Kültür ve İletişim最新文献_第4页

THE FAMILY PHOTOGRAPHS OF “ISTANBUL:MEMORIES OF THE CITY”: A CONSTELLATION OF THE PAST AND THE FUTURE “伊斯坦布尔:城市的回忆”的家庭照片:一个过去和未来的星座

Kültür ve İletişim Pub Date : 2021-12-26 DOI: 10.18691/kulturveiletisim.990810

Tolga Hepdinçler

引用次数: 0

2000 SONRASI POPÜLER ROMANLARDA ERKEKLİKLER

Kültür ve İletişim Pub Date : 2021-12-01 DOI: 10.18691/kulturveiletisim.985709

Onur Can Sümen

引用次数: 0

Hobbes'un Hilesi: Trajedi, Saramago, Pandemi

Kültür ve İletişim Pub Date : 2021-10-02 DOI: 10.18691/kulturveiletisim.983673

Duygu Türk

引用次数: 0

Terapötik Oto-Fotografi: Terapötik Fotoğrafçılık ve Benlik Kavramına İlişkin Bir Uygulama

Kültür ve İletişim Pub Date : 2021-08-18 DOI: 10.18691/kulturveiletisim.895982

Özge ARSLAN

引用次数: 1

Türkiye’de Gazetecilik Alanında Ombudsmanlık Deneyimi: Sınırlar ve Mücadeleler

Kültür ve İletişim Pub Date : 2021-08-08 DOI: 10.18691/kulturveiletisim.908324

İ. Kaya

{"title":"Türkiye’de Gazetecilik Alanında Ombudsmanlık Deneyimi: Sınırlar ve Mücadeleler","authors":"İ. Kaya","doi":"10.18691/kulturveiletisim.908324","DOIUrl":"https://doi.org/10.18691/kulturveiletisim.908324","url":null,"abstract":"pek Kaya ** Abstract The ombudsman, which started to be implemented in Sweden at the beginning of the 19th century, is actually an institution established for the public officials to fulfill their duties in an equitable manner. Over time, as the ombudsman's field of duty expanded, different types of ombudsman operating in different fields emerged. One of them is the press ombudsman. The main task of the press ombudsman is to evaluate the complaints from the readers in accordance with professional ethical principles and to write these evaluations in the newspaper column reserved for them. The ombudsman institution in the field of journalism in Turkey started to be implemented in order to contribute to professional ethics at a time when the trust in newspapers decreased. The aim of the press ombudsman, which started to be institutionalized in Turkey in the early 2000s under the name of reader representative, is to implement a self-control mechanism independent of state control and capital ownership. This research, which focuses on the Turkish experience of ombudsman practice, which tries to exist as an autonomous sub-field in the field of journalism, will be based on the field theory of the French sociologist Pierre Bourdieu. Cultural production areas are very important in Bourdieu's works. The symbolic power of cultural production areas comes from their independence. For this reason, after a discussion on the independence of the field of journalism in Turkey, the emergence, functioning and applicability of the press ombudsman will be discussed in the context of the transformations in the history of journalism. In this research, the results of the field research, which includes in-depth interviews with five reader representatives who served as press ombudsmen for Hürriyet, Milliyet, Sabah and Cumhuriyet newspapers published in Turkey,","PeriodicalId":247557,"journal":{"name":"Kültür ve İletişim","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115887361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

MUHALİF MİZAH GAZETESİ MARKOPAŞA’DA İMTİYAZ SAHİPLİĞİ MÜCADELESİ (1947-1948)

Kültür ve İletişim Pub Date : 2021-08-08 DOI: 10.18691/kulturveiletisim.927618

Muhammet Erdem Duru

引用次数: 0

İslamcı Basında İstanbul Sözleşmesi Karşıtlığının İzlekleri: Milli Gazete Örneği

Kültür ve İletişim Pub Date : 2021-08-07 DOI: 10.18691/kulturveiletisim.915364

Dilek Keleş, Duygu Onay

引用次数: 2

The New York Times’ın Soykırım Yasağı Normunun Oluşum Sürecindeki Haberleri Üzerine Çerçeveleme Analizi

Kültür ve İletişim Pub Date : 2021-04-23 DOI: 10.18691/kulturveiletisim.897451

Bilal Süslü

{"title":"The New York Times’ın Soykırım Yasağı Normunun Oluşum Sürecindeki Haberleri Üzerine Çerçeveleme Analizi","authors":"Bilal Süslü","doi":"10.18691/kulturveiletisim.897451","DOIUrl":"https://doi.org/10.18691/kulturveiletisim.897451","url":null,"abstract":"This study examines the role of The New York Times ( NYT ), one of the most influential newspapers in the United States of America (USA), in the process of the genocide ban that was accepted by the United Nations General Assembly and has become an international norm. In this context, the selection of news between the years 1939 and 1949 is analyzed. The reason for selecting this period is that it encompasses the process -including the Second World War- in which genocide crime was internationalized and accepted with a contract by the United Nations (UN). The news was selected to illustrate the role of NYT in the formation of public opinion regarding the internalization of the genocide ban norm. The data from this period is subjected to framing analysis. The reason for using the framing method is that it enables the classification of the content of the news over the media frames and the reading of the news over the tested frames. The data is categorized under four frameworks: human rights, law and order, war, and common security. According to the findings, the media is an efficient tool in the development of a norm. In other words, according to the results of the news framing analysis, NYT stands out as a prominent newspaper in the norm formation process with its functions of forming public opinion on the necessity, internationalization, and internalization of the genocide ban norm.","PeriodicalId":247557,"journal":{"name":"Kültür ve İletişim","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131238311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Psychology of Belonging and Traumatised Soldiers in In-Yer-Face Theatre: Anthony Neilson’s Penetrator and Sarah Kane’s Blasted 在“面对面”戏剧中，归属感和创伤士兵的心理学:安东尼·尼尔森的《穿透者》和莎拉·凯恩的《被炸》

