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Slovenske divadlo /The Slovak Theatre最新文献

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Súčasné ruské divadlo: spomienky na budúcnosť
Slovenske divadlo /The Slovak Theatre Pub Date : 2019-07-16 DOI: 10.31577/SD-2019-0011
Zuzana Spodniaková
{"title":"Súčasné ruské divadlo: spomienky na budúcnosť","authors":"Zuzana Spodniaková","doi":"10.31577/SD-2019-0011","DOIUrl":"https://doi.org/10.31577/SD-2019-0011","url":null,"abstract":"Abstrakt: Rok 2019 bol v Rusku vyhlásený za Rok divadla. Divadlo si tu totiž nielen zachováva svoje významné postavenie, ale predstavuje čoraz aktívnejší nástroj komunikácie tvorcov a verejnosti. Štúdia sa v súvislosti s tým zameriava na pomenovanie výrazných tém a foriem súčasného ruského divadla. Odhaľuje moderné vývinové tendencie ruskej divadelnej kultúry, ktoré reflektujú minulosť i súčasnosť a kladú naliehavú otázku o budúcnosti – personálnej, národnej i svetovej. Autorka prostredníctvom vybraných inscenácií a divadelných osobností prezentovaných na festivale Zlatá maska 2019 zachytáva nové prístupy tvorcov ku klasickým dramatickým a prozaickým dielam, aj spôsob reflektovania dejín Ruska, jeho národných symbolov a mýtov v inscenovaných textoch súčasných ruských dramatikov. Kľúčové slová: súčasné ruské divadlo, ruská dráma, ruská próza, Zlatá maska 2019, Rok divadla, dejiny Zväzu sovietskych socialistických republík","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131361835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Interaktivita a inscenované svety (s dôrazom na otázky simulácie a inscenácie vo videohrách)
Slovenske divadlo /The Slovak Theatre Pub Date : 2019-07-16 DOI: 10.31577/SD-2019-0009
J. Búry
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引用次数: 0
Reflexia európskych hodnôt v súčasnom slovenskom divadle
Slovenske divadlo /The Slovak Theatre Pub Date : 2019-07-16 DOI: 10.31577/SD-2019-0007
Elena Knopová
{"title":"Reflexia európskych hodnôt v súčasnom slovenskom divadle","authors":"Elena Knopová","doi":"10.31577/SD-2019-0007","DOIUrl":"https://doi.org/10.31577/SD-2019-0007","url":null,"abstract":"Abstrakt: Štúdia sa venuje identifikácii reprezentatívnej vzorky tém, ktoré vstúpili do umeleckého i spoločenského diskurzu prostredníctvom inscenačnej tvorby v slovenských repertoárových divadlách v ostatných troch rokoch (2016 – 2018). Nahliada na ne implicitne z perspektívy dramaturgie tém a tzv. postdramaturgie pocitov, ako aj z perspektívy európskych hodnôt, zaznamenaných v aktuálnych sociologických prieskumoch. Autorka sa porovnaním výsledkov Európskeho výskumu hodnôt (European Values Study), cieľov a hodnôt reprezentovaných Európskou úniou ako spoločenstvom a tém, ktoré nastolilo slovenské divadlo (tzv. zriaďované a repertoárové divadlá), pokúša zistiť, či alebo ako korešponduje naše divadlo prostredníctvom reflexie tém a ich interpretácie s postojmi slovenských a európskych občanov, a to napríklad v otázkach identity, rodiny, ohrozenia, tolerancie, islamizácie starého kontinentu, ochrany demokracie, ale i legitimizácie liberalizácie tradičných hodnôt. Kľúčové slová: hodnoty, súčasné slovenské divadlo, European Values Study, kríza, anticipácia","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115217003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Janko Borodáč – Andrej Chmelko. Dve cesty – jeden smer
Slovenske divadlo /The Slovak Theatre Pub Date : 2019-04-09 DOI: 10.31577/SD-2019-0003
Peter Himič
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引用次数: 1
Dario Fo: zrodenie klauna
Slovenske divadlo /The Slovak Theatre Pub Date : 2019-04-09 DOI: 10.31577/SD-2019-0004
Michal Denci
{"title":"Dario Fo: zrodenie klauna","authors":"Michal Denci","doi":"10.31577/SD-2019-0004","DOIUrl":"https://doi.org/10.31577/SD-2019-0004","url":null,"abstract":"","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116040526","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Náčrt k problematike režijnej a dramaturgickej tvorby Janka Borodáča počas jeho pôsobenia v Košiciach
Slovenske divadlo /The Slovak Theatre Pub Date : 2019-04-09 DOI: 10.31577/SD-2019-0002
Karol Mišovic
{"title":"Náčrt k problematike režijnej a dramaturgickej tvorby Janka Borodáča počas jeho pôsobenia v Košiciach","authors":"Karol Mišovic","doi":"10.31577/SD-2019-0002","DOIUrl":"https://doi.org/10.31577/SD-2019-0002","url":null,"abstract":"","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"99 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126620184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Bratislavská „krádež“ svätého Grálu. Rekonštrukcia inscenácie Wagnerovho Parsifala v Slovenskom národnom divadle z roku 1935 布拉迪斯拉发对圣杯的 "盗窃"。重建 1935 年斯洛伐克国家剧院上演的瓦格纳歌剧《帕西法尔
Slovenske divadlo /The Slovak Theatre Pub Date : 2019-04-09 DOI: 10.31577/SD-2019-0001
