文学印象派?:曼斯菲尔德的绘画小品

M. Reimer
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引用次数: 2

摘要

尽管在她成熟的小说中不断诉诸不同的风格倾向,但凯瑟琳·曼斯菲尔德的作品中最显著的特征之一是它的绘画品质,这表明了一种高度的唯美主义,以及在口头或书面媒介中实现绘画效果的愿望——她的日记和信件强化了这一概念。她的故事指向一个一致的知识发展和趋势,在视觉艺术,特别是印象派。虽然主要学者将曼斯菲尔德与印象派联系在一起,但她的作品既没有从艺术史的角度进行探索,也没有得到证实。本文借鉴了对文学印象派概念的研究,以及曼斯菲尔德早期在新西兰和国外接触到的印象派绘画。它的目的是阐明她高度绘画散文的可能绘画来源,并考虑她的作品的绘画质量,在她早期的几个故事中,受到这种暴露的影响。这些证明了早期……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Literary Impressionist?: Mansfield's Painterly Vignettes
Despite the constant recourse to different stylistic tendencies throughout her mature fiction, one of the most striking features of Katherine Mansfield's writing is its pictorial quality, which demonstrates a heightened aestheticism and a desire to realise painterly effects within a verbal or written medium – a concept which her diaries and letters reinforce. Her stories point towards a congruent knowledge of developments and trends in the visual arts, particularly Impressionism. While leading scholars have linked Mansfield to Impressionism, her work has been neither explored nor substantiated from an art-historical perspective. This essay draws on research into the concept of literary impressionism, alongside Mansfield's early exposure to painterly Impressionism in New Zealand and abroad. It aims to elucidate possible painterly sources for her highly pictorial prose and to consider the painterly quality of her work, shaped by that exposure, in several of her earliest stories. These demonstrate how early ...
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