{"title":"Mauro Giuliani and Austrian Folk Music","authors":"Stefan Hackl","doi":"10.56902/sbs.2019.5.5","DOIUrl":"https://doi.org/10.56902/sbs.2019.5.5","url":null,"abstract":"Mauro Giuliani, one of the most important figures in the growth and development of the guitar in the earlier nineteenth century, spent his most productive years in Vienna from 1806 to 1819. He was well connected with the cultural and social life of the imperial city, at the time a melting pot which welcomed talented artists with diverse backgrounds from throughout the provinces and neighboring states. Here, Hackl discusses Giuliani's folk songs.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"154 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134508340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the Need for a Scholarly Edition of Tárrega’s Complete Works","authors":"D. Buch","doi":"10.56902/sbs.2021.7.4","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.4","url":null,"abstract":"In this guest editorial, the author provides evidence of the unreliable nature of the majority of Tárrega’s first editions, and the substandard quality of most modern editions. The author argues that in light of the recent availability of formerly inaccessible primary sources, the time is right for a scholarly edition of Tárrega’s complete works with state-of-art editorial methods.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132148604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Matanya Ophee’s Contributions to Soundboard Magazine: A Retrospective","authors":"S. Yates","doi":"10.56902/sbs.2022.8.12","DOIUrl":"https://doi.org/10.56902/sbs.2022.8.12","url":null,"abstract":"The guitar historian Matanya Ophee's writings in Soundboard span almost his entire career as a researcher. In this restrospective, Stanley Yates surveys Ophee's work in general before offering a bibliography and commentary on his contributions to Soundboard: articles, reviews, and columns. This article is one of a series of seven celebrating the work of Matanya Ophee (1932–2017) on the ninetieth anniversary of his birth. Written between 1982 and 1991, these articles first appeared in early issues of the GFA’s magazine Soundboard. The writings in this series are really columns—short introductions to scores, which are also reproduced here as they appeared in the original magazines. Ophee’s long-form research appears in various places, but an important anthology is his Essays on Guitar History (Columbus, OH: Orphee, 2016). An introduction to the present series, surveying Ophee’s contribution to Soundboard, is provided by Stanley Yates. Below are links to each article in the series: Introduction Matanya Ophee’s Contributions to Soundboard Magazine: A Retrospective, by Stanley Yates Articles A Rondo Allegro by François Molino Carlos Pedrell’s Al atardecer en los jardines de Arlaja Rudolph Süss’s Lyrische Suite no. 1, op. 23 J.N. Bobrowicz’s Grand Polonaise, op. 24 Rudolph Süss’s Lyrische Suite no. 2, op. 24 Elsa Just’s Ständchen for Guitar Trio Athénaïs Paulian’s Airs and Variations, op. 1","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129409183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Guitar in Nineteenth-Century America: A Lost Social Tradition","authors":"Peter L. Danner","doi":"10.56902/sbs.2021.7.15","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.15","url":null,"abstract":"This article is one of a series of five by Peter Danner on the history of the guitar in the United States from the late eighteenth to the early twentieth century. Written between 1977 and 1994, these articles first appeared in early issues of the GFA’s magazine Soundboard. They are reprinted here in tribute to Danner’s pioneering contribution to guitar research and to bring them to the attention of a new generation of scholars. The author has generously provided a newly written introduction to the series.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133075760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Athénaïs Paulian’s Airs and Variations, op. 1","authors":"Matanya Ophee","doi":"10.56902/sbs.2022.8.18","DOIUrl":"https://doi.org/10.56902/sbs.2022.8.18","url":null,"abstract":"This article reproduces Airs et Variations, op. 1, by Athénaïs Paulian (Bonn: Simrock, c. 1829), with a brief historical commentary and notes on performance. The commentary includes notes on Paulian's role in the Parisian guitar scene of Sor, Aguado, de Fossa, and others; the Italian soprano Angelia Catalani; and the popularity of the aria \"Das klinget so herrlich,\" from Mozart's Singspiel Die Zauberflöte. Notes This article is one of a series of seven celebrating the work of Matanya Ophee (1932–2017) on the ninetieth anniversary of his birth. Written between 1982 and 1991, these articles first appeared in early issues of the GFA’s magazine Soundboard. The writings in this series are really columns—short introductions to scores, which are also reproduced here as they appeared in the original magazines. Ophee’s long-form research appears in various places, but an important anthology is his Essays on Guitar History (Columbus, OH: Orphee, 2016). An introduction to the present series, surveying