SIRJANĀ – A Journal on Arts and Art Education最新文献_第5页

Didactic Visual Narrations in Nepali Manuscript Illuminations 尼泊尔文手抄本插图中的教学视觉叙述

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.44442

Y. Sharma

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引用次数: 0

Music in Lichhavi and Malla Period: An Overview Lichhavi和Malla时期的音乐:概述

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.44439

R. Pokharel

引用次数: 0

मादल : एक अध्ययन {Madal: A Study}

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.44517

नगेन्द्रप्रसाद Nagendraprasad न्यौपाने Neupane

{"title":"मादल : एक अध्ययन {Madal: A Study}","authors":"नगेन्द्रप्रसाद Nagendraprasad न्यौपाने Neupane","doi":"10.3126/sirjana.v4i1.44517","DOIUrl":"https://doi.org/10.3126/sirjana.v4i1.44517","url":null,"abstract":"नेपाली लोक बाजाको रूपमा परिचित मादल नेपाली लोक सङ्गीतको ढुकढुकी हो । प्राचीन शास्त्रीय बाजामृदङ्ग र पखवाजको अनुकरण गर्दै मादलको आविष्कार भएको हो भन्ने आकलन गर्न सकिन्छ । मादलको उत्पत्तिका विषयमा कुनै प्रमाण भेटिएको पाइँदैन । मादल लोक वाद्य भएता पनि सबै प्रकारका सङ्गीतमा यसले महत्त्वपूर्ण स्थान ओगटेको छ । हाल नेपाल मात्रै नभएर अन्तर्राष्ट्रिय सङ्गीत जगत्मा समेत यसको प्रयोग बढ्दो छ । अपितु नेपालमा पश्चिमा संस्कृतिको प्रभाव बढिरहेको अवस्थामा नेपाली मौलिक वाद्ययन्त्र मादलप्रति युवा वर्गको रुचिमा कमी हुँदै गएको पाइन्छ । नेपाली लोक गीतहरूमा पश्चिमा वाद्ययन्त्रहरू ड्रम,गितार आदिको प्रयोगले नेपाली संस्कृतिको लोक पक्ष नै समाप्त होला भन्ने डर भइसकेको छ ।त्यसैले आदिकालदेखि नै गौरवशाली परम्परा बोकेको मादलको संरक्षण, संवद्र्धन र विकासका लागि सम्पूर्ण सङ्घ, संस्था, सङ्गीत विद्यालय, कलेज तथा रेडियो, टेलिभिजन, पत्रपत्रिका जस्ता सञ्चार माध्यमद्वारा यस सम्बन्धी अभिरुचि बढाउने तालिम, गोष्ठी, कार्यक्रम , प्रतियोगिताहरू हुनुआवश्यक देखिन्छ । नेपालको सांस्कृतिक प्रतीकका रूपमा रहेको मादलको सरकारी तबरबाटै यस सम्बन्धी अध्ययन अध्यापनको लागि कार्यक्रम निर्माण गरी यसलाई विषयगत रूपमा लागु गर्नु अनिवार्य हुन्छ ।","PeriodicalId":272442,"journal":{"name":"SIRJANĀ – A Journal on Arts and Art Education","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113965413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

गलैंचा बुनाइमा ग्राफिङ प्रविधिको महत्त्व {Importance of graphing technique in carpet weaving} गलैंचाबुनाइमाग्राफिङप्रविधिकोमहत्त्व在地毯编织}{绘图技术的重要性

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.44519

निलम Nilam ताम्राकार Tamrakar

引用次数: 0

Hilariously Yours... Vol.4 滑稽的……辑

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.44444

A. Shrestha, Dewendra Pandey, Kuldip Jang Bahadur Gurung

引用次数: 0

आधुनिक नेपाली मूर्तिकला : सन्दर्भ ऐतिहासिक सैनिक स्मारक मूर्तिहरू {Modern Nepali Sculpture: Reference Historical Military Memorial Statues}