Kültür ve İletişim Pub Date : 2021-04-19 DOI: 10.18691/kulturveiletisim.894880

M. Bal, Çağan Firtina

{"title":"Psychology of Belonging and Traumatised Soldiers in In-Yer-Face Theatre: Anthony Neilson’s Penetrator and Sarah Kane’s Blasted","authors":"M. Bal, Çağan Firtina","doi":"10.18691/kulturveiletisim.894880","DOIUrl":"https://doi.org/10.18691/kulturveiletisim.894880","url":null,"abstract":"The psychological concept of belonging (or belongingness) is a strong motive found in human nature. When not satisfied or is lost, it causes highly problematic behaviors and relationships, leading sufferers to try to satisfy their need to belong. This article studies how belongingness finds reflections in the isolated and traumatized soldier characters of the two significant plays, namely Penetrator (1993) by Anthony Neilson and Blasted (1995) by Sarah Kane, of the 1990s British drama, known as the In-Yer-Face theatre. In order to achieve this, this article analyzes the soldier characters – Tadge from Penetrator and Soldier from Blasted – found in these plays by means of the theories and related studies on the concept of belonging such as those put forth by Roy Baumeister, Mark Leary, Abraham Maslow, Sigmund Freud, and Jacques Lacan. The study expands the analyses of the soldier characters in the plays by juxtaposing the theories of belonging and sense of belonging with related studies on several other psychological concepts, such as recognition, post-traumatic stress disorder (PTSD), and transference.","PeriodicalId":247557,"journal":{"name":"Kültür ve İletişim","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116641430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Hollywood Sinemasında Toplumsal Cinsiyetin İzini Sürmek: Kramer vs Kramer’den Kırk Yıl Sonra Marriage Story

Kültür ve İletişim Pub Date : 2021-02-19 DOI: 10.18691/KULTURVEILETISIM.815412

Yasemin Özkent

{"title":"Hollywood Sinemasında Toplumsal Cinsiyetin İzini Sürmek: Kramer vs Kramer’den Kırk Yıl Sonra Marriage Story","authors":"Yasemin Özkent","doi":"10.18691/KULTURVEILETISIM.815412","DOIUrl":"https://doi.org/10.18691/KULTURVEILETISIM.815412","url":null,"abstract":"Bu calismada sinemada modern aile filmlerinin oncusu olarak kabul edilen Kramer vs. Kramer (Kramer Kramer’e Karsi, Robert Benton, 1979) ve kirk yil sonra benzeri bir hikâyeyi yeniden ureten Marriage Story (Evlilik Hikayesi, Noah Baumbach, 2019) filmleri, feminist perspektif cercevesinde analiz edilmistir. Gecen zamana bagli olarak pek cok alanda buyuk toplumsal donusumler yasanmasina ragmen sinemasal anlati formlarinda toplumsal cinsiyet temsillerinin degismemis olmasi, filmlerin secilmesinde etkili olmustur. Her iki film de, modern birer aile hikâyesidir ve cinsiyet hiyerarsisini evlilik kurumu odaginda ortaya koymaktadir. Feminist elestirinin kullandigi pek cok kavramin uzerinde duran filmler, toplumsal cinsiyet olgusunun iki zit kutbunun izlerini surmeye olanak tanimaktadir. Secilen filmlerde kadinin ozne olma mucadelesinden dogan hikâyeleri, anti-feminist bir bakisla insa edilmistir. Ayrica, bekar babalarin ebeveynlik rolu “magdur erkek figuru”yle tasvir edilmistir. Bu dogrultuda calismada, Kramer vs. Kramer ve Marriage Story, annelik-kariyer catismasi, kadinlarin ozne olma ve bireysellik talebi ve son olarak kahraman ve magdur erkek temsili gibi farkli kategoriler araciligiyla tartisilmistir. Filmlerin anlatisinin merkezinde erkek karakterlerin oldugu, kadinin mukemmel olma gerekliligiyle erkegin hos gorulen kusurlariyla karakterize edildigi, cinsiyet hiyerarsisini elestiren bir hikâyeden dogmasina ragmen altinin doldurulmayarak, patriarkayi pekistiren bir soylemi oldugu bulgulanmistir. Calismada, yerlesik degerlerin sinemada koklenmis bir cinsiyet yaklasimini devam ettirdigi savunulmaktadir.","PeriodicalId":247557,"journal":{"name":"Kültür ve İletişim","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121405429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1