{"title":"后记","authors":"D. Papanikolaou","doi":"10.3366/edinburgh/9781474436311.003.0009","DOIUrl":null,"url":null,"abstract":"Through an analysis of The Distance Between Us and the Sky (2019; dir. Vasilis Kekatos) and Winona (2019; dir. Alexandros Voulgaris) the reader is reminded of the key terms that support the arguments in this book. Metonymy, allegory, assemblages of bodies and space, as well as a new way of doing the cinema of a small nation at a time of crisis, are all presented as central aspects of the Greek Weird Wave. What they also point to is a very recognisable, and ongoing, (bio)political history.","PeriodicalId":243782,"journal":{"name":"Greek Weird Wave","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Epilogue\",\"authors\":\"D. Papanikolaou\",\"doi\":\"10.3366/edinburgh/9781474436311.003.0009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Through an analysis of The Distance Between Us and the Sky (2019; dir. Vasilis Kekatos) and Winona (2019; dir. Alexandros Voulgaris) the reader is reminded of the key terms that support the arguments in this book. Metonymy, allegory, assemblages of bodies and space, as well as a new way of doing the cinema of a small nation at a time of crisis, are all presented as central aspects of the Greek Weird Wave. What they also point to is a very recognisable, and ongoing, (bio)political history.\",\"PeriodicalId\":243782,\"journal\":{\"name\":\"Greek Weird Wave\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Greek Weird Wave\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474436311.003.0009\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Greek Weird Wave","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474436311.003.0009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Through an analysis of The Distance Between Us and the Sky (2019; dir. Vasilis Kekatos) and Winona (2019; dir. Alexandros Voulgaris) the reader is reminded of the key terms that support the arguments in this book. Metonymy, allegory, assemblages of bodies and space, as well as a new way of doing the cinema of a small nation at a time of crisis, are all presented as central aspects of the Greek Weird Wave. What they also point to is a very recognisable, and ongoing, (bio)political history.
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