Epilogue

Abstract

Through an analysis of The Distance Between Us and the Sky (2019; dir. Vasilis Kekatos) and Winona (2019; dir. Alexandros Voulgaris) the reader is reminded of the key terms that support the arguments in this book. Metonymy, allegory, assemblages of bodies and space, as well as a new way of doing the cinema of a small nation at a time of crisis, are all presented as central aspects of the Greek Weird Wave. What they also point to is a very recognisable, and ongoing, (bio)political history.