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Schermi. Storie e culture del cinema e dei media in Italia最新文献

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«Sophia is there. She is going to help you» “索菲亚在那里。她会帮助你的。
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-12-31 DOI: 10.54103/2532-2486/18423
Sabine Schrader, Antonio Salmeri
{"title":"«Sophia is there. She is going to help you»","authors":"Sabine Schrader, Antonio Salmeri","doi":"10.54103/2532-2486/18423","DOIUrl":"https://doi.org/10.54103/2532-2486/18423","url":null,"abstract":"\u0000\u0000\u0000\u0000«What would Sophia Loren do?» is a question that Nancy Kulik, daughter of Italian immigrants, asked herself many times in her life. Even at a young age, Loren has served her not only as a compass for important choices, but also to create an emotional connection with her Italian heritage. Through its personal approach, the documentary «What would Sophia Loren do?» makes us understand how Kulik is thus representative of a nostalgic migrant’s view of the Italian-American diaspora. This short cinematic homage gives the opportunity to reflect on Sophia Loren’s cult of the star from the perspective of the “transatlantic-gaze” (Carolan McDonald, 2014), gender and time-image (Deleuze, 1991), and not least, “italianità” and “americanità” against the backdrop of the Italian-American migration experience.\u0000\u0000\u0000\u0000","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130948327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero anicmpe协议和美国资本在我们电影中的使用/第一部分-前两项协议和意大利电影在国外的推广
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-12-31 DOI: 10.54103/2532-2486/19032
Federico Di Chio
{"title":"Gli accordi ANICA-MPEA e l'impiego dei capitali americani nel nostro cinema / PARTE 1 – I primi due accordi e la promozione del cinema italiano all'estero","authors":"Federico Di Chio","doi":"10.54103/2532-2486/19032","DOIUrl":"https://doi.org/10.54103/2532-2486/19032","url":null,"abstract":"From 1946 to 1962, the producers’ share of the rentals of US films in Italy was blocked in Italy. The specific use-cases of these funds – both in the film industry and in other sectors – were codified in a series of agreements which involved both governments. For the firsttime, all six understandings between the trade organizations ANICA and MPAA/MPEA are studied in detail. Based on archival research, the article reconstructs their development and implementation. The agreements, which regulated Italian-American film relations from1951 until 1962, promoted joint productions and supported the distribution of Italian films by US Studios.","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128869704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950) 一个废弃的电影院。意大利流亡者到法国并接受新现实主义(1945-1950)
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-12-31 DOI: 10.54103/2532-2486/18656
Enrico Gheller
{"title":"Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950)","authors":"Enrico Gheller","doi":"10.54103/2532-2486/18656","DOIUrl":"https://doi.org/10.54103/2532-2486/18656","url":null,"abstract":"\u0000\u0000\u0000\u0000According to an established historiography, post World War II Italian cinema owes much of its international success to the French intellectual milieu. In this process of reception, the work carried out by exiled Italian intellectuals, who were responsible for promoting neo-realism on the other side of the Alps for diplomatic purposes but without neglecting questions of an aesthetic nature, deserves attention. By relating certain aspects of the socio- historical context with the analysis of some critical texts, this article aims to reconstruct some trajectories of reception of neorealist cinema in the Italian-French press between 1945 and 1950.\u0000\u0000\u0000\u0000","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130012505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«PUTTING ITALY BACK ON THE MAP» DIASPORIC CINEMA AUDIENCES IN POSTWAR SYDNEY 把意大利放回地图上战后悉尼的散居电影观众
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-12-31 DOI: 10.54103/2532-2486/18698
Adrienne Tuart
