纪录片电影中的电影审查。世界电影和非洲电影,一些案例研究

C. Tassinari
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引用次数: 0

摘要

在本论文中,我将研究审查制度在20世纪60年代和70年代制作的意大利蒙多电影中的作用,如《Africa addio》(1966年,Gualtiero Jacopetti, Franco Prosperi),《Africa segreta》(1969年,Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio),《Africa ama》(1971年,Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio)。我将重点分析Angelo和Alfredo Castiglioni与Guido Guerrasio合作创作的作品。除了与审查委员会的关系之外,他们的电影——尽管与蒙多类型电影有一些相似之处——表明了他们试图为非洲大陆精心设计一种不同的投射方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La censura cinematografica nel cinema documentario. I "mondo movie" e il filone africano, alcuni casi di studio
In the present essay, I will investigate the role of censorship in Italian Mondo films made in the 1960s and 1970s, such as Africa addio (1966, Gualtiero Jacopetti, Franco Prosperi), Africa segreta (1969, Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio), Africa ama (1971, Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio). In particular, I will focus my analysis on the works made by Angelo and Alfredo Castiglioni with Guido Guerrasio. In addition to their relationship with censorship boards, their film – despite some similarities with Mondo genre – demonstrates the attempt to elaborate a different projectin the subgenre dedicated to the African continent.
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