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The Soundtrack最新文献

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Cold world: the deathly void of sound 冰冷的世界:声音的死亡虚空
The Soundtrack Pub Date : 2009-12-01 DOI: 10.1386/ST.2.2.87/1
D. Toop
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引用次数: 0
School of Sound Symposium, London 2009; keynote lecture 声音学院研讨会，伦敦2009;主旨演讲
The Soundtrack Pub Date : 2009-12-01 DOI: 10.1386/ST.2.2.111/1
Hildegard Westerkamp
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引用次数: 2
The omnipresent soundscape of drones: reflections on Bill Viola's sound design in Five Angels for the Millennium 无所不在的无人机声景:比尔·维奥拉在《千禧年的五个天使》中声音设计的反思
The Soundtrack Pub Date : 2009-12-01 DOI: 10.1386/ST.2.2.127/1
Tina Rigby Hanssen
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引用次数: 2
Staging Sound: A Matter of Dissociation 舞台声音:分离的问题
The Soundtrack Pub Date : 2009-08-01 DOI: 10.1386/ST.2.1.57_1
Daniel Deshays
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引用次数: 1
Patriotic Dissonance: The Soundtrack of Hail the Conquering Hero 爱国的不和谐:欢呼征服英雄的原声
The Soundtrack Pub Date : 2009-08-01 DOI: 10.1386/ST.2.1.77_1
D. Power
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引用次数: 0
Enlarging the Diegetic Space: Uses of the Multi-channel Soundtrack in Cinematic Narrative 扩大叙事空间:多声道配乐在电影叙事中的运用
The Soundtrack Pub Date : 2009-08-01 DOI: 10.1386/ST.2.1.39_1
Christos Manolas, S. Pauletto
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引用次数: 5
A Concise History of Western Music for Film-makers 电影制作人的西方音乐简史
The Soundtrack Pub Date : 2009-08-01 DOI: 10.1386/ST.2.1.23_1
Stephen Deutsch
{"title":"A Concise History of Western Music for Film-makers","authors":"Stephen Deutsch","doi":"10.1386/ST.2.1.23_1","DOIUrl":"https://doi.org/10.1386/ST.2.1.23_1","url":null,"abstract":"The use of music in films has become almost ubiquitous in both drama and documentary. Music is used regularly in cinema, broadcasting and more recently, in interactive media. Yet audiences often criticise makers for its overuse, especially in actuality television. The problem is not merely concerned with the volume and placement of music, but of the internal nature and structure of the musical material itself. This article contextualises the history of western music in a way which may be able to help inform film makers and broadcasters about how music might be used more advantageously to accompany moving pictures.","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133248430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith 《偶遇:让·谷克多和哈利·史密斯电影中的偶遇与音乐运用》
The Soundtrack Pub Date : 2009-08-01 DOI: 10.1386/ST.2.1.5_1
D. Chapman
{"title":"Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith","authors":"D. Chapman","doi":"10.1386/ST.2.1.5_1","DOIUrl":"https://doi.org/10.1386/ST.2.1.5_1","url":null,"abstract":"The exploration of ‘chance’ as part of the creative process emerged as an increasingly important element in art practice during the twentieth century. It can be regarded as one of many approaches by which the avant-garde expressed its desire to create new forms in opposition to the aesthetic and conceptual values of the past. Film was not immune to this interest in chance procedures. This article focuses on notions of chance in the context of exploring the relationship between film image and music. More specifically, I discuss Jean Cocteau's method of ‘accidental synchronisation’ and Harry Smith's notion of ‘automatic synchronisation’, distinctive approaches to the use of music with film predicated on chance procedures. These methods can be viewed in terms of a longer history of experiments with sound, images and colour, that is, as precursors of the light-shows and multi-media events of the 1960s and other more contemporary media forms. Cocteau and Smith's experiments open up important questions about the processes by which audiences perceive and make sense of music in relation to film.","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124307468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema 说话、歌唱、尖叫:控制美国电影中的女性声音
The Soundtrack Pub Date : 2009-08-01 DOI: 10.1386/ST.2.1.63_1
L. Greene
{"title":"Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema","authors":"L. Greene","doi":"10.1386/ST.2.1.63_1","DOIUrl":"https://doi.org/10.1386/ST.2.1.63_1","url":null,"abstract":"Feminist film scholars have long argued that there is a visual bias as to how the female body is represented on screen. This article explores the extension of this bias to include sound: how sound is used to represent women in American cinema. It explores sonic representation in several key films including Singin' in the Rain, Mulholland Drive, Blue Velvet and Citizen Kane.","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125701572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 16
More Than Meets the Eye: Rouben Mamoulian's City Streets 不仅仅是看到的:鲁本马穆里安的城市街道
The Soundtrack Pub Date : 2008-12-01 DOI: 10.1386/ST.1.3.236
D. Power
{"title":"More Than Meets the Eye: Rouben Mamoulian's City Streets","authors":"D. Power","doi":"10.1386/ST.1.3.236","DOIUrl":"https://doi.org/10.1386/ST.1.3.236","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2008-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127014098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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