The Soundtrack最新文献_第7页

Palimpsest, porosity and subception: The heard and the unheard in Paul Winkler’s Bondi and Sydney Harbour Bridge 重写，多孔性和潜台词:保罗·温克勒的《邦迪和悉尼港大桥》中听到的和没听到的

The Soundtrack Pub Date : 2011-10-01 DOI: 10.1386/ST.4.2.71_1

Steven J. Campbell

引用次数: 4

Surrounded by sound: the aesthetics of multichannel and hypersonic soundscapes and aural architectures 被声音包围:多声道和高超声速声景和听觉建筑的美学

The Soundtrack Pub Date : 2011-08-11 DOI: 10.1386/ST.4.1.5_1

Sarah Atkinson

引用次数: 1

Sound matters: Towards an enactive approach to hearing media 声音很重要:对听觉媒体采取主动态度

The Soundtrack Pub Date : 2011-08-11 DOI: 10.1386/ST.4.1.33_1

Lisa M. Schmidt

引用次数: 3

The Soundtrack – CINESONIKA 1 Issue 原声- CINESONIKA 1期

The Soundtrack Pub Date : 2011-08-11 DOI: 10.1386/ST.4.1.3_2

Michael Filimowicz

引用次数: 1

Sonic motifs, Structure and Identity in Steve McQueen’s Hunger 史蒂夫·麦奎因《饥饿》中的声音主题、结构和身份

The Soundtrack Pub Date : 2011-08-01 DOI: 10.1386/ST.4.1.23_1

Adam Melvin

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引用次数: 4

An audio-visual Gallivant: Psychogeographical soundscapes in the films of Andrew Ktting 视听大师:安德鲁·凯汀电影中的心理地理音景

The Soundtrack Pub Date : 2010-12-01 DOI: 10.1386/ST.3.2.125_1

Aimee Mollaghan

引用次数: 1

Surfing a political soundscape: Kathryn Bigelow's Point Break 浏览政治音景:凯瑟琳·毕格罗的《Point Break》

The Soundtrack Pub Date : 2010-12-01 DOI: 10.1386/ST.3.2.97_1

Heidi Wilkins

引用次数: 1

With one eye on: Viewing a sound installation 单眼观看:观看声音装置

The Soundtrack Pub Date : 2010-12-01 DOI: 10.1386/ST.3.2.117_1

Lucia H Chung