The Soundtrack最新文献

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Inside the outsider’s ear – hyperacousia and marginalized character identification 外人耳内的超听与边缘人物识别
The Soundtrack Pub Date : 2012-10-01 DOI: 10.1386/ST.5.2.121_1
J. O'meara
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引用次数: 1
Epic texturing in the first-person shooter: The aesthetics of video game music 第一人称射击游戏中的史诗纹理:电子游戏音乐的美学
The Soundtrack Pub Date : 2012-10-01 DOI: 10.1386/ST.5.2.131_1
T. Summers
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引用次数: 2
Footsteps, breath and recording devices: Abandoning a camera-centric construction of ‘point of audition’ 脚步、呼吸和录音设备:放弃以相机为中心的“试镜点”结构
The Soundtrack Pub Date : 2012-06-01 DOI: 10.1386/ST.5.1.15_1
Sheldon Schiffer
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引用次数: 2
Abbas Kiarostami: A cinema of silence 阿巴斯·基亚罗斯塔米:沉默的电影院
The Soundtrack Pub Date : 2012-06-01 DOI: 10.1386/ST.5.1.5_1
Babak Tabarraee
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引用次数: 1
Understanding Minimalist Film Music: The Case of Man on Wire 理解极简主义电影音乐:《电线上的人》的案例
The Soundtrack Pub Date : 2012-06-01 DOI: 10.1386/ST.5.1.51_1
P. A. Siôn.
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引用次数: 2
Debasing the voice: Subversive vocality in Harmony Korine’s Trash Humpers 贬低声音:和谐Korine的垃圾Humpers中的颠覆性声音
The Soundtrack Pub Date : 2012-06-01 DOI: 10.1386/ST.5.1.37_1
Shaun Inouye
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引用次数: 0
Music, lust and modernity: Jazz in the films of Ingmar Bergman 音乐、欲望与现代:英格玛·伯格曼电影中的爵士乐
The Soundtrack Pub Date : 2011-10-01 DOI: 10.1386/ST.4.2.89_1
E. Hedling
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引用次数: 1
"Moon River and Me": The film-song as leitmotiv in Breakfast at Tiffany's 《月亮河与我》:《蒂凡尼的早餐》的主题曲
The Soundtrack Pub Date : 2011-10-01 DOI: 10.1386/ST.4.2.137_1
Blas Payri
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引用次数: 1
Cape Fear: Remaking a film score 恐惧角:翻拍电影配乐
The Soundtrack Pub Date : 2011-10-01 DOI: 10.1386/ST.4.2.117_1
Jonathan Godsall
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引用次数: 0
On lip-sync: Three audio-visual vignettes from the 1970s 假唱:70年代的三首视听小插曲
The Soundtrack Pub Date : 2011-10-01 DOI: 10.1386/ST.4.2.153_1
Gabrielle Gopinath
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引用次数: 1
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