{"title":"«PUTTING ITALY BACK ON THE MAP» DIASPORIC CINEMA AUDIENCES IN POSTWAR SYDNEY","authors":"Adrienne Tuart","doi":"10.54103/2532-2486/18698","DOIUrl":"https://doi.org/10.54103/2532-2486/18698","url":null,"abstract":"In April 1961, the Sydney screening of Federico Fellini’s latest film La dolce vita (1960) broke all box office records, and the associated scandals attracted the attention of Sydney cinemagoers and the migrant and local press. Over two hundred thousand Italians had migrated to Australia by this time, creating a local demand for Italian film. This article examines the central role that film plays within the social and cultural lives of diasporic audiences and their perceptions of change to show the importance of cinema, not only in cultivating and maintaining cultural and national identity, but in establishing a sense of italianità in 1960s Sydney.","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127428438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Da vedersi «anche a costo di grave sacrificio». I cattolici e lo spogliarello nell'Italia degli anni Cinquanta “即使付出巨大牺牲”。50年代意大利的天主教徒和脱衣舞娘
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-07-22 DOI: 10.54103/2532-2486/16157
A. Desole
{"title":"Da vedersi «anche a costo di grave sacrificio». I cattolici e lo spogliarello nell'Italia degli anni Cinquanta","authors":"A. Desole","doi":"10.54103/2532-2486/16157","DOIUrl":"https://doi.org/10.54103/2532-2486/16157","url":null,"abstract":"The article focuses on the representation of striptease in Italy in the late 50s. While the unveiling of the female body became more and more pervasive - in posters, in magazines, in theaters, in cinematography - Italian moralists sought strategies to contain the phenomenon. At the same time, many courts issued acquittal sentences which, in fact, liberalized striptease. At the center of the dispute was not female nudity (which had been showed since at least a decade) but rather the rules of behavior of women, disputed between the will to control and the desire to look. In both cases, considered as an object of the male will.","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130831180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Norberto Bobbio: libertà dell’arte, censura ed erotismo 诺贝托·鲍比奥:艺术自由、审查和色情
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-07-22 DOI: 10.54103/2532-2486/17461
Rinaldo Vignati
{"title":"Norberto Bobbio: libertà dell’arte, censura ed erotismo","authors":"Rinaldo Vignati","doi":"10.54103/2532-2486/17461","DOIUrl":"https://doi.org/10.54103/2532-2486/17461","url":null,"abstract":"The philosopher Norberto Bobbio was an important exponent of Italian liberalism and exerted considerable influence on Italian political thought of the second half of the twentieth century. The article examines the few texts by Bobbio relating to cinema. These are three essays published between 1961 and 1962 concerning censorship, freedom of art and eroticism. In these essays Bobbio expresses an opinion contrary to censorship but he critically judges the spread of eroticism in cinema and literature. He therefore calls for an evolution of customs capable of setting limits on erotic excesses. The underestimation of rules – also noted by other commentators in references to other areas of his thought – is a weakness in Bobbio’s reflection of censorship ","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130214036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Tutto parla in termini sessuali»: educazione sessuale, adolescenza e verginità in "Domani è troppo tardi" (1950) “一切都是关于性的”:性教育、青少年和童贞在“明天就太晚了”(1950年)
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-07-22 DOI: 10.54103/2532-2486/16384
Laura Busetta
{"title":"«Tutto parla in termini sessuali»: educazione sessuale, adolescenza e verginità in \"Domani è troppo tardi\" (1950)","authors":"Laura Busetta","doi":"10.54103/2532-2486/16384","DOIUrl":"https://doi.org/10.54103/2532-2486/16384","url":null,"abstract":"This paper analyzes the debate on sexual education emerged in the Italian press following the release of the film “Domani è troppo tardi” (Léonide Moguy, 1950). In Post-War Italy, the theme of sexual knowledge occupies the public discourse, with an emphasis on the control of female sexuality and the affirmation of virginity. Even the iconographic and textual representations of the main character, the sixteen-year-old Anna Maria Pierangeli, trace the stereotypes of virtue and female sacrifice, in line with a traditional morality and the Catholic conception of femininity. The intense debate catalyzed by the film describes adolescence as a hybrid territory: an asphyxiating place characterized by precepts, opinions, clinical observations, and control schemes; but also a transitional stage stimulated by the new sexualization of the cultural industry.","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134479710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La censura cinematografica nel cinema documentario. I "mondo movie" e il filone africano, alcuni casi di studio 纪录片电影中的电影审查。世界电影和非洲电影，一些案例研究
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-07-22 DOI: 10.54103/2532-2486/16338
C. Tassinari
