{"title":"Z czerwonym Kielichem. Przedmiot wiary husytów w Trylogii husyckiej Otokara Vavry.","authors":"Radosław Łazarz","doi":"10.14746/so.2016.73.29","DOIUrl":"https://doi.org/10.14746/so.2016.73.29","url":null,"abstract":"The study is dedicated to Otokar Vavra’s cinematographic “Hussites Revolutionary Trilogy”. The films were shot in the 1950s as colour motion pictures. The main idea is based on Alois Jirasek’s trilogy and Frantisek Palacky’s philosophy of history combined with some ideological concepts revolving around the communist interpretation of Hussites. The three films: Jan Hus (1954), Jan Žižka (1955) and Proti všem (Against All Odds, 1957) pose some sort of a challenge by showing a religious movement from an atheist’s perspective. Vavra indeed created a work of propaganda, a heroic story of the Czech folk fighting against foreign powers (lords and nobles, crusaders) which had the potential of underpinning the communist ideology in Czechoslovakia. On the other hand, the trilogy took in a new symbolic meaning after the 1968 occupation by the Warsaw Pact.","PeriodicalId":261994,"journal":{"name":"Slavia Occidentalis","volume":"18 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124396869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Estera Lasocińska, Epikurejska idea szczęścia w literaturze polskiej renesansu i baroku. Od Kallimacha do Potockiego, „Studia Staropolskie. Series Nova”, t. XL, Warszawa 2014, ss. 226","authors":"Dariusz Cezary Maleszyński","doi":"10.14746/so.2016.73.40","DOIUrl":"https://doi.org/10.14746/so.2016.73.40","url":null,"abstract":"Estera Lasocińska, Epikurejska idea szczęścia w literaturze polskiej renesansui baroku. Od Kallimacha do Potockiego, „Studia Staropolskie. Series Nova”,t. XL, Warszawa 2014, 226 ss.","PeriodicalId":261994,"journal":{"name":"Slavia Occidentalis","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133494949","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wojna w dystopii – dystopia jako antywojna (na materiale powieści Kaharłyk Ołeha Szynkarenki)","authors":"Anna Ursulenko","doi":"10.14746/so.2016.73.32","DOIUrl":"https://doi.org/10.14746/so.2016.73.32","url":null,"abstract":"The dystopian novel Kaharlyk (2014) by Oleh Shynkarenko, the action of which takes place in about 2144, depicts various kinds of wars and forms of armed struggle: the occupation of territories of Ukraine by the Russian army, Russian-Chinese nuclear war, guerrilla warfare, the local conflict for power, and ethnic antagonisms. The description of the post-apocalyptic reality Grey Zone gives the author an opportunity to reflect on the dangers of aggressive ideology: imperialism, religious fundamentalism and radical nationalism. The diagnosis of Ukrainian society presented is also alarming. Hence, the work can be seen as a warning novel. Similar elements can be found in many dystopias written recently in different countries. An analysis of examples from Russian and American cultures shows that criticism of the existing situation is often combined with an admonition of the phenomena that may arise from the dangerous trends of the present, including armed conflicts. Hence visions of future wars, among other things, serve as a tool of discreditation against the ruling political forces and propose an analysis of discourses responsible for driving those wars. Implemented in such way, the ideological function, the metadiscursive perspective and humanistic values of dystopia allow for it, in our opinion, to be included in the arsenal of measures designed to “create conditions that scare of war or limit its scope” (A. Toffler, H. Toffler). The totality of these measures was defined by Alvin and Heidi Toffler as “anti-war”.","PeriodicalId":261994,"journal":{"name":"Slavia Occidentalis","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127970834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Literatura jako (auto)kreacja. Widmowy świat prozy Jerzego Pilcha","authors":"Tomasz Nakoneczny","doi":"10.14746/so.2016.73.31","DOIUrl":"https://doi.org/10.14746/so.2016.73.31","url":null,"abstract":"The article is an attempt at presenting the works of Jerzy Pilch in the context of a literature-centric tradition according to which a writer enjoys a privileged position in a culture. This allows him/her to speak about the world and him/herself from the viewpoint of a finder of truth, a depositor of universal values. In the culturally altered reality of the last few decades, a writer affected by the literature-centric tradition needs to look for various forms of compensating for lost status. A case in point is Jerzy Pilch, whose most elaborate style, combined with mythologizing his own biography, are a tool for “coping” with the generally lower standards of culture. The inconsistencies and incoherence of the writer’s auto-creation, their spectral nature, reminiscent ofDerrida’s philosophy, reveal the genuine dimension of the struggle with modernity faced by Pilch the traditionalist.","PeriodicalId":261994,"journal":{"name":"Slavia Occidentalis","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132307084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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