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The Guitar Fretboard Deep-Dive 吉他指板深潜
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2022.8.5
M. Mermikides
{"title":"The Guitar Fretboard Deep-Dive","authors":"M. Mermikides","doi":"10.56902/sbs.2022.8.5","DOIUrl":"https://doi.org/10.56902/sbs.2022.8.5","url":null,"abstract":"Question and answers from Milton Mermikides's keynote speech, \"Diamonds, Abaci, and Hexagrams: Exploring the Pitch Surface of the Guitar Fretboard.\"","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121595995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ars Longa (Kenny)
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2021.7.24
Jocelyn Nelson
{"title":"Ars Longa (Kenny)","authors":"Jocelyn Nelson","doi":"10.56902/sbs.2021.7.24","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.24","url":null,"abstract":"A review of Ars Longa: Old and New Music for Theorbo, by Elizabeth Kenny, theorbo (Linn CKD 603, 2019, 1 compact disc).","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"818 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123290788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark 《洛斯·罗梅罗斯:西班牙吉他的王室》作者:沃尔特·亚伦·克拉克
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2019.5.7
R. Long
{"title":"Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark","authors":"R. Long","doi":"10.56902/sbs.2019.5.7","DOIUrl":"https://doi.org/10.56902/sbs.2019.5.7","url":null,"abstract":"A review of Los Romeros: Royal Family of the Spanish Guitar by Walter Aaron Clark.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132208135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spanish Guitarists in Nineteenth-Century São Paulo 19世纪西班牙吉他手在<s:1>圣保罗
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2021.7.10
Flavia Prando
{"title":"Spanish Guitarists in Nineteenth-Century São Paulo","authors":"Flavia Prando","doi":"10.56902/sbs.2021.7.10","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.10","url":null,"abstract":"This article explores the presence and activities of guitarists in nineteenth-century São Paulo. Drawing on reviews written by the pianist Alexandre Levy in 1890, I analyze concerts by Martínez Toboso and Gil-Orozco, two Spanish guitarists whose duo seems to have been the first to perform formal concerts in São Paulo. I also investigate Gil-Orozco’s subsequent work in São Paulo, where he lived for seventeen years (1890–1907), playing an essential role in the guitar’s development in the city. This article was first published in Portuguese as “Presença de violonistas espanhóis em São Paulo no século XIX,” Revista Vórtex (Curitiba) 8, no. 3 (2020). The translation is by Diogo Alvarez.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128742727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Guitar Thinking 吉他的思考
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2021.7.7
Jonathan De Souza
{"title":"Guitar Thinking","authors":"Jonathan De Souza","doi":"10.56902/sbs.2021.7.7","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.7","url":null,"abstract":"Playing the guitar develops physical skills but also ways of listening and thinking about music. For example, guitarists often conceptualize chords as two-dimensional shapes—an approach that is foreign to pianists. What does it mean, then, to think like a guitarist? This article approaches “guitar thinking” through music theory and cognitive science. Psychological experiments help to reveal auditory, visual, and tactile aspects of guitar playing and to show how guitarists respond to the instrument’s affordances (i.e., its possibilities for action). Additionally, recent research in music theory models fretboard space and examines patterns of body-instrument interaction. To demonstrate this mode of analysis, the article discusses Leo Brouwer’s Estudios sencillos, nos. 1 and 7. Ultimately, this investigation suggests that the guitar is not only a tool for producing musical sound; it also produces musical knowledge.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"132 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123767632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Noteworthy Early-American Guitar Treatise: James Ballard’s Elements of 1838 值得注意的早期美国吉他论文:詹姆斯巴拉德的元素1838
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2021.7.14
Peter L. Danner
{"title":"A Noteworthy Early-American Guitar Treatise: James Ballard’s Elements of 1838","authors":"Peter L. Danner","doi":"10.56902/sbs.2021.7.14","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.14","url":null,"abstract":"This article is one of a series of five by Peter Danner on the history of the guitar in the United States from the late eighteenth to the early twentieth century. Written between 1977 and 1994, these articles first appeared in early issues of the GFA’s magazine Soundboard. They are reprinted here in tribute to Danner’s pioneering contribution to guitar research and to bring them to the attention of a new generation of scholars. The author has generously provided a newly written introduction to the series.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114962759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How I Got into This: Toward a Social History of the Guitar in America 我是如何进入这个行业的:走向美国吉他的社会史
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2021.7.12
Peter L. Danner
{"title":"How I Got into This: Toward a Social History of the Guitar in America","authors":"Peter L. Danner","doi":"10.56902/sbs.2021.7.12","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.12","url":null,"abstract":"An introduction to a series of five articles by Peter Danner on the history of the guitar in the United States from the late eighteenth to the early twentieth century. Written between 1977 and 1994, these articles first appeared in early issues of the GFA’s magazine Soundboard. They are reprinted here in tribute to Danner’s pioneering contribution to guitar research and to bring them to the attention of a new generation of scholars. The author has generously provided this newly written introduction to the series.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"410 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115610823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Way We Were: A Review of Early Efforts to Find Classical Guitar Music in Collections 我们曾经的样子:早期在收藏中寻找古典吉他音乐的努力的回顾
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2017.3.7
Ellwood Colahan
{"title":"The Way We Were: A Review of Early Efforts to Find Classical Guitar Music in Collections","authors":"Ellwood Colahan","doi":"10.56902/sbs.2017.3.7","DOIUrl":"https://doi.org/10.56902/sbs.2017.3.7","url":null,"abstract":"This article was originally copublished online with the author's article, \"Guitar Music in Collections: A New Web-Based Index Is Launched,\" Soundboard Scholar, no. 3 (2017), https://digitalcommons.du.edu/sbs/vol3/iss1/6.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122797432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Guitar in Tudor England: A Social and Musical History, by Christopher Page 《都铎王朝时期的吉他:社会史和音乐史》，克里斯托弗·佩奇著
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2016.2.8
R. Long
{"title":"The Guitar in Tudor England: A Social and Musical History, by Christopher Page","authors":"R. Long","doi":"10.56902/sbs.2016.2.8","DOIUrl":"https://doi.org/10.56902/sbs.2016.2.8","url":null,"abstract":"Long reviews The Guitar in Tudor England: A Social and Musical History by Christopher Page.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129999584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Catalan Guitar, Part 1: Four New E-books by Brian Jeffery and Josep María Mangado 加泰罗尼亚吉他，第一部分:四本新书，作者:Brian Jeffery和Josep María Mangado
Soundboard Scholar Pub Date : 1900-01-01 DOI: 10.56902/sbs.2021.7.19
R. Long
{"title":"The Catalan Guitar, Part 1: Four New E-books by Brian Jeffery and Josep María Mangado","authors":"R. Long","doi":"10.56902/sbs.2021.7.19","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.19","url":null,"abstract":"A review of four new biographical studies of Fernando Sor: Brian Jeffery, Fernando Sor: Composer and Guitarist, 3rd edition (N.p.: Tecla, 2020), PDF or ePub Josep María Mangado Artigas, Fernando Sor (1778–1839), vol. 1, Aportaciones biográficas (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2020), PDF Josep María Mangado Artigas, Fernando Sor (1778–1839), vol. 2, Documentos inéditos: Reflexiones e hypótesis (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2018), PDF Josep María Mangado Artigas, Fernando Sor (1778–1839), vol. 3, La actividad guitarrística en París (1825–1839) (Sant Feliu de Llobregat, Barcelona: Self-published, Tecla, 2010), PDF","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127729904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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