{"title":"A REPERTOIRE PROPOSAL BASED ON PITCH ARRANGEMENT FOR TEACHING MISKET TUNE SYSTEM RELATING TO TURKISH FOLK SONGS ON BAGLAMA","authors":"Sami Emrah Gerekten, Attila Özdek","doi":"10.31811/ojomus.827424","DOIUrl":"https://doi.org/10.31811/ojomus.827424","url":null,"abstract":"The aim of the study is to present a repertoire proposal to the teachers who teach the work based Misket tune system through the links accessed by examining the relationships between the curtains used in the repertoire according to the traditional baglama performance of the works notated in the fa # ending point and the types of the pitch arrangement obtained. In the study, the sample was made up of sixty-two works notated in the fa # ending point in the TRT THM repertoire, and the data was collected through interviews with documents and source persons. The TRT THM repertoire notation of each Turkish Folk songs in the sample was rewritten through the Finale note writing program, and it was aimed to provide data diversity by reaching the audio records of the works and conducting interviews with the source people of some of the songs in the sample. The data were analyzed by the researcher by using document analysis and pıtch analysis methods over the updated notations via these sources. As a result of the research, it was determined that the works included in the sample, which were notated as fa # decision pitched, brought up twenty different types of pitch arrangement in the light of their updated notations and that these types of sequences were mostly associated with intricate curtain arrangements. In the light of the obtained data, a taxonomized repertoire bundle was presented on the basis of the curtain arrangement that the teachers who teach folk / work oriented Misket tune system can use in their lessons.","PeriodicalId":270637,"journal":{"name":"Online Journal of Music Sciences","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133526611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"DÜNYADA MÜZİK ARAŞTIRMALARINA GENEL BİR BAKIŞ VE KKÜ I. ULUSLARARASIL MÜZİK ARAŞTIRMALARI ÖĞRENCİ KURULTAYI","authors":"Ali Uçan","doi":"10.31811/OJOMUS.491235","DOIUrl":"https://doi.org/10.31811/OJOMUS.491235","url":null,"abstract":"Dunya’da muzik arastirmalarinin ilk on kokleri insanlarin muzik konusunda dusunme, uslamlama bilgi-gorus ortaya koyma cizim, soylem ve eylemleriyle baslar; belirtme, paylasma edim ve calismalariyla gelisir. Bunlarin ilk cizimli ve sozlu baslangiclari Tarih Oncesinde, yazili baslangiclari ise Tarih caglarindadir. Muzik arastirmanin ve arastirmaciliginin ilk on olusumu muzigi betimleme, nitelendirme, adlandirma ve tanimlamayla baslar. Bu surec kuram olarak Dogu’da MO 6.-5. yuzyilda Konfucyus’e, Bati’da ise yine MO 6.-5. Yuzyilda Pitagoras’a temellenir. Bu temel uzerinde olusup gelisen muzik arastirmalari ve arastirmaciligi Orta Cag, Yeni Cag ve Yakin Cag’da degisik boyut, kapsam, yol ve yontemlerle belli asamalardan gecerek gunumuze ulasmistir. Cagimizda muzik arastirma, muzik yasami, kulturu, bilimi, sanati, teknigi ve felsefesiyle ilgili olarak belli bir tasar ve duzen icinde yapilan bilincli, amacli ve yontemli arama calismasidir. Buna gore muzik arastirma, (1) muziksel gerekliyi ve zorunluyu, (2) muziksel saglamligi ve saglikliligi, (3) muziksel gercegi ve dogruyu, (3) muziksel kolayligi ve kullanisliyi, (4) muziksel ozgunu ve guzeli ve (5) muziksel yararliyi ve iyiyi/degerliyi ortaya cikarmak amaciyla yapilan bilincli, ilkeli ve yontemli arama sureci ve urunudur. Gunumuzde muzik arastirmalari ve arastirmaciligi en cok universitelerde yogunlasirken ogrenciler giderek daha cok yer almakta ve etkin olmaktadir. Ancak arastirmalarin yapilmasi yetmemekte, ulusal ve uluslararasil duzey ve etkinliklerde topluca paylasilmasi da gerekmektedir. Turkiye’de bunun en cok bilincinde olan Kirikkale Universitesi (KKU) 1.Ulusal Muzik Arastirmalari Ogrenci Kurultayindan sonra 1. Uluslararasi Muzik Arastirmalari Ogrenci Kurultayini da gerceklestirmektedir. Bir yil icinde birbirini izleyen bu iki etkinlik bir butunun iki ana asamasidir. Bunu basaran KKU yu kutluyor ve buna taniklik etmekten kivanc duyuyorum. Ne ki arastirmalarin yapilmasi, sunulmasi ve yayinlanmasi yetmez; yayinlandiktan sonra tam okunmasi, paylasilmasi, incelenmesi-irdelenmesi ve degerlendirilmesi de gereklidir. Bu, genellikle tez hazirlama ve makale yazma calismalarinda kismen yapiliyor. Fakat bununla yetinmeyerek arastirmalari da tam arastirmak gereklidir. Bu, yayinlanan arastirmalari soyle bir tarama ve genel incelemeden ote, bastan sona cok yonlu, karsilastirmali ve derinlemesine irdeleme, cozumleme ve degerlendirme calismasidir. Bu tur bir calisma icin once Arastirma Universitesi olarak secilen universitelerin doktora ve otesi/sonrasi programlarinda yeni bir Arastirmalari Arastirma dersi yer almali ve etkili bir bicimde verilmeli; ardindan geliskin universitelere yayginlastirilmalidir. Bunun yani sira Arastirma Universitelerinde ogretim uyeliginin yani sira ona esdeger arastirim uyeligi de kurulmalidir (ihdas edilmelidir). Butun bunlar kuskusuz tum geliskin Muzik Universiteleri icin de gereklidir.","PeriodicalId":270637,"journal":{"name":"Online Journal of Music Sciences","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116081097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"GUITAR AND TECHNICAL DEVELOPMENT OF RELATIONSHIP RIGHT HAND","authors":"Umut Volkan Yılmaz","doi":"10.31811/ojomus.423767","DOIUrl":"https://doi.org/10.31811/ojomus.423767","url":null,"abstract":"","PeriodicalId":270637,"journal":{"name":"Online Journal of Music Sciences","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133812997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}