{"title":"«Tutto parla in termini sessuali»: educazione sessuale, adolescenza e verginità in \"Domani è troppo tardi\" (1950)","authors":"Laura Busetta","doi":"10.54103/2532-2486/16384","DOIUrl":null,"url":null,"abstract":"This paper analyzes the debate on sexual education emerged in the Italian press following the release of the film “Domani è troppo tardi” (Léonide Moguy, 1950). In Post-War Italy, the theme of sexual knowledge occupies the public discourse, with an emphasis on the control of female sexuality and the affirmation of virginity. Even the iconographic and textual representations of the main character, the sixteen-year-old Anna Maria Pierangeli, trace the stereotypes of virtue and female sacrifice, in line with a traditional morality and the Catholic conception of femininity. The intense debate catalyzed by the film describes adolescence as a hybrid territory: an asphyxiating place characterized by precepts, opinions, clinical observations, and control schemes; but also a transitional stage stimulated by the new sexualization of the cultural industry.","PeriodicalId":248976,"journal":{"name":"Schermi. Storie e culture del cinema e dei media in Italia","volume":"90 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Schermi. Storie e culture del cinema e dei media in Italia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54103/2532-2486/16384","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This paper analyzes the debate on sexual education emerged in the Italian press following the release of the film “Domani è troppo tardi” (Léonide Moguy, 1950). In Post-War Italy, the theme of sexual knowledge occupies the public discourse, with an emphasis on the control of female sexuality and the affirmation of virginity. Even the iconographic and textual representations of the main character, the sixteen-year-old Anna Maria Pierangeli, trace the stereotypes of virtue and female sacrifice, in line with a traditional morality and the Catholic conception of femininity. The intense debate catalyzed by the film describes adolescence as a hybrid territory: an asphyxiating place characterized by precepts, opinions, clinical observations, and control schemes; but also a transitional stage stimulated by the new sexualization of the cultural industry.
本文分析了意大利媒体在电影《Domani è troppo tardi》(lsamonide Moguy, 1950)上映后出现的关于性教育的争论。在战后的意大利,性知识的主题占据了公共话语,强调对女性性行为的控制和对童贞的肯定。即使是对主人公——16岁的安娜·玛丽亚·皮耶兰杰里(Anna Maria Pierangeli)——的肖像和文字表现,也遵循了美德和女性牺牲的刻板印象,符合传统道德和天主教对女性气质的概念。这部电影引发的激烈辩论将青春期描述为一个混合领域:一个令人窒息的地方,以戒律、观点、临床观察和控制方案为特征;同时也是文化产业新性别化刺激下的过渡阶段。