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Archive Trouble 档案麻烦
Greek Weird Wave Pub Date : 2020-09-01 DOI: 10.3366/edinburgh/9781474436311.003.0007
D. Papanikolaou
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引用次数: 0
Biopolitical Realism Biopolitical现实主义
Greek Weird Wave Pub Date : 2020-09-01 DOI: 10.3366/edinburgh/9781474436311.003.0005
D. Papanikolaou
{"title":"Biopolitical Realism","authors":"D. Papanikolaou","doi":"10.3366/edinburgh/9781474436311.003.0005","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474436311.003.0005","url":null,"abstract":"Mark Fisher’s term capitalist realism is tested against the films Pity (2019; dir. Makridis), Attenberg (2010; dir. Tsangari), L (2011; dir. Makridis). The main characters’ dislocation, ironic disposition and embodied reactions to events in these films point to the full implementation, but also to a certain exhaustion, of capitalist realism. What these films show well, it is argued, is the need for a representational strategy that this book proposes calling biopolitical realism. The chapter suggests that ‘[b]iopolitical realism thrives on collation, seriality, contiguity, metonymical thinking, posturing, framing, performatively gesturing, moving and self-referential filming’. The documentary series Mikrocities, produced and shown in Greece in 2010-11, is presented as a clear and very self-conscious example of the expansive poetics of such a biopolitical realism.","PeriodicalId":243782,"journal":{"name":"Greek Weird Wave","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131280297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Biopolitical Family: (Miss) Violence, Discipline, Allegory, Dogteeth 生命政治家庭:(小姐)暴力、纪律、寓言、狗牙
Greek Weird Wave Pub Date : 2020-09-01 DOI: 10.3366/edinburgh/9781474436311.003.0006
D. Papanikolaou
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引用次数: 0
Why Biopolitics? 为什么Biopolitics ?
Greek Weird Wave Pub Date : 2020-09-01 DOI: 10.3366/edinburgh/9781474436311.003.0003
D. Papanikolaou
{"title":"Why Biopolitics?","authors":"D. Papanikolaou","doi":"10.3366/edinburgh/9781474436311.003.0003","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474436311.003.0003","url":null,"abstract":"Reading the medium-length film Washingtonia (2014, dir. Konstantina Kotzamani) as a metonymic allegory of the whole Weird Wave movement, this chapter then turns to theories of biopolitics. Biopolitics is presented as a valuable concept in order to comprehend the Weird Wave’s sociocultural position, as well as its films’ thematic and formal choices. A short bibliographical review of previous critical approaches to biopolitics and film is then followed by the close reading of Yorgos Zois’s medium-length Third Kind (2018). What “weird” films like those by Zois and Kotzamani present us with, it is argued, is a critical response to the condition of living in an intense biopolitical present.","PeriodicalId":243782,"journal":{"name":"Greek Weird Wave","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122125743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Assemblage, Identity, Citizenship 集合，身份，公民身份
Greek Weird Wave Pub Date : 2020-09-01 DOI: 10.3366/edinburgh/9781474436311.003.0008
D. Papanikolaou
{"title":"Assemblage, Identity, Citizenship","authors":"D. Papanikolaou","doi":"10.3366/edinburgh/9781474436311.003.0008","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474436311.003.0008","url":null,"abstract":"This chapter returns to one of the most influential Greek films of the 21st century, Strella (2009, dir. Koutras), a new queer cinema classic whose central trans character became an iconic reference for the ‘trans lives matter’ movement in Greece. Koutras’s film is read alongside the short Mom, I’m back (2017; Katsimiris), but also assessed in the context of the protest mobilization after the killing of transqueer activist Zak Kostopoulos/Zackie Oh (September 2018). It is argued that the new movement for gender and sexual identity politics in Greece, also in its dialogue with visual representations, foregrounds a radical poetics of assemblage which potentially provides an answer to a number of questions asked throughout this book. Intriguingly, this new queer poetics of assemblage incorporates, makes do with, but also directly challenges, biopolitical realism.","PeriodicalId":243782,"journal":{"name":"Greek Weird Wave","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129910299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘There Are No Words to Describe Our National Pride’: Weird Walks, Awkward Crisiscapes and the Most International Moment of Greek Cinema “没有语言可以描述我们的民族自豪感”:奇怪的行走，尴尬的危机镜头和希腊电影最国际化的时刻
Greek Weird Wave Pub Date : 2020-09-01 DOI: 10.3366/edinburgh/9781474436311.003.0002
D. Papanikolaou
{"title":"‘There Are No Words to Describe Our National Pride’: Weird Walks, Awkward Crisiscapes and the Most International Moment of Greek Cinema","authors":"D. Papanikolaou","doi":"10.3366/edinburgh/9781474436311.003.0002","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474436311.003.0002","url":null,"abstract":"The chapter returns to the official beginning of the Greek socioeconomic crisis in 2010: the announcement of Greece’s application to the International Monetary Fund (IMF). It reflects on the emergence of a new movement in Greek cinema at around the same time, spearheaded by the group Filmmakers in the Fog and the successful theatre and festival run of films Dogtooth (2009; dir. Lanthimos) and Strella (2009; dir. Koutras). A close reading of scenes from the films Matchbox (2003; dir. Yannis Economides) and Suntan (2016; dir. Argyris Papadimitropoulos) bookends the analysis in this section. What made international and Greek audiences consider the Weird Wave films as a group, it is argued, is their tendency to screen “excessive allegories, biopolitical anxieties, trapped bodies”.","PeriodicalId":243782,"journal":{"name":"Greek Weird Wave","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115515868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Epilogue 后记
Greek Weird Wave Pub Date : 2020-09-01 DOI: 10.3366/edinburgh/9781474436311.003.0009
D. Papanikolaou
{"title":"Epilogue","authors":"D. Papanikolaou","doi":"10.3366/edinburgh/9781474436311.003.0009","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474436311.003.0009","url":null,"abstract":"Through an analysis of The Distance Between Us and the Sky (2019; dir. Vasilis Kekatos) and Winona (2019; dir. Alexandros Voulgaris) the reader is reminded of the key terms that support the arguments in this book. Metonymy, allegory, assemblages of bodies and space, as well as a new way of doing the cinema of a small nation at a time of crisis, are all presented as central aspects of the Greek Weird Wave. What they also point to is a very recognisable, and ongoing, (bio)political history.","PeriodicalId":243782,"journal":{"name":"Greek Weird Wave","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122511861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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