The SoundtrackPub Date : 2010-12-01DOI: 10.1386/ST.3.2.131_1
L. Murray
{"title":"Authenticity and realism in documentary sound","authors":"L. Murray","doi":"10.1386/ST.3.2.131_1","DOIUrl":"https://doi.org/10.1386/ST.3.2.131_1","url":null,"abstract":"While we expect a dramatic feature film to use creative license in bringing the sound-track to life, does the same carte blanche approach apply for documentary? Does it, and should it, matter? This article highlights some of the problems and questions relating to the notions of realism and authenticity in the production of the documentary soundtrack. The production of the documentary film Gallipoli Submarine is used as a case study to examine the implications for practice.","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"42 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134257716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2010-12-01DOI: 10.1386/ST.3.2.117_1
Lucia H Chung
{"title":"With one eye on: Viewing a sound installation","authors":"Lucia H Chung","doi":"10.1386/ST.3.2.117_1","DOIUrl":"https://doi.org/10.1386/ST.3.2.117_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126859981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2010-12-01DOI: 10.1386/ST.3.2.109_1
M. Shingler
{"title":"Rich Voices in talky talkies: The Rich Are Always with Us","authors":"M. Shingler","doi":"10.1386/ST.3.2.109_1","DOIUrl":"https://doi.org/10.1386/ST.3.2.109_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131250529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2010-07-01DOI: 10.1386/ST.3.1.25_1
N. Brand
{"title":"Working with Hitch","authors":"N. Brand","doi":"10.1386/ST.3.1.25_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.25_1","url":null,"abstract":"Writing a score for the restored version of Alfred Hitchcock's last silent film, 1929's \"Blackmail\", gave composer Neil Brand new insight into the master's techniques","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"37 10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132820801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2010-07-01DOI: 10.1386/ST.3.1.11_1
M. Nardelli
{"title":"Some reflections on Antonioni, sound and the silence of La notte","authors":"M. Nardelli","doi":"10.1386/ST.3.1.11_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.11_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126825940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2010-07-01DOI: 10.1386/ST.3.1.47_1
Richard E. Combs
{"title":"Winstanley , or the new-old law of film-making","authors":"Richard E. Combs","doi":"10.1386/ST.3.1.47_1","DOIUrl":"https://doi.org/10.1386/ST.3.1.47_1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133778139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2009-12-01DOI: 10.1386/ST.2.2.99/1
Robert Robertson
{"title":"The equivalence of space and music: Eisenstein and Frank Lloyd Wright","authors":"Robert Robertson","doi":"10.1386/ST.2.2.99/1","DOIUrl":"https://doi.org/10.1386/ST.2.2.99/1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122175482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The SoundtrackPub Date : 2009-12-01DOI: 10.1386/ST.2.2.127/1
Tina Rigby Hanssen
{"title":"The omnipresent soundscape of drones: reflections on Bill Viola's sound design in Five Angels for the Millennium","authors":"Tina Rigby Hanssen","doi":"10.1386/ST.2.2.127/1","DOIUrl":"https://doi.org/10.1386/ST.2.2.127/1","url":null,"abstract":"","PeriodicalId":253130,"journal":{"name":"The Soundtrack","volume":"275 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132869722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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