说话、歌唱、尖叫:控制美国电影中的女性声音

The Soundtrack Pub Date : 2009-08-01 DOI:10.1386/ST.2.1.63_1

L. Greene

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引用次数: 16

摘要

女权主义电影学者长期以来一直认为，女性身体在银幕上的表现存在视觉偏见。这篇文章探讨了这种偏见的延伸，包括声音:声音是如何被用来代表美国电影中的女性。它探索了几部关键电影的声音表现，包括《雨中曲》、《穆赫兰道》、《蓝色天鹅绒》和《公民凯恩》。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema

Feminist film scholars have long argued that there is a visual bias as to how the female body is represented on screen. This article explores the extension of this bias to include sound: how sound is used to represent women in American cinema. It explores sonic representation in several key films including Singin' in the Rain, Mulholland Drive, Blue Velvet and Citizen Kane.

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The Soundtrack

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