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Cinematic Realism最新文献

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‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968) “历史的方法”和“历史学家的旅程”，选自《历史:最后的事情之前的最后的事情》(克拉考尔，1968)
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0011
I. Aitken
{"title":"‘The Historical Approach’ and ‘The Historian’s Journey’, from History: The Last Things Before the Last (Kracauer 1968)","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0011","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0011","url":null,"abstract":"This chapter is a close analysis of the two chapters from Kracauer’s 1968 book History: The Last Things Before the Last. The chapter covers the influence of Husserl’s concept of the Lebenswelt on Kracauer’s conception of history and explores Kracauer’s notion of ‘ante-room history. Here, Kracauer compares film and photography with historiography, and sets out a conception of non-linear historical time. The notion of the historian, and the exile, as ‘palimpsest’, is also considered. The influence of the art theorist Clement Greenberg on Kracauer’s application of notions of medium specificity to film, photography and historiography is also considered","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116149769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Specificity of the Aesthetic (Lukács 1963) 美学的专一性(Lukács 1963)
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0006
I. Aitken
{"title":"The Specificity of the Aesthetic (Lukács 1963)","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0006","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0006","url":null,"abstract":"This chapter is a close analysis of the chapter entitled ‘Film’ in Lukács’s 1963 book, The Specificity of the Aesthetic. In this chapter, Lukács forwards a naturalist-impressionistic account of film that is at variance to much of his writing on literature. Lukács also relates film to the modern condition and discusses the nature of time in film. The chapter discusses some of Lukacs’s ley concepts, such as Geradesosein, Besonderheit, the photographic ‘deanthropomorphising’ basis of film, and the ‘field of objectivity’.","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121069175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction to Kracauer: Abstraction, Redemption and Modernity1 克拉考尔导论:抽象、救赎与现代性
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0008
I. Aitken
{"title":"Introduction to Kracauer: Abstraction, Redemption and Modernity1","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0008","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0008","url":null,"abstract":"This chapter provides an analysis of the key ideas of Siegfried Kracauer, covering his key concepts of abstraction, redemption and distraction, and his account of the modern condition, the role of conceptual reason within modernity, the subordination of intuition within modernity, and the way that film may contribute to the ‘redemption of physical reality.","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131764570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Introduction: Photography’ and ‘Basic Concepts’, from Theory of Film (Kracauer 1960) “导论:摄影”和“基本概念”，选自《电影理论》(Kracauer, 1960)
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0010
I. Aitken
{"title":"‘Introduction: Photography’ and ‘Basic Concepts’, from Theory of Film (Kracauer 1960)","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0010","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0010","url":null,"abstract":"This chapter is a close analysis of the two chapters from Kracauer’s 1960 book Theory of Film: The Redemption of Physical Reality. The chapter covers Kracauer’s increasing influence by phenomenology and outlines his key notion of the ‘basic aesthetic principle’ of film and photography, the ‘cinematic approach’, and the ‘realist’ and ‘formative’ stages of the aesthetic process in both film and photography. Kracauer’s contention that film is ‘uniquely equipped to record and reveal physical reality’ is discussed.","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"406 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133210685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction to Lukács: Essence, Phenomena and Temporality Lukács简介:本质、现象和时间性
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0003
I. Aitken
{"title":"Introduction to Lukács: Essence, Phenomena and Temporality","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0003","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0003","url":null,"abstract":"This chapter introduces the thought of Georg Lukács, focussing on his ideas related to temporality, and the distinction between the essential and real life. The influence of Aristotle and Plato, particularly Platos’s ‘Theory of the Forms’, is also considered, and the chapter charts Lukács’s move from Platonism to Phenomenology, and the evolution of his key concepts of ‘soul’ and ‘form’.","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126664851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bergson, the Image and Time 柏格森，《影像与时间》
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0002
I. Aitken
{"title":"Bergson, the Image and Time","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0002","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0002","url":null,"abstract":"This chapter presents an outline of the ideas of Henri Bergson, as a prelude to the later exploration of Georg Lukács in chapters 2-5 of this book. Bergson’s ideas on the image, the body and time, and film are considered, including his notion of ‘cinematographic time’ and ‘duration’. The chapter also includes a general account of the nature of temporality and discusses the influence of Einstein’s theory of relativity on notions of time.","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123429515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Representation, Perception and Cinematic Realism 表现，感知和电影现实主义
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0001
I. Aitken
{"title":"Representation, Perception and Cinematic Realism","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0001","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0001","url":null,"abstract":"The Introduction focuses upon general concepts related to cinematic realism, covering ideas related to philosophical realism, Gibson, Harré, externalism, the notion of Umwelt, and recent philosophical writings on the nature of film. The Introduction also focuses on notions of representation and presentation, phenomenology, the nature of the filmic object, and the relationship between light and the cinematic image.","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130136252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Husserl, Epochē and Lebenswelt
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0007
I. Aitken
{"title":"Husserl, Epochē and Lebenswelt","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0007","