{"title":"Music Between Work and Leisure: The Case of a Collective from Fortaleza, Brazil","authors":"Pedro Menezes","doi":"10.20897/jcasc/14065","DOIUrl":"https://doi.org/10.20897/jcasc/14065","url":null,"abstract":"Lado B is a collective of musicians from Fortaleza, Brazil, that holds monthly festivals in a public cultural center. Aiming at some self-sufficiency, Lado B organizes its festivals according to a kind of adiabatic circuit, which works as follows: at a given festival, each member of the collective is in charge of a function that is necessary for the realization of that particular event. At each new festival, each member of the group performs a task different from the role played at the previous festival; that is to say, members alternate themselves in the many roles as the festivals go on, until each individual has gone through each duty at a given festival. Once everyone has done everything, the cycle restarts. Music is not the main activity of any of those artists, so they all need to keep a day job. This situation creates a divergence on Lado B: while some see the collective as a second job, others face it as a leisure activity. In other words, one segment creates a relation of continuity between life and art, submitting music to the logic of routine, and the other faction establishes a rupture between life and art, as if culture was the ordinary world upside down. Based on interviews with members of Lado B, I ask: is music a job or a leisure activity? I intend to inscribe this question within the broader debate about the relationship between life and art, everyday life and culture, routine and spirit, asceticism and pleasure, functionalism and rebellion, pragmatism and madness. Thus, in a broad sense, I question: what is the relation between life and art? Are they irreconcilable or interdependent? Equal or opposed? Do they struggle against or reinforce each other?","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":" 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139139241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Challenging Stereotypes Is Not Enough: A Dialogue with Roma Art","authors":"Annabel Tremlett","doi":"10.20897/jcasc/14062","DOIUrl":"https://doi.org/10.20897/jcasc/14062","url":null,"abstract":"Public representations of Roma, Gypsy and Traveller people still tend to homogenise and typecast ‘the Gypsies’ with visual representations a mainstay of racist tropes. Whilst academics have worked to challenge stereotypes through deconstructing age-old tropes, pointing out their historical fallacies and inherent (often hidden) modes of practice and persuasion, visuality has often been glossed over. Furthermore, academic work has not yet changed the ideological system that still racialises and excludes ‘Gypsies’. This article considers what we might learn from a focus on the visual, considering the increasing visibility of artists and activists from various Roma heritages who produce evocative images of their reactions to, and experiences of, damaging stereotypes. Using visuality as a lens, and focusing on Roma artistic and activist production, i.e. looking at what happens when Roma people become the image-maker, this article brings new insights into the ways of challenging stereotypes. Three preliminary observations are drawn from contemporary Roma Art and activism that can form a paradigm shift from old modes of deconstructing. Rather than solely deconstructing misrepresentations, contemporary art and activism take up familiar tropes associated with ‘the Gypsies’ and transforms them. Rather than just challenging through deconstructing, the artists and activists denaturalise age-old misrepresentations by unsettling the supposed stability and fixity of those stereotypes.","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":" 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139141177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Social Memory, Public Memory, and Marginality: The Case of the “Death in Migration”","authors":"Guido Nicolosi","doi":"10.20897/jcasc/14064","DOIUrl":"https://doi.org/10.20897/jcasc/14064","url":null,"abstract":"Memory is a source of ‘immunization’ for individuals (psycho-cognitive memory and biological immune system) and for communities (De Martino). We can consider culture as the memory of society. Particularly, the cultural memory of disasters plays a fundamental role. Ideally, it should help to reduce the vulnerability of societies to the risks of recurrence of natural/technological/social catastrophic events. However, memory is not an exact process, but a selective and reconstructive one (Bartlett). Furthermore, the memory of society is multiple and continuously exposed to the risk of distortions, interpretations, and manipulations. Social memory (Halbwachs) is the broader sphere of communicability that delimits the arena in which the different collective memories (of groups) compete for the relevance and plausibility of their own discourses. It will correspond, with good approximation, to the term “public memory”. In particular, the media and journalism play a very important function, as public memory is a memory of the public sphere (Habermas) and, somehow, the public sphere is itself memory (Jedlowski). This presentation aims to compare two social memories of a single catastrophic event in which a marginal social category was involved: migrants illegally crossing the Mediterranean Sea. The research focus concerns a watershed event of the recent migratory phenomenon: the Lampedusa shipwreck that took place on the 3rd October 2013. The goal is to show how collective and public memory contrast each other. We will discuss two cultural and communicative processes located along the oppositional materialization/dematerialization axis. In the article we will reinterpret the evidence collected in the research carried out in 2014 on the Lampedusa shipwreck that took place on 3 October 2013 in order to reflect on the dynamics between different types of memories in the framework of the memory of disasters. We assume that they can be deeply distortive as they promote interrelated memory bias.","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":" 48","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139141740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fashion as Creative Economy","authors":"M. Banks","doi":"10.20897/jcasc/13531","DOIUrl":"https://doi.org/10.20897/jcasc/13531","url":null,"abstract":"Review of the book \"Fashion as Creative Economy\" by Angela McRobbie, Daniel Strutt and Carolina Bandinelli.","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126495200","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sounds from the Balconies: Aural Resistance against Covid-19 Pandemic in Italy and India","authors":"Rebanta Gupta","doi":"10.20897/jcasc/13530","DOIUrl":"https://doi.org/10.20897/jcasc/13530","url":null,"abstract":"This