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.44520

ओम Om खत्री Khatri

{"title":"आधुनिक नेपाली मूर्तिकला : सन्दर्भ ऐतिहासिक सैनिक स्मारक मूर्तिहरू {Modern Nepali Sculpture: Reference Historical Military Memorial Statues}","authors":"ओम Om खत्री Khatri","doi":"10.3126/sirjana.v4i1.44520","DOIUrl":"https://doi.org/10.3126/sirjana.v4i1.44520","url":null,"abstract":"नेपालमा मूर्तिकलाको समृद्ध र उत्कृष्ट परम्परा रहि आएको छ । हामीसंग शास्त्रीय परम्परामा आधारितमूर्तिकलाको गौरवशाली इतिहास रहेको छ भने समसामयिक मूर्तिकलाको क्षेत्रमा पनि नेपालीमूर्तिकारहरूले उल्लेखनीय योगदान पुर्याउंदै आएका छन् । प्रस्तुत लेख आधुनिक नेपाली मूर्तिकलाकाप्रकरणमा ऐतिहासिक दृष्टिले महत्त्वपूर्ण सैनिक स्मारक मूर्ति रचनाहरूबारे केन्द्रित रहेको छ ।\u0000{Nepal has a rich and excellent tradition of sculpture. Based on the classical tradition we have. There is a glorious history of sculpture and Nepali in the field of contemporary sculpture. Sculptors have made significant contributions. This article is about modern Nepali sculpture. The episode focuses on historically important military memorial sculptures.}","PeriodicalId":272442,"journal":{"name":"SIRJANĀ – A Journal on Arts and Art Education","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127028630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Nepali Paintings and Poetry: Reviews and Reflections 尼泊尔绘画与诗歌:评论与反思

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.39840

A. Subedi

{"title":"Nepali Paintings and Poetry: Reviews and Reflections","authors":"A. Subedi","doi":"10.3126/sirjana.v4i1.39840","DOIUrl":"https://doi.org/10.3126/sirjana.v4i1.39840","url":null,"abstract":"This topic has been lodging with me for over three decades. During this period of time it has continued to pose me new challenges and new excitements of openings. I have written some essays on this topic. I am basically a literary person who writes poems, plays, essays, art criticism and theoretical aspects of both genres of art - paintings and poetry. As a teacher I have taught these subjects all my life. But saying final words does not worry me because despite efforts by art critics, historians and literary writers to draw common grounds for both literature and art, it has yielded mixed results everywhere. One thing is always certain - the comparisons remain incomplete in terms of drawing either a fine line between arts and poetry, and showing the unique merger between the two forms of art. Some subjects remain exciting in their incomplete states. That happens as a matter of exigency, which means the incompletion of comparison is necessitated by the nature of the subject itself. As this is a very big subject, attempt is made to narrow it down to the poetic experience. Affinity of the genre of literature, especially of poetry, to art constitutes the subject matter for this article.","PeriodicalId":272442,"journal":{"name":"SIRJANĀ – A Journal on Arts and Art Education","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126535207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

बिसौ शताब्दीमा पाश्चात्य कला : दोस्रो विश्वयुद्धको सघारसम्म आइपुग्दा {Western Art in the Twentieth Century: At the End of World War II}

