The Soundtrack最新文献

筛选
英文 中文
‘How Silver-Sweet Sound Lovers’ Tongues’: The music of love and death in Franco Zeffirelli’s Romeo and Juliet 《恋人的舌头多么甜蜜》:弗兰科·泽菲雷利的《罗密欧与朱丽叶》中爱情与死亡的音乐
The Soundtrack Pub Date : 2014-04-01 DOI: 10.1386/ST.7.1.39_1
Samantha Lin
{"title":"‘How Silver-Sweet Sound Lovers’ Tongues’: The music of love and death in Franco Zeffirelli’s Romeo and Juliet","authors":"Samantha Lin","doi":"10.1386/ST.7.1.39_1","DOIUrl":"https://doi.org/10.1386/ST.7.1.39_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116404441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Craftsman: The use of sound design to elicit emotions 匠人:利用声音设计来激发情感
The Soundtrack Pub Date : 2014-04-01 DOI: 10.1386/ST.7.1.5_1
Neil Hillman, S. Pauletto
{"title":"The Craftsman: The use of sound design to elicit emotions","authors":"Neil Hillman, S. Pauletto","doi":"10.1386/ST.7.1.5_1","DOIUrl":"https://doi.org/10.1386/ST.7.1.5_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127860164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
Duke Ellington, the film composer 艾灵顿公爵,电影作曲家
The Soundtrack Pub Date : 2014-03-01 DOI: 10.1386/ST.6.1-2.83_1
P. Wegele
{"title":"Duke Ellington, the film composer","authors":"P. Wegele","doi":"10.1386/ST.6.1-2.83_1","DOIUrl":"https://doi.org/10.1386/ST.6.1-2.83_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115801319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sax and the City: New York, New York (Scorsese, 1977), Urban Decline and the Jazz Musical 萨克斯和城市:纽约,纽约(斯科塞斯,1977),城市衰落和爵士音乐剧
The Soundtrack Pub Date : 2014-03-01 DOI: 10.1386/ST.6.1-2.53_1
M. Shearer
{"title":"Sax and the City: New York, New York (Scorsese, 1977), Urban Decline and the Jazz Musical","authors":"M. Shearer","doi":"10.1386/ST.6.1-2.53_1","DOIUrl":"https://doi.org/10.1386/ST.6.1-2.53_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123793589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Filming improvisation: Jazz criticism’s neglect of film style 电影即兴创作:爵士乐批评对电影风格的忽视
The Soundtrack Pub Date : 2014-03-01 DOI: 10.1386/ST.6.1-2.5_1
Nicolas Pillai
{"title":"Filming improvisation: Jazz criticism’s neglect of film style","authors":"Nicolas Pillai","doi":"10.1386/ST.6.1-2.5_1","DOIUrl":"https://doi.org/10.1386/ST.6.1-2.5_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114916080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Of mice and music: Image, soundtrack and historical possibility 老鼠与音乐:形象、原声和历史可能性
The Soundtrack Pub Date : 2014-03-01 DOI: 10.1386/ST.6.1-2.67_1
C. Shanks
{"title":"Of mice and music: Image, soundtrack and historical possibility","authors":"C. Shanks","doi":"10.1386/ST.6.1-2.67_1","DOIUrl":"https://doi.org/10.1386/ST.6.1-2.67_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"1 14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127980022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Extraterritorial Cinema: Shanghai Jazz and Post-War Hong Kong Mandarin Musicals 域外电影:上海爵士与战后香港国语音乐剧
The Soundtrack Pub Date : 2014-03-01 DOI: 10.1386/ST.6.1-2.33_1
H. Fan
{"title":"Extraterritorial Cinema: Shanghai Jazz and Post-War Hong Kong Mandarin Musicals","authors":"H. Fan","doi":"10.1386/ST.6.1-2.33_1","DOIUrl":"https://doi.org/10.1386/ST.6.1-2.33_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"126 22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124041066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Jazz as individual expression: an analysis of 'The Fabulous Baker Boys' soundtrack 作为个体表达的爵士乐:《The Fabulous Baker Boys》原声音乐分析
The Soundtrack Pub Date : 2014-03-01 DOI: 10.1386/ST.6.1-2.21_1
Adam Biggs
{"title":"Jazz as individual expression: an analysis of 'The Fabulous Baker Boys' soundtrack","authors":"Adam Biggs","doi":"10.1386/ST.6.1-2.21_1","DOIUrl":"https://doi.org/10.1386/ST.6.1-2.21_1","url":null,"abstract":"'The Fabulous Baker Boys' (1989) by Kloves is a fictional account of a frustrated sibling piano duo who, in order to liven up their act, hire a singer. As well as a portrayal of sibling rivalry, the film is a study of the working jazz musician and the suppression and expression of individual identity. The film’s soundtrack, arranged, composed and performed by jazz pianist Dave Grusin, uses jazz standards and original thematic compositions that work as ‘ambi-diegetic cinemusical moments’ (Holbrook), which provide improvisatory contexts for the main character’s emerging individuality and his relationships with the other characters. This article identifies those compositions and using transcriptions, analyses the score in detail, revealing the melodic, harmonic, structural and improvisatory devices Grusin uses to convey the authority of a jazz ‘standard’, particularly by drawing on the work of Bill Evans and Miles Davis; and shows that these improvisational structures enable and act as a form of expression for the main character and his emerging individuality. The film takes its premise from The Fabulous Dorseys (1947) by Green, the biopic of the swing-era bandleaders the Dorsey Brothers, allowing this article to also consider the historical context of the film and the question of authenticity in both films, particularly through the parallel use of Art Tatum/Bill Evans as signifiers of ‘real jazz’ and Duke Ellington as a site of articulacy.","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121665104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
While his guitar gently weeps: memory, documentary and the music biopic 而他的吉他轻轻哭泣:回忆,纪录片和音乐传记片
The Soundtrack Pub Date : 2012-10-01 DOI: 10.1386/ST.5.2.173_1
Radha O’Meara, C. Stevens
{"title":"While his guitar gently weeps: memory, documentary and the music biopic","authors":"Radha O’Meara, C. Stevens","doi":"10.1386/ST.5.2.173_1","DOIUrl":"https://doi.org/10.1386/ST.5.2.173_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"73 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134012544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Silence observed in the Jesus cage 耶稣的笼子里鸦雀无声
The Soundtrack Pub Date : 2012-10-01 DOI: 10.1386/ST.5.2.165_1
Abbie Reese
{"title":"Silence observed in the Jesus cage","authors":"Abbie Reese","doi":"10.1386/ST.5.2.165_1","DOIUrl":"https://doi.org/10.1386/ST.5.2.165_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2012-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121267783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信