Literatura jako (auto)kreacja. Widmowy świat prozy Jerzego Pilcha

Tomasz Nakoneczny
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Abstract

The article is an attempt at presenting the works of Jerzy Pilch in the context of a literature-centric tradition according to which a writer enjoys a privileged position in a culture. This allows him/her to speak about the world and him/herself from the viewpoint of a finder of truth, a depositor of universal values. In the culturally altered reality of the last few decades, a writer affected by the literature-centric tradition needs to look for various forms of compensating for lost status. A case in point is Jerzy Pilch, whose most elaborate style, combined with mythologizing his own biography, are a tool for “coping” with the generally lower standards of culture. The inconsistencies and incoherence of the writer’s auto-creation, their spectral nature, reminiscent ofDerrida’s philosophy, reveal the genuine dimension of the struggle with modernity faced by Pilch the traditionalist.
本文试图在以文学为中心、作家在文化中享有特权地位的传统背景下呈现耶日·皮尔奇的作品。这使他/她能够从真理的发现者、普遍价值的存款人的角度来谈论世界和他/她自己。在过去几十年文化变迁的现实中,一个受到文学中心传统影响的作家需要寻找各种形式来补偿失去的地位。耶日·皮尔奇(Jerzy Pilch)就是一个很好的例子,他最精致的风格,加上他自己的传记神话化,是一种“应对”普遍较低标准的文化的工具。作家自我创造的不一致和不连贯,他们的光谱性质,让人想起德里达的哲学,揭示了传统主义者皮尔奇与现代性斗争的真实维度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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