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The Oxford Handbook of Sound and Imagination, Volume 2最新文献

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Music in Detention and Interrogation 拘留和审讯中的音乐
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.71
W. L. Windsor
{"title":"Music in Detention and Interrogation","authors":"W. L. Windsor","doi":"10.1093/oxfordhb/9780190460242.013.71","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.71","url":null,"abstract":"Luke Windsor explores the use of forced listening to music in detention and interrogation and points to the creation of ambiguity and uncertainty as a central effect. Windsor engages with several cases of psychological warfare during previous wars and highlights interrogation practices as described by the CIA and he seeks to identify the location of the boundary between the real and the imagined. The exploration of these cases, where music is used as a sound weapon, leads to a broader discussion of, first, the application of music in influencing behavior and, second, the ethics of the use of music in, for instance, marketing.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130532944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Different Way of Imagining Sound 想象声音的不同方式
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.15
A. Ockelford
{"title":"A Different Way of Imagining Sound","authors":"A. Ockelford","doi":"10.1093/oxfordhb/9780190460242.013.15","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.15","url":null,"abstract":"Adam Ockelford draws attention to that section of the population that tends not to engage in everyday listening in the usual way; those for whom the acoustic properties of sound are prioritized over its function. In particular, Ockelford points to the listening of autistic children for whom the perceptual qualities of sound exert an especial fascination at the expense of the meaning that everyday listening normally offers. Through research that supports his contention that the development of musical abilities in children precedes that of language skills, Ockelford makes the claim that the aural imagination of some of those on the autism spectrum is one that processes all sounds, even speech, for their music-structural properties and thus it is music that is the autistic person’s gateway to communication and empathy.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"9 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134582168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music Analysis and Data Compression 音乐分析和数据压缩
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/OXFORDHB/9780190460242.013.14
D. Meredith
{"title":"Music Analysis and Data Compression","authors":"D. Meredith","doi":"10.1093/OXFORDHB/9780190460242.013.14","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780190460242.013.14","url":null,"abstract":"David Meredith focuses on how the musical knowledge that underpins both music perception and musical imagery can be acquired by compressing musical information. He works from the notion that the goal of music analysis is to find the best possible explanations for the structures of musical “objects,” such as individual works or movements as well as extracts from works or collections of works. In opposition to what Meredith considers to be the subjectively grounded evaluation of different analyses of the same music that is carried out by music analysts adopting a humanistic approach, he proposes that the relative quality of two analyses of the same object can be measured in terms of how well they allow us to carry out objectively evaluable tasks, such as recognizing composers or genres, or finding errors in musical data.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116472520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Posthumanist Voices in Literature and Opera 文学和歌剧中的后人类主义声音
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.6
Jason R. D'aoust
{"title":"Posthumanist Voices in Literature and Opera","authors":"Jason R. D'aoust","doi":"10.1093/oxfordhb/9780190460242.013.6","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.6","url":null,"abstract":"From a background that critically investigates conceptualizations and understandings of the relations and dialectics between the inner and the outer voice and the discursive implications of the posthumanist appraisal of vocality, Jason D’Aoust examines the “operatic voice” or the vocality of opera as it is practiced and understood in the present period. From a philosophically informed perspective, D’Aoust engages with recent reappraisals of phonocentrism in voice studies, and analyzes artistic works from different genres, comprising opera (Mozart’s The Magic Flute), literature (Dick’s Do Androids Dream of Electric Sheep?), and film (Scott’s Blade Runner), in order to show how opera practitioners, authors, and film-makers use the sonorous imagination to deconstruct the canon.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122158056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Empirical Musical Imagery beyond the “Mind’s Ear” 超越“心灵之耳”的经验音乐意象
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.1
F. Bailes
{"title":"Empirical Musical Imagery beyond the “Mind’s Ear”","authors":"F. Bailes","doi":"10.1093/oxfordhb/9780190460242.013.1","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.1","url":null,"abstract":"Freya Bailes deals with the topic of musical imagery, and she uses embodied cognition as a framework to argue that musical imagery is a multimodal experience. Existing empirical studies of musical imagery are reviewed and Bailes points to future directions for the study of musical imagery as an embodied-cognition phenomenon. Arguing that musical imagery can never be fully disembodied, Bailes moves beyond the idea of auditory imagery as merely a simulation of auditory experience by “the mind’s ear.” Instead, she outlines how imagining sounds involves kinesthetic imagery and she concludes that sound and music are always connected to sensory motor processing.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132949670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Music and Emergence 音乐与涌现
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.5
John M. Carvalho