Ophee’s contribution to Soundboard, is provided by Stanley Yates. Below are links to each article in the series: Introduction Matanya Ophee’s Contributions to Soundboard Magazine: A Retrospective, by Stanley Yates Articles A Rondo Allegro by François Molino Carlos Pedrell’s Al atardecer en los jardines de Arlaja Rudolph Süss’s Lyrische Suite no. 1, op. 23 J.N. Bobrowicz’s Grand Polonaise, op. 24 Rudolph Süss’s Lyrische Suite no. 2, op. 24 Elsa Just’s Ständchen for Guitar Trio Athénaïs Paulian’s Airs and Variations, op. 1","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121922107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Guitar Double Concertos: Works by Puerto, García Abril & López de Guereña (Trápaga et al.)","authors":"Diogo Alvarez","doi":"10.56902/sbs.2021.7.21","DOIUrl":"https://doi.org/10.56902/sbs.2021.7.21","url":null,"abstract":"A review of Guitar Double Concertos, by Miguel Trápaga and Teresa Folgueira, guitars; Ángel Luis Castaño, accordion; Fernando Arias, vibraphone; Oviedo Filarmonía; Óliver Díaz (Naxos 8.573816, 2019, 1 compact disc).","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122147260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"J.N. Bobrowicz’s Grand Polonaise, op. 24","authors":"Matanya Ophee","doi":"10.56902/sbs.2022.8.15","DOIUrl":"https://doi.org/10.56902/sbs.2022.8.15","url":null,"abstract":"This article presents an edited version of a Grand Polonaise by the Polish guitarist-composer Jan Nepomucen Bobrowicz (1805–81), preceded by a short commentary and notes for performance. The commentary includes a translation of the biographical entry for Bobrowicz in Sowiński’s Les musiciens polonais et slaves (Paris, 1857). Notes This article is one of a series of seven celebrating the work of Matanya Ophee (1932–2017) on the ninetieth anniversary of his birth. Written between 1982 and 1991, these articles first appeared in early issues of the GFA’s magazine Soundboard. The writings in this series are really columns—short introductions to scores, which are also reproduced here as they appeared in the original magazines. Ophee’s long-form research appears in various places, but an important anthology is his Essays on Guitar History (Columbus, OH: Orphee, 2016). An introduction to the present series, surveying Ophee’s contribution to Soundboard, is provided by Stanley Yates. Below are links to each article in the series: Introduction Matanya Ophee’s Contributions to Soundboard Magazine: A Retrospective, by Stanley Yates Articles A Rondo Allegro by François Molino Carlos Pedrell’s Al atardecer en los jardines de Arlaja Rudolph Süss’s Lyrische Suite no. 1, op. 23 J.N. Bobrowicz’s Grand Polonaise, op. 24 Rudolph Süss’s Lyrische Suite no. 2, op. 24 Elsa Just’s Ständchen for Guitar Trio Athénaïs Paulian’s Airs and Variations, op. 1","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130248000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Monitored Freedom: Swing Rhythm in the Jazz Arrangements of Roland Dyens","authors":"M. Mermikides","doi":"10.56902/sbs.2020.6.6","DOIUrl":"https://doi.org/10.56902/sbs.2020.6.6","url":null,"abstract":"This paper provides an analysis of jazz swing in the work of classical guitarist and composer Roland Dyens. Drawing on Dyens’s published and recorded arrangements of jazz standards, I study both his notation and his performance of swing, starting with a preliminary study of his collection Night and Day and proceeding to a detailed analysis of Nuages—his notated arrangement and four recorded performances. To provide context for Dyens’s stylistic referents, I analyze Django Reinhardt’s 1940 ensemble performance of Nuages. Throughout the discussion, I utilize digital audio analysis and models of microtiming to reveal Dyens’s sophisticated understanding and execution of varying swing values and beat durations. The paper ends with pedagogical recommendations for classical guitarists wishing to play Dyens’s jazz arrangements.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128843215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“An Attractive and Varied Repertoire”: Full-Data List","authors":"C. Page","doi":"10.56902/sbs.2022.8.8","DOIUrl":"https://doi.org/10.56902/sbs.2022.8.8","url":null,"abstract":"This document presents the complete set of data analyzed in Christopher Page, “‘An Attractive and Varied Repertoire’: The Guitar Revival of 1860–1900 and Victorian Song,” Soundboard Scholar, no. 8 (2022), https://digitalcommons.du.edu/sbs/vol8/iss1/3.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126323371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Men, Women and Guitars in Romantic England (Page)","authors":"Ellwood Colahan","doi":"10.56902/sbs.2018.4.15","DOIUrl":"https://doi.org/10.56902/sbs.2018.4.15","url":null,"abstract":"A review of Christopher Page, Men, Women and Guitars in Romantic England (Gresham College), six videos, https://www.gresham.ac.uk/series/men-women-and-guitars-in-romantic-england/.","PeriodicalId":271859,"journal":{"name":"Soundboard Scholar","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117196365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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