The SoundtrackPub Date : 2012-10-01DOI: 10.1386/ST.5.2.121_1
J. O'meara
{"title":"Inside the outsider’s ear – hyperacousia and marginalized character identification","authors":"J. O'meara","doi":"10.1386/ST.5.2.121_1","DOIUrl":"https://doi.org/10.1386/ST.5.2.121_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129001690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2012-10-01DOI: 10.1386/ST.5.2.131_1
T. Summers
{"title":"Epic texturing in the first-person shooter: The aesthetics of video game music","authors":"T. Summers","doi":"10.1386/ST.5.2.131_1","DOIUrl":"https://doi.org/10.1386/ST.5.2.131_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126860750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2012-06-01DOI: 10.1386/ST.5.1.15_1
Sheldon Schiffer
{"title":"Footsteps, breath and recording devices: Abandoning a camera-centric construction of ‘point of audition’","authors":"Sheldon Schiffer","doi":"10.1386/ST.5.1.15_1","DOIUrl":"https://doi.org/10.1386/ST.5.1.15_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115845732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2012-06-01DOI: 10.1386/ST.5.1.5_1
Babak Tabarraee
{"title":"Abbas Kiarostami: A cinema of silence","authors":"Babak Tabarraee","doi":"10.1386/ST.5.1.5_1","DOIUrl":"https://doi.org/10.1386/ST.5.1.5_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123681282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2012-06-01DOI: 10.1386/ST.5.1.51_1
P. A. Siôn.
{"title":"Understanding Minimalist Film Music: The Case of Man on Wire","authors":"P. A. Siôn.","doi":"10.1386/ST.5.1.51_1","DOIUrl":"https://doi.org/10.1386/ST.5.1.51_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2012-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122068673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2011-10-01DOI: 10.1386/ST.4.2.89_1
E. Hedling
{"title":"Music, lust and modernity: Jazz in the films of Ingmar Bergman","authors":"E. Hedling","doi":"10.1386/ST.4.2.89_1","DOIUrl":"https://doi.org/10.1386/ST.4.2.89_1","url":null,"abstract":"This article explores the recurrent use of jazz music in some of the early films of the Swedish film director Ingmar Bergman: Kris/Crisis (1946), Till gladje/ To Joy (1949), Sommaren med Monika/Summer with Monika (1953), En lektion i karlek/A Lesson in Love (1954), Kvinnodrom/Dreams (1955) and Tystnaden/The Silence (1963). In these films jazz is presented as derived from the corporeal body, as powerfully erotic and as culturally alien; it is also directly connected to a potentially destructive form of ‘modern’ female sexuality that is socially damaging. In each of the films this leads to social embarrassment, personal failure or even tragedy for the characters involved. The article considers the relationship between Bergman’s use of jazz to express distaste for modernity in relation to the cultural and social transformation of Sweden during the post-war period, and argues that the director’s attitude to the genre reflected a broader, often racist, approach to American popular culture generally and to African American music specifically within Swedish intellectual life. (Less)","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2011-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126504709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2011-10-01DOI: 10.1386/ST.4.2.137_1
Blas Payri
{"title":"\"Moon River and Me\": The film-song as leitmotiv in Breakfast at Tiffany's","authors":"Blas Payri","doi":"10.1386/ST.4.2.137_1","DOIUrl":"https://doi.org/10.1386/ST.4.2.137_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2011-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124488898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2011-10-01DOI: 10.1386/ST.4.2.117_1
Jonathan Godsall
{"title":"Cape Fear: Remaking a film score","authors":"Jonathan Godsall","doi":"10.1386/ST.4.2.117_1","DOIUrl":"https://doi.org/10.1386/ST.4.2.117_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2011-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126729628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2011-10-01DOI: 10.1386/ST.4.2.153_1
Gabrielle Gopinath
{"title":"On lip-sync: Three audio-visual vignettes from the 1970s","authors":"Gabrielle Gopinath","doi":"10.1386/ST.4.2.153_1","DOIUrl":"https://doi.org/10.1386/ST.4.2.153_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2011-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126044487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}