{"title":"La censura cinematografica nel cinema documentario. I \"mondo movie\" e il filone africano, alcuni casi di studio","authors":"C. Tassinari","doi":"10.54103/2532-2486/16338","DOIUrl":"https://doi.org/10.54103/2532-2486/16338","url":null,"abstract":"In the present essay, I will investigate the role of censorship in Italian Mondo films made in the 1960s and 1970s, such as Africa addio (1966, Gualtiero Jacopetti, Franco Prosperi), Africa segreta (1969, Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio), Africa ama (1971, Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio). In particular, I will focus my analysis on the works made by Angelo and Alfredo Castiglioni with Guido Guerrasio. In addition to their relationship with censorship boards, their film – despite some similarities with Mondo genre – demonstrates the attempt to elaborate a different projectin the subgenre dedicated to the African continent.","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127202064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lo scandaloso rifiuto della sposa. L'ombra del matrimonio riparatore nel cinema italiano prima e dopo il caso Franca Viola 新娘可耻的拒绝。在意大利电影中，奉子成婚的阴影出现在中提琴案件之前和之后
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-07-22 DOI: 10.54103/2532-2486/16158
D. Pavesi
{"title":"Lo scandaloso rifiuto della sposa. L'ombra del matrimonio riparatore nel cinema italiano prima e dopo il caso Franca Viola","authors":"D. Pavesi","doi":"10.54103/2532-2486/16158","DOIUrl":"https://doi.org/10.54103/2532-2486/16158","url":null,"abstract":"In 1965 Franca Viola, an unknown teenager from the small Sicilian village of Alcamo, declined to marry the man who had kidnapped and raped her. By ignoring a law that still cleared rapists if they accepted to marry their victims, Viola’s impressive behaviour made a mediatic and judicial fuss that spread all over Italy. The unease raised by the old tradition of the “shotgun wedding” was testified not only by the newspapers reports from that time but also by the post-war cinematic production. Between the 1950s and the 1960s the topic is widely explored in the film industry, both in melodramatic productions and in comedies and even in bitterly farcical movies. By analysing the mediatic output of the Viola case and the legal debate it issued, this contribution will focus on the representations of the “shotgun wedding” in the films produced before and after the shocking case of the young Sicilian woman.","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131457273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Visto, si stupri. Sesso e terrore nelle immagini di violenza sulle donne nel cinema italiano degli anni Settanta, tra finzione e realtà 看，强奸。70年代意大利电影中对妇女的暴力画面中的性和恐怖，小说和现实
Schermi. Storie e culture del cinema e dei media in Italia Pub Date : 2022-07-22 DOI: 10.54103/2532-2486/17302
Giovanni Memola
{"title":"Visto, si stupri. Sesso e terrore nelle immagini di violenza sulle donne nel cinema italiano degli anni Settanta, tra finzione e realtà","authors":"Giovanni Memola","doi":"10.54103/2532-2486/17302","DOIUrl":"https://doi.org/10.54103/2532-2486/17302","url":null,"abstract":"\u0000\u0000\u0000\u0000In the 1970s, Italian cinema experienced a boom of images and narrative elements associated with acts of violence against women, which were often further combined with sex. Such a phenomenon characterized domestic film production to a very large extent, therefore beyond budget and marketing implications, as well as auteur ambitions. In this context, the mystery-thriller films of the so-called “giallo” established a peculiar relation with violence against women at large, as they encoded it in the narrative mechanisms and in the development of the genre itself by means of subject-related marketing strategies and audience expectations. Quickly brought to popularity in the wake of Dario Argento’s works, over the years the “giallo” has been widely investigated precisely on the grounds of its defining featuring of violence against women, with most outcomes interpreting its psychological and allegorical aspects against the background of Italy’s contemporaneous social history. The aim of this essay is to enrich the interpretation field on this subject, prompting a reflection on such images and imagery of violence in the light of what were the practices, beliefs and expectations about violence against women beyond fiction, in the everyday life of 1970s Italy.\u0000\u0000\u0000\u0000","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134233199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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