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The use of dance music and the synergy of narrative vehicles in Run Lola Run 《罗拉快跑》中舞蹈音乐的使用和叙事媒介的协同作用
The Soundtrack Pub Date : 2010-12-01 DOI: 10.1386/ST.3.2.83_1
V. Hexel
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引用次数: 0
Towards a radically different understanding of experience: Looking for an heautonomous auditory field in film 走向对体验的完全不同的理解:在电影中寻找一个自主的听觉场
The Soundtrack Pub Date : 2010-12-01 DOI: 10.1386/ST.3.2.139_1
Martine Huvenne
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引用次数: 3
Working with Hitch 使用结绳作业
The Soundtrack Pub Date : 2010-07-01 DOI: 10.1386/ST.3.1.25_1
N. Brand
{"title":"Working with Hitch","authors":"N. Brand","doi":"10.1386/ST.3.1.25_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.25_1","url":null,"abstract":"Writing a score for the restored version of Alfred Hitchcock's last silent film, 1929's \"Blackmail\", gave composer Neil Brand new insight into the master's techniques","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132820801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What a time it was! An essay on Antonioni's L'eclisse 那是多么美好的时光啊!论安东尼奥尼的《月食》
The Soundtrack Pub Date : 2010-07-01 DOI: 10.1386/ST.3.1.5_1
Michel Chion, A. Renaud, D. Siegel
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引用次数: 1
Walter Murch interviewed by Gustavo Costantini Walter Murch接受Gustavo Costantini采访
The Soundtrack Pub Date : 2010-07-01 DOI: 10.1386/ST.3.1.33_1
G. Costantini
{"title":"Walter Murch interviewed by Gustavo Costantini","authors":"G. Costantini","doi":"10.1386/ST.3.1.33_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.33_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130184842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Some reflections on Antonioni, sound and the silence of La notte 对安东尼奥尼的一些反思，声音和寂静的La notte
The Soundtrack Pub Date : 2010-07-01 DOI: 10.1386/ST.3.1.11_1
M. Nardelli
{"title":"Some reflections on Antonioni, sound and the silence of La notte","authors":"M. Nardelli","doi":"10.1386/ST.3.1.11_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.11_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126825940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Winstanley , or the new-old law of film-making 温斯坦利，或者说是电影制作的新旧法则
The Soundtrack Pub Date : 2010-07-01 DOI: 10.1386/ST.3.1.47_1
Richard E. Combs
{"title":"Winstanley , or the new-old law of film-making","authors":"Richard E. Combs","doi":"10.1386/ST.3.1.47_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.47_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133778139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Psycho and the orchestration of anxiety 精神病和焦虑的编曲
The Soundtrack Pub Date : 2010-07-01 DOI: 10.1386/ST.3.1.53_1
Stephen Deutsch
{"title":"Psycho and the orchestration of anxiety","authors":"Stephen Deutsch","doi":"10.1386/ST.3.1.53_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.53_1","url":null,"abstract":"Since its release in 1960, Alfred Hitchcock’s Psycho has entered the consciousness of our culture as have few other films. Its striking imagery, combined with its universally recognised score, has prompted a wealth of scholarly output. New understanding in the areas of emotion and cognition now affords us the opportunity to re-examine this film from a less familiar vantage point. This article places Psycho within the context of American TV drama of the 1950s and explores the effect of Bernard Herrmann’s music on the emotional responses of the viewer, as well as the possible consequences of this effect upon the literal reading of the film.","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121478505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
The equivalence of space and music: Eisenstein and Frank Lloyd Wright 空间与音乐的对等:爱森斯坦与弗兰克·劳埃德·赖特
The Soundtrack Pub Date : 2009-12-01 DOI: 10.1386/ST.2.2.99/1
Robert Robertson
{"title":"The equivalence of space and music: Eisenstein and Frank Lloyd Wright","authors":"Robert Robertson","doi":"10.1386/ST.2.2.99/1","DOIUrl":"https://doi.org/10.1386/ST.2.2.99/1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122175482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Electronic realities and identity fugue in Chris Petit's Radio On (1979) Chris Petit的《Radio On》(1979)中的电子现实与身份赋格
The Soundtrack Pub Date : 2009-12-01 DOI: 10.1386/ST.2.2.143/1
M. Pink
{"title":"Electronic realities and identity fugue in Chris Petit's Radio On (1979)","authors":"M. Pink","doi":"10.1386/ST.2.2.143/1","DOIUrl":"https://doi.org/10.1386/ST.2.2.143/1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2009-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117233076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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