Katherine Mansfield Studies最新文献

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Parody‘Bliss! A New Mansfield’
Katherine Mansfield Studies Pub Date : 2012-08-20 DOI: 10.3366/KMS.2012.0033
A. Grant
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引用次数: 0
Ambivalence, Language and the Uncanny in Katherine Mansfield's In a German Pension 凯瑟琳·曼斯菲尔德《在德国的养老金里》中的矛盾心理、语言和神秘
Katherine Mansfield Studies Pub Date : 2012-08-20 DOI: 10.3366/KMS.2012.0027
A. Harrison
{"title":"Ambivalence, Language and the Uncanny in Katherine Mansfield's In a German Pension","authors":"A. Harrison","doi":"10.3366/KMS.2012.0027","DOIUrl":"https://doi.org/10.3366/KMS.2012.0027","url":null,"abstract":"This essay uses an observation on the strangeness of language in the opening section of Freud's essay ‘Das Unheimliche’ to describe the unsettling effects created by the stories in Mansfield's first collection, In A German Pension. It relates the formal ambivalence of the stories to their thematic concern with deception and self-deception, insinuation and suspicion, showing how the reader is troublingly implicated in the processes of speculation and intrusion foregrounded in the narratives. The essay concludes by concentrating on Mansfield's technical concern with the disconcerting slippage of meaning between languages and the uncanny potential of mixed languages, erratic voices and ambiguous expressions.","PeriodicalId":264945,"journal":{"name":"Katherine Mansfield Studies","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130339244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
From Wellington to Fontainebleau: Three Unpublished Letters by Katherine Mansfield 从惠灵顿到枫丹白露:凯瑟琳·曼斯菲尔德的三封未发表的信件
Katherine Mansfield Studies Pub Date : 2012-08-20 DOI: 10.3366/KMS.2012.0034
Gerri Kimber
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引用次数: 0
Lustful Fathers and False Princes: ‘Cinderella’ and ‘Donkeyskin’ Motifs in Edith Wharton's Summer and Katherine Mansfield's Short Stories 好色的父亲和假王子:伊迪丝·华顿《夏天》和凯瑟琳·曼斯菲尔德《短篇小说》中的“灰姑娘”和“驴皮”主题
Katherine Mansfield Studies Pub Date : 2012-08-20 DOI: 10.3366/KMS.2012.0028
Christine Butterworth-McDermott
{"title":"Lustful Fathers and False Princes: ‘Cinderella’ and ‘Donkeyskin’ Motifs in Edith Wharton's Summer and Katherine Mansfield's Short Stories","authors":"Christine Butterworth-McDermott","doi":"10.3366/KMS.2012.0028","DOIUrl":"https://doi.org/10.3366/KMS.2012.0028","url":null,"abstract":"Although their work was stylistically different, Edith Wharton and Katherine Mansfield shared a concern over the danger of fairy-tale fantasies of rescue for their female readership. Wharton's Summer and several of Mansfield's stories – ‘A Cup of Tea’, ‘Her First Ball’, ‘The Young Girl’, and ‘A Dill Pickle’ – all subvert the fairy tale of ‘Cinderella’ by exposing how lustful fathers and false princes are detrimental to self-actualisation. Both Wharton and Mansfield's bittersweet narratives highlight the inequities of male and female sexual agency and show that in order for the female figure to grow, she must step away from the dominant male, whether father or prince. Wharton and Mansfield force the reader to question the ‘fantasy of deliverance by a man’ that ‘Cinderella’ projects, which is as Elizabeth Ammons puts it, ‘a culturally perpetuated myth of female liberation which in reality celebrates masculine dominance, proprietorship, and privilege’ (96).","PeriodicalId":264945,"journal":{"name":"Katherine Mansfield Studies","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121503411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Kathryn Simpson, Gifts, Markets and Economies of Desire in Virginia Woolf (Basingstoke: Palgrave Macmillan, 2008), 200 pp., £52.00, ISBN 978 1 4039 9706 7 凯瑟琳·辛普森,《弗吉尼亚·伍尔夫的礼物、市场和欲望经济》(贝辛斯托克:帕尔格雷夫·麦克米伦出版社,2008),200页,52.00英镑,ISBN 978 144039 97067
Katherine Mansfield Studies Pub Date : 2011-08-04 DOI: 10.3366/KMS.2011.0018
Gerri Kimber
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引用次数: 0
A Literary Impressionist?: Mansfield's Painterly Vignettes 文学印象派?:曼斯菲尔德的绘画小品
Katherine Mansfield Studies Pub Date : 2011-08-04 DOI: 10.3366/KMS.2011.0005
M. Reimer