article attempts to make a comparative study between the balcony performances, which primarily involved the production of sounds (both musical and non-musical), held during the onset of the Covid pandemic in Italy and India to boost public morale and influence community solidarity. This article examines how Indians and Italians generated aural resistance against the pandemic through this novel method of sonic production to cancel the silence of death with the sounds of life, and how a community feeling and a sense of unity were injected through the sounds. This article juxtaposes the Italian and the Indian experiences of musical resistance against the pandemic, revealing similar patterns of response existing between them, by highlighting the multifaceted sides of the balcony performances that celebrated life over death and destruction, which ideationally and phenomenologically connected the two countries separated by geographical distances. Besides, it also discusses the impact and aftermath of the aforementioned performances to highlight different social, cultural, and political modalities generated by them.","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":"366 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115980813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Youth Culture and the Post-war Novel: From Teddy Boys to Trainspotting","authors":"Philip Miles","doi":"10.20897/jcasc/13533","DOIUrl":"https://doi.org/10.20897/jcasc/13533","url":null,"abstract":"Review of the book \"Youth Culture and the Post-war Novel: From Teddy Boys to Trainspotting\" by Ian Ross.","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122194334","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Friends or Foes of Nonhumans? The Place of Scientific Experts in the Philosophy of Bruno Latour","authors":"David Antolínez","doi":"10.20897/jcasc/13529","DOIUrl":"https://doi.org/10.20897/jcasc/13529","url":null,"abstract":"Bruno Latour has long denounced the constraints on political deliberation caused by the alleged impersonal objectivity of scientific discourse. However, throughout his career, the French philosopher has advanced some critiques of the role of scientific experts. With his proposal of the Parliament of Things, Latour expected to redefine the scientific expert as a translator for nonhumans in the general quest of integrating sciences and politics. However, the late Latour re-elaborated this alternative under the light of the new climate regime, which reveals that scientists are no longer able to translate the legion of nonhuman actors bursting into contemporary politics. This paper aims to give a recount of the Latourian assessment of scientific expertise, while also indicating another plausible redefinition of the scientific expert as a teaching figure. This is derived from the vindication of rhetoric and the pedagogical vein that traverse Latourian philosophy. At the end, there will be a review of three specific practices which exemplify that pedagogical role: cartography of controversies, art exhibitions and citizen science.","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":"146 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121032904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Black Everyday Lives, Material Culture and Narrative: Tings in de House","authors":"Emma. Agusita","doi":"10.20897/jcasc/13532","DOIUrl":"https://doi.org/10.20897/jcasc/13532","url":null,"abstract":"Review of the book \"Black Everyday Lives, Material Culture and Narrative: Tings in de House\" by Shawn-Naphtali Sobers.","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129782269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spectrum of Gender Self-Presentations among Women Candidates","authors":"Pamela Aronson, Leah Oldham, Emily Lucas","doi":"10.20897/jcasc/13255","DOIUrl":"https://doi.org/10.20897/jcasc/13255","url":null,"abstract":"In the 2018 U.S. midterm elections, Democratic women, especially those from diverse racial and ethnic backgrounds, were elected in record numbers. Drawing on qualitative website and Twitter bio data, this paper examines twenty key races at varying levels that had women candidates. We extend our previously-developed typology of gender self-presentations by classifying these approaches on a spectrum, ranging from gender traditional on one side to feminist on the other (with gender neutral and gender nontraditional in the middle). Illustrating the utility of this typology by applying it to a variety of races in the 2018 U.S. midterm elections, we extend prior work and suggest that gender nontraditional and feminist self-presentations highlight women candidates’ power and agency.","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128342500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Building Community Through Queer Learning Disability Amateur Filmmaking: Oska Bright Film Festival and Queer Freedom","authors":"Jenna Allsopp","doi":"10.20897/jcasc/12755","DOIUrl":"https://doi.org/10.20897/jcasc/12755","url":null,"abstract":"Much has been written on the intersection of disability and sexuality since the publication of The Sexual Politics of Disability (Shakespeare et al., 1996), however scant literature refers to these issues as represented on the screen, where it can be argued representations have the most power to shape perceptions. Disabled characters in media narratives are invariably represented as lacking in any sexuality or negation of heteronormative gender and sexual expressions.\u0000In 2017, Brighton-based learning disability film festival Oska Bright (OBFF) launched their Queer Freedom (QF) strand as an intervention in this lack of queer representation within learning disability narratives. In 2017 and 2019, QF featured films made by or featuring queer people with learning disabilities and autism, including Glasgow-based queer femme filmmaker Mattie Kennedy. Devised by OBFF Lead Programmer and queer filmmaker Matthew Hellett after meeting Kennedy at a previous OBFF, Hellett believed he had a responsibility to create a space for these unheard voices.\u0000This article mobilises Bonnie Honig’s feminist refusal method of inclination and bell hooks’ theory of talking back to explore how OBFF and QF have enabled Kennedy and Hellett to create space and claim their visibility as queer learning-disabled filmmakers through a process of mutual affirmation. Learning-disabled people have historically been segregated from society, so in the spirit of Foucault’s heterotopia, by coming together to form a community of people who affirm and encourage other queer learning-disabled people to make their voices heard, they are refusing their assigned societal segregation.","PeriodicalId":274162,"journal":{"name":"Journal of Cultural Analysis and Social Change","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132387467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}