{"title":"Music and Emergence","authors":"John M. Carvalho","doi":"10.1093/oxfordhb/9780190460242.013.5","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.5","url":null,"abstract":"John Carvalho writes about the music that emerges in a skilled engagement with an environment of sound. This music emerges in a piece of music when the embodied skills of a composer, performer, or listener enact affordances that turn up in the environment defined by that piece of music. For Carvalho, the imagination animates these skills and directs their embodied testing of the environment for affordances to be enacted in making music emerge in it. To support this argument, Carvalho turns to an ecology of mind and a taxonomy of listening that account for how composers, performers, and listeners enact the music in a piece of music.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133504192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Sound and Emotion 声音与情感
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.23
Erkin Asutay, D. Västfjäll
{"title":"Sound and Emotion","authors":"Erkin Asutay, D. Västfjäll","doi":"10.1093/oxfordhb/9780190460242.013.23","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.23","url":null,"abstract":"The focus of Erkin Asutay and Daniel Västfjäll’s chapter is the relationship between sound and emotion. Evidence from behavioral and neuroimaging studies is presented that documents how sound can evoke emotions and how emotional processes affect sound perception. This leads to a discussion of different forms of emotional responses to auditory stimuli, such as responses to vocal signals, responses to environmental sounds, and responses to music. The authors view the auditory system as an adaptive network that governs both how auditory stimuli influence emotional reactions and how the affective significance of sound influences auditory attention. In conclusion, they argue that affective experience is integral to auditory perception.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132293727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Glitched and Warped 故障和扭曲
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.27
A. Danielsen
{"title":"Glitched and Warped","authors":"A. Danielsen","doi":"10.1093/oxfordhb/9780190460242.013.27","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.27","url":null,"abstract":"Anne Danielsen focuses on the new rhythmic feels that have developed within the field of popular music since the 1980s through the use of new digital production tools. In particular, she discusses the ways in which these feels are produced through the manipulation of sound samples and the timing of rhythm tracks. Initially, Danielsen evaluates the formation of these new feels from two perspectives, one that sees them as a continuation of earlier machine-generated grooves and another that positions them as an expansion of the grooviness of earlier groove-based music in unforeseen directions. She then discusses how they constitute a challenge to previous popular music forms while, at the same time, they offer new opportunities for human imagination and musical creativity. Danielsen discloses such transformations across several styles and points to the manner in which the new technologies allow for combining agency and automation in new compelling ways, leading to musics and gestural movements that go beyond the natural human repertoire.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128880860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Motor Imagery in Perception and Performance of Sound and Music 运动意象在声音和音乐的感知和表现中的作用
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/oxfordhb/9780190460242.013.76
Jan C. Schacher
{"title":"Motor Imagery in Perception and Performance of Sound and Music","authors":"Jan C. Schacher","doi":"10.1093/oxfordhb/9780190460242.013.76","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780190460242.013.76","url":null,"abstract":"Jan Schacher asks what it is to imagine and initiate an action on a musical instrument. For Schacher, the body is the central element of listening and sound perception, and thus the body, in an embodied and enactive sense, becomes the focus for musicking with both conventional instruments and digital instruments, where, in the latter case, bodily schemata are replaced by metaphors and instrumental representations. This last theme provides a significant topic of enquiry in the chapter, and it is explored from a number of angles, chief among which is a focus (through the lenses of motor imagery and imagination in music) on relations between inner and outer aspects of our ways and means of listening to and performing both music and sound. Ultimately, Schacher identifies a tension underlying digital musical performance brought about by the fracturing of the “action-sound” bond, a bond that is the basis for our sonic perception not only of the natural world but also of the world of culturally defined musical performance.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132527509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Augmented Unreality 增强不真实
The Oxford Handbook of Sound and Imagination, Volume 2 Pub Date : 2019-09-26 DOI: 10.1093/OXFORDHB/9780190460242.013.24
Jonathan Weinel
{"title":"Augmented Unreality","authors":"Jonathan Weinel","doi":"10.1093/OXFORDHB/9780190460242.013.24","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780190460242.013.24","url":null,"abstract":"Jonathan Weinel deals with the representation of hallucinations within audiovisual media. Weinel forms his discussion around the concept of augmented unreality, providing examples from films, VJ performances, video games, and other audiovisual media to show how sounds are used to represent hallucinations. His focus is on the material design of the representations of hallucinations, and he discusses how the form of visual and auditory hallucinations may serve as the basis for audiovisual artworks. In conclusion, Weinel provides a set of structural norms that define representations of psychedelic hallucinations, and he hypothesizes that, given improvement of digital technologies, the boundaries between external reality and synthetic unreality might gradually dissolve.","PeriodicalId":281835,"journal":{"name":"The Oxford Handbook of Sound and Imagination, Volume 2","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131073446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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