Robert Bayer
{"title":"Bratislavská „krádež“ svätého Grálu. Rekonštrukcia inscenácie Wagnerovho Parsifala v Slovenskom národnom divadle z roku 1935","authors":"Robert Bayer","doi":"10.31577/SD-2019-0001","DOIUrl":"https://doi.org/10.31577/SD-2019-0001","url":null,"abstract":"","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134353972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Divadelné profesionalizmy očami lingvistky
Slovenske divadlo /The Slovak Theatre Pub Date : 2019-04-09 DOI: 10.31577/SD-2019-0006
Oľga Orgoňová
{"title":"Divadelné profesionalizmy očami lingvistky","authors":"Oľga Orgoňová","doi":"10.31577/SD-2019-0006","DOIUrl":"https://doi.org/10.31577/SD-2019-0006","url":null,"abstract":"Abstrakt: Príspevok predstavuje kategóriu pomenovaní, tzv. profesionalizmy, ktoré používajú v ústnej komunikácii profesionáli v slovenskom divadle. Cieľom je priblížiť čitateľovi túto špecifickú slovnú zásobu oscilujúcu medzi spisovnosťou a nespisovnosťou, doteraz systematicky nereflektovanú v odborných ani všeobecných výkladových slovníkoch na Slovensku. Súčasne ide o pokus rámcovo ozrejmiť kontext súčasnej slovenskej slovníkovej produkcie očami lingvistky a následne doň začleniť koncept slovníka divadelných profesionalizmov. Slovník, o ktorom sa v texte referuje, pripravuje medziodborový lingvisticko-teatrologický tím ako poctu k blížiacej sa storočnici od zrodu slovenského profesionálneho divadla. Kľúčové slová: profesionalizmus, slovník divadelných profesionalizmov, lingvistika, teatrológia, medziodborovosť","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125799866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Obrazy umelcov v televíznych naratívoch Nežnej revolúcie v rokoch 1990 – 1993
Slovenske divadlo /The Slovak Theatre Pub Date : 2019-04-09 DOI: 10.31577/SD-2019-0005
Jana Dudková
{"title":"Obrazy umelcov v televíznych naratívoch Nežnej revolúcie v rokoch 1990 – 1993","authors":"Jana Dudková","doi":"10.31577/SD-2019-0005","DOIUrl":"https://doi.org/10.31577/SD-2019-0005","url":null,"abstract":"The text is a partial result of the thematic analysis of Slovak television produc tion from the early 1990s, which Slovak film studies has not yet fully examined. The author analyses the figure of an artist and/or humanistic intelligentsia in television fiction after November 1989, emphasising especially images of their exclusion in terms of “purity and danger” concepts as well within the context of sceptical narrati ves of the social change.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128869809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contribution of Slovak Directors to the Profile of the Czech Opera Theatre After 1993 1993年后斯洛伐克导演对捷克歌剧院形象的贡献
Slovenske divadlo /The Slovak Theatre Pub Date : 2018-12-01 DOI: 10.2478/sd-2018-0023
Michaela Mojžišová
{"title":"Contribution of Slovak Directors to the Profile of the Czech Opera Theatre After 1993","authors":"Michaela Mojžišová","doi":"10.2478/sd-2018-0023","DOIUrl":"https://doi.org/10.2478/sd-2018-0023","url":null,"abstract":"Abstract The ambition of the survey study, which maps the work of Slovak directors in Czech opera theatres after 1993, is to identify the number of Slovak creators in the opera-theatre discourse of the very closely connected countries in terms of culture and history while at the same time adding the professional biographies of Slovak artists – who are little known and reflected upon in their homeland – and parts of their works. The author concludes that the split of the Czechoslovak Republic and the subsequent creation of separate Czech and Slovak Republics did not have an adverse effect on the mutual contacts of our opera cultures. At present, we even enjoy intensified co-operation in both directions. The nonjudgmental attitude of Czech theatres towards the influence of Slovak film directors in the Czech Republic is clear: not only credible creators (Marián Chudovský), but also representatives of the younger generation of opera directors (Andrea Hlinková) and renowned drama directors with previous opera experience (Martin Huba, Roman Polák), as well as creators who had not yet worked on the opera scene at home (Martin Čičvák, Sláva Daubnerová) were presented with an opportunity to contribute. Despite the fact that their works represented the enrichment of the Czech opera-theatre, the Slovak director with the most significant contribution to the Czech opera theatre remains Jozef Bednárik, even two decades later.","PeriodicalId":253484,"journal":{"name":"Slovenske divadlo /The Slovak Theatre","volume":"133 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133148034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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