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.44518

नवीन्द्रमान Nabindraman राजभण्डारी Rajbhandari

{"title":"बिसौ शताब्दीमा पाश्चात्य कला : दोस्रो विश्वयुद्धको सघारसम्म आइपुग्दा {Western Art in the Twentieth Century: At the End of World War II}","authors":"नवीन्द्रमान Nabindraman राजभण्डारी Rajbhandari","doi":"10.3126/sirjana.v4i1.44518","DOIUrl":"https://doi.org/10.3126/sirjana.v4i1.44518","url":null,"abstract":"पाश्चात्य कलाको इतिहासमा बीसौं शताब्दीमा जस्तो अनेकौं वाद एवम् शैलीहरू यस अघिका शताब्दीहरूमा देखा परेका थिएनन् । परम्परादेखि विग्रह र आधुनिकतातर्फ अग्रगमनको युगका रूपमा यो शताब्दी स्मरणीय रहेको छ । यस युगमा प्रवर्तित विविध वाद, शैली एवम् कला आन्दोलनहरूले कलालाई सर्वथानवीन तथा आधुनिक स्वरूपमा प्रस्तुत गरेका थिए । प्रस्तुत लेखमा बीसौं शताब्दीको युरोपेली कलाका पृष्ठभूमि, आधुनिक कलाको जन्म तथा दोस्रो विश्वयुद्ध सुरु हुनु अगाडिसम्म देखापरेका कलाका शैली, प्रवृत्ति, कला अभियानहरू एवम् समग्र कला क्षेत्रमा तिनले पारेका प्रभावबारे चर्चा गरिएको छ । \u0000{In the history of Western art, many theories and styles have not appeared in the previous centuries as in the twentieth century. This century is remembered as an age of progress from tradition to war and modernity. The various theories, styles and art movements introduced in this era presented art in a universal and modern form. This article discusses the background of twentieth-century European art, the birth of modern art, and the art styles, trends, and art campaigns that preceded the outbreak of World War II, and its impact on the art world as a whole.}","PeriodicalId":272442,"journal":{"name":"SIRJANĀ – A Journal on Arts and Art Education","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125118314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Gurkha Story in Layers and Textures 廓尔喀语故事的层次和纹理

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.39843

Binti Burung

引用次数: 0

परम्परागत चित्रकला र यसको रचना प्रक्रिया {Traditional painting and its composition process}

SIRJANĀ – A Journal on Arts and Art Education Pub Date : 2017-12-01 DOI: 10.3126/sirjana.v4i1.44508

लोक Lok चित्रकार Chitrakar

{"title":"परम्परागत चित्रकला र यसको रचना प्रक्रिया {Traditional painting and its composition process}","authors":"लोक Lok चित्रकार Chitrakar","doi":"10.3126/sirjana.v4i1.44508","DOIUrl":"https://doi.org/10.3126/sirjana.v4i1.44508","url":null,"abstract":"नेपाली मौलिक कलाका क्षेत्रमा परम्परागत चित्रकला विधा प्रमुख विधाका रूपमा रहिआएको छ । यसकोप्राचीनता, मौलिकता र महत्त्वबारे सर्वसाधारणदेखि लिएर प्रबुद्ध वर्ग भनाउदाहरू समेत कम जानकारीराख्छन् वा यसप्रति उदासीन छन् । यस विषयमा अध्ययन गर्ने र छलफल गर्ने अवसर नपाएर पनि यस्तोभएको हुन सक्छ । नेपाली परम्परागत चित्रकलाको अपेक्षित रूपमा प्रचार हुन नसक्नु पछाडि यसबारेपढ्ने, लेख्ने, हेर्ने अवसरको कमीले गर्दा पनि हो । नेपाली परम्परागत चित्रकला के हो, यसलाई कसरीबुझ्ने र यसको सिर्जनात्मक प्रक्रिया र प्राविधिक पक्ष के हुन्, यसमा प्रयोग हुने सामग्रीहरू के हुन्, यसकोसिर्जनात्मक बन्देज तथा स्वतन्त्रता आदि सम्बन्धमा थोरै भए पनि प्रकाश पार्नु यस लेखको उद्देश्य रहेकोछ । \u0000{In the field of Nepali original art, traditional painting has been the major genre. Its antiquity, originality, and significance have little or no effect on the general public, even the so-called enlightened class. This may have happened without the opportunity to study and discuss the subject. Lack of opportunity to read, write and watch Nepali traditional painting is also due to lack of publicity as expected. The purpose of this article is to shed some light on what is Nepali traditional painting, how to understand it and its creative process and technical aspects, what materials are used in it, its creative restrictions and freedom etc.}","PeriodicalId":272442,"journal":{"name":"SIRJANĀ – A Journal on Arts and Art Education","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114400294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0