{"title":"A Literary Impressionist?: Mansfield's Painterly Vignettes","authors":"M. Reimer","doi":"10.3366/KMS.2011.0005","DOIUrl":"https://doi.org/10.3366/KMS.2011.0005","url":null,"abstract":"Despite the constant recourse to different stylistic tendencies throughout her mature fiction, one of the most striking features of Katherine Mansfield's writing is its pictorial quality, which demonstrates a heightened aestheticism and a desire to realise painterly effects within a verbal or written medium – a concept which her diaries and letters reinforce. Her stories point towards a congruent knowledge of developments and trends in the visual arts, particularly Impressionism. While leading scholars have linked Mansfield to Impressionism, her work has been neither explored nor substantiated from an art-historical perspective. This essay draws on research into the concept of literary impressionism, alongside Mansfield's early exposure to painterly Impressionism in New Zealand and abroad. It aims to elucidate possible painterly sources for her highly pictorial prose and to consider the painterly quality of her work, shaped by that exposure, in several of her earliest stories. These demonstrate how early ...","PeriodicalId":264945,"journal":{"name":"Katherine Mansfield Studies","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133739752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The ex-wife 的前妻
Katherine Mansfield Studies Pub Date : 2011-08-04 DOI: 10.3366/KMS.2011.0009
A. Smith
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引用次数: 0
Lorae Parry, Bloomsbury Women & The Wild Colonial Girl: A Play About Katherine Mansfield (Wellington: The Women's Play Press, 2010), 43 pp., $22.50, ISBN 978 0 9582 3101 5 劳拉·派瑞,《布卢姆斯伯里妇女与狂野的殖民女孩:关于凯瑟琳·曼斯菲尔德的戏剧》(惠灵顿:妇女戏剧出版社,2010),43页,22.50美元,ISBN 978 0 9582 3101
Katherine Mansfield Studies Pub Date : 2011-08-04 DOI: 10.3366/KMS.2011.0015
R. Fraser
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引用次数: 0
‘As fastidious as though I wrote with acid’: Katherine Mansfield, J. D. Fergusson and the Rhythm Group in Paris 凯瑟琳·曼斯菲尔德、j·d·弗格森和巴黎的“节奏组”:“就像我用酸写作一样挑剔”
Katherine Mansfield Studies Pub Date : 2011-08-04 DOI: 10.3366/KMS.2011.0003
Angela Smith
{"title":"‘As fastidious as though I wrote with acid’: Katherine Mansfield, J. D. Fergusson and the Rhythm Group in Paris","authors":"Angela Smith","doi":"10.3366/KMS.2011.0003","DOIUrl":"https://doi.org/10.3366/KMS.2011.0003","url":null,"abstract":"This article focuses on the cultural and political ferment in Paris exemplified by the Ballets Russes, and on its impact on Katherine Mansfield's writing when she was a member of the Rhythm group. She was engaged with Rhythm's mantra adapted from J. M. Synge's preface to his poems, ‘Before art can be human again it must learn to be brutal’, clearly expressed in its Fauvist illustrations. Mansfield's exposure to the dynamic aesthetics of the second wave of Fauvist painters, centred on the Scottish Colourist J. D. Fergusson, and to the work of Rhythm's young essayists, poets and writers of fiction, is contextualised within this turbulent period. Fergusson's brilliance as the art editor of Rhythm depended to some extent on his own interest in anti-colonial cultural nationalism, and on his opposition to rules, boundaries and conventional academic practices. Rhythm's editorial policy, expressed in the first issue, makes this explicit. Mansfield's stories first published in Rhythm will be discussed in relation ...","PeriodicalId":264945,"journal":{"name":"Katherine Mansfield Studies","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126100004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Jenny McDonnell, Katherine Mansfield and the Modernist Marketplace: At the Mercy of the Public (Basingstoke: Palgrave Macmillan, 2010), 220 pp., £50/US $80, ISBN 978 0 2302 3479 6 珍妮·麦克唐纳,凯瑟琳·曼斯菲尔德和现代主义市场:在公众的摆布下(贝辛斯托克:帕尔格雷夫·麦克米伦出版社,2010),220页,50英镑/ 80美元,ISBN 978 0 2302 3479 6
Katherine Mansfield Studies Pub Date : 2011-08-04 DOI: 10.3366/KMS.2011.0016
Alissa G. Karl
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引用次数: 0
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