Literaturovedcheskii Zhurnal最新文献_第2页

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2021.54.06

A. Sychev

引用次数: 0

ROME AND CARTHAGE BY A.V. TIMOFEEV: ON THE PROBLEM OF THE GENESIS OF “HISTORICAL FANTASY” AS A GENRE VARIETY OF RUSSIAN ROMANTIC DRAMA OF THE 19TH CENTURY 蒂莫费耶夫的《罗马与迦太基》——论19世纪俄罗斯浪漫主义戏剧“历史幻想”的起源问题

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2021.53.10

A. Man'kovskii

{"title":"ROME AND CARTHAGE BY A.V. TIMOFEEV: ON THE PROBLEM OF THE GENESIS OF “HISTORICAL FANTASY” AS A GENRE VARIETY OF RUSSIAN ROMANTIC DRAMA OF THE 19TH CENTURY","authors":"A. Man'kovskii","doi":"10.31249/litzhur/2021.53.10","DOIUrl":"https://doi.org/10.31249/litzhur/2021.53.10","url":null,"abstract":"The paper explores the genre of scarcely studied play by Russian minor writer Alexei V. Timofeev (1812-1883) Rome and Carthage (1837). Timofeev’s contemporary literary critic Osip Senkovskii treated like poet’s failure his use of romantic techniques in the play on ancient plot. Taking into account this opinion the paper analyzes the paratextual elements in the play, the way of describing characters, the division of the play into acts, the connection of the plot events with historical facts. The paper argues that the play approaches the kind of romantic drama, which the author suggests to call “historical fantasy” Its main feature is the coexisting in the plot mythology and religious tradition, on the one hand, and historical events, on the other, the heroes of historical chronicles and the heroes of folk legends, belief in miracles and rationalism. The goal of historical fantasy is to produce a generalized image of the time, to convey the spirit of the epoch while the dramatic action takes a secondary place. Samples of the genre were given in the works of Alexander A. Shakhovskoi, Alexander I. Gertsen, Apollon N. Maikov. Timofeev’s play was just in the way to this kind of drama.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128753029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Game nature of fable. Analysis of the fable by I.A. Krylov «Musicians» 寓言的游戏性质。克里洛夫《音乐家》寓言分析

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2019.46.06

Ivan Revyakov

引用次数: 0

RUSSIAN ÉMIGRé ON THE WAVES OF HISTORY: VLADIMIR VARSHAVSKY AND HIS NOVEL “EXPECTATION” 俄语Émigré在历史浪潮上:弗拉基米尔·瓦尔沙夫斯基及其小说《期望》

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2023.60.10

引用次数: 0

BAKHTIN QUESTION: THE INTERIM ANSWER 巴赫金问题:临时答案

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2022.55.10

I. Peshkov

引用次数: 0

ELEIKIN’S POEM FROM THE COMEDY BY E.P. ROSTOPCHINA “RETURN OF CHATSKY TO MOSCOW <...>” AS A PARODY OF SLAVOPHIL POETRY 艾莱金的诗选自e.p. rostopchina的喜剧《查茨基回归莫斯科》，作为对斯拉夫派诗歌的戏仿

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2022.55.06

A. Ranchin

引用次数: 0

HISTORY AND THEORY OF LITERATURE IN THE WORKS OF A.V. MIKHAILOV 米哈伊洛夫作品中的文学史与文学理论

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2022.58.08

引用次数: 0

“CREATING CONSCIOUSNESS”, OR MIKHAIL BAKHTIN BETWEEN PAST AND FUTURE "创造意识"或米哈伊尔·巴赫金的"过去与未来

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2021.54.01

Vitaliy Makhlin

{"title":"“CREATING CONSCIOUSNESS”, OR MIKHAIL BAKHTIN BETWEEN PAST AND FUTURE","authors":"Vitaliy Makhlin","doi":"10.31249/litzhur/2021.54.01","DOIUrl":"https://doi.org/10.31249/litzhur/2021.54.01","url":null,"abstract":"Three things are investigated in the present article: first, the general situation in the so-called Bakhtin studies, East and West; secondly, a possible new approach to Bakhtin’ thinking in the context of the “non-Bakhtinian” ideological and scientific atmosphere after the end of the new times, or the Modernity; thirdly, some preliminary commentary is given to Bakhtin’s notion of authorship, or the “creating consciousness”. Consequently, the first part of the article is a discussion of the disparity between Bakhtin’s world-wide popularity and the general problematiicity of his “influence”. The second part is an attempt to investigate some possibility of “another beginning” in the humanities in general and in Bakhtin studies in particular. While a possibility of creative future, or the “new”, doesn’t seem to exist within the horizon of the present, it is not the present, then, but the creative past of the previous epochs is likely to hermeneutically produce possibilities to enrich our creative potential in the modus of “future-in-the-past”. The last part of the article demonstrates a possibility of “another beginning” elucidating Bakhtin’s concept of authorship as a “creating consciousness”. In the Bakhtinian thinking, a creating author, as well as an active person, is not so much existential or monological, but, rather, grotesque and dialogical. Authorship as the “creating consciousness”seems to overcome the ideal of autonomy typical for the Modernity by his alternative principle of the “autonomous participation or participating autonomy” in life, in art, and in science.","PeriodicalId":246030,"journal":{"name":"Literaturovedcheskii Zhurnal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131888024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

MARINA TSVETAEVA IN THE BIOGRAPHY OF PRINCE D.P. SVYATOPOLK-MIRSKY 玛丽娜·茨维塔耶娃在斯维亚托波尔克-米尔斯基公爵传记中

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2022.57.01

O. Osovskii

引用次数: 0

FLAUBERT’S HYPERTEXTS IN CHEKHOV’ WORKS (ON THE CONCEPT OF “CONSTRUCTIVE CRYPTO-PARODY”) 契诃夫作品中福楼拜的超文本(论“建设性的隐戏仿”概念)

Literaturovedcheskii Zhurnal Pub Date : 1900-01-01 DOI: 10.31249/litzhur/2021.53.06

S. Kibalnik

引用次数: 0