.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116532270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
On the Other Side of Time 在时间的另一边
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460242.013.19
Erik Steinskog
{"title":"On the Other Side of Time","authors":"Erik Steinskog","doi":"10.1093/oxfordhb/9780190460242.013.19","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.19","url":null,"abstract":"A musical imagining of the future and an exposition of a challenge to the normative historical discourse are the subjects of Erik Steinskog’s chapter on Afrofuturism. These topics are dealt with through a discussion of “blackness” and a theoretical discourse that addresses the musical style and polemical and political stance of afrofuturist musicians such as Sun Ra and others following in his path. Steinskog suggests that afrofuturist music is a form of sonic time travel that intertwines the modalities of time represented by notions of past, present, and future, his argument being that reimaginations, reinterpretations, and revisions of a normative past are represented in the technology and music of the black future.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"27 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114016002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sonic Materialism 声波唯物主义
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460242.013.43
Salomé Voegelin
{"title":"Sonic Materialism","authors":"Salomé Voegelin","doi":"10.1093/oxfordhb/9780190460242.013.43","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.43","url":null,"abstract":"Salomé Voegelin contributes to current ideas on materiality, reality, objectivity, and subjectivity as they are articulated in recent texts on New Materialism. In particular she engages in the writings of Quentin Meillassoux and his fiction of an ancestral world, and expands on this with a focus on sound, since sound, she argues, supports the reimagination of material relations and processes. In order to qualify and substantiate her notion of sonic materialism, Voegelin presents listenings to works by Toshiya Tsunoda, Aura Satz, and Anna Raimondo, focusing “on the inexhaustible nature of sound that exists permanently in an expanded and formless now that I inhabit in a present that continues before and after me.”","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115542799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Improvisation 即兴创作
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-08-12 DOI: 10.1093/oxfordhb/9780190460242.013.7
Justin Christensen
{"title":"Improvisation","authors":"Justin Christensen","doi":"10.1093/oxfordhb/9780190460242.013.7","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.7","url":null,"abstract":"Justin Christensen deals with the bond between improvisation and imagination in artistic experience. Starting with a reassessment in continental philosophy both of how imagination is conceived and can be demonstrated, Christensen observes that the connection between improvisation and imagination has previously had little value in classic aesthetic theories. He then goes on to argue for the value of improvisation as a reflection of perception–action coupling that is central to newer theories that favor embodied approaches to music cognition. In the light of such theories, where perception, action, and imagination are seen as interdependent properties, Christensen proposes a greater recognition of the processes of musicking—including improvisation—to better understand meaning-making and the role of imagination in musical experience.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126011748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Imagining the Seamless Cyborg 想象无缝的电子人
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-08-01 DOI: 10.1093/oxfordhb/9780190460242.013.37
Daniël Ploeger
{"title":"Imagining the Seamless Cyborg","authors":"Daniël Ploeger","doi":"10.1093/oxfordhb/9780190460242.013.37","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.37","url":null,"abstract":"Daniël Ploeger investigates the designed sounds of operating systems (OSs), particularly those of Apple and Microsoft computers and devices, from a cultural critical perspective arguing that such sounds are cybernetic prostheses enhancing our capabilities. In a chapter that takes in conceptions of the cyborg (which are overshadowed by the cyborg’s roots in the military industrial complex) to the subversion and use of OS sounds for creative purposes, Ploeger discusses the use and subsequent development of such sounds—from early mainframe computers’ inherent noises to the designed sounds of today’s computing devices—and shows how they underpin the imagining of computers as extensions of the human body. Ultimately, for Ploeger, the recent design of OS sounds serves to propagate pre-existing ideological concepts of the cyborg as evinced by our now technologically prosthetisized bodies.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122705348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Multimodal Imagery in the Receptive Music Therapy Model Guided Imagery and Music (GIM) 接受性音乐治疗模式引导意象与音乐中的多模态意象
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-07-20 DOI: 10.1093/OXFORDHB/9780190460242.013.3
L. O. Bonde
{"title":"Multimodal Imagery in the Receptive Music Therapy Model Guided Imagery and Music (GIM)","authors":"L. O. Bonde","doi":"10.1093/OXFORDHB/9780190460242.013.3","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780190460242.013.3","url":null,"abstract":"Lars Ole Bonde considers musical imagery in the context of music therapy sessions and focuses on the Bonny Method of guided imagery and music as a well-documented example of music imagery. While Bonde mainly focuses on listening in clinical settings, he argues that imagery listening should be seen as a health resource in everyday listening settings. Taking in perspectives from neuroaffective theory, Bonde analyzes clinical material and evidence from the analysis of EEG data and shows how music therapy theory—as a specific tradition within musicology—can contribute to research in music listening through a greater understanding of multimodal imagery in such listening.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127599282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Voluntary Auditory Imagery and Music Pedagogy 自发性听觉意象与音乐教学法
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2018-05-31 DOI: 10.1093/OXFORDHB/9780190460242.013.49
A. Halpern, K. Overy
{"title":"Voluntary Auditory Imagery and Music Pedagogy","authors":"A. Halpern, K. Overy","doi":"10.1093/OXFORDHB/9780190460242.013.49","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780190460242.013.49","url":null,"abstract":"Andrea Halpern and Katie Overy review research on auditory imagery from a psychology perspective. They then argue that auditory imagery can be used actively as a tool in various music education and rehearsal contexts. As exemplified by aspects of the pedagogical approaches of Zoltán Kodály and Edward Gordon, as well as Nelly Ben-Or’s techniques of mental representation for concert pianists, Halpern and Overy suggest that the conscious and deliberate use of auditory imagery could be exploited more in music education, as it has profound benefits for musicians as a rehearsal strategy. The authors call for further empirical investigations of how voluntary auditory imagery might be used most effectively as a training technique for both professional musicians and in classroom settings.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"214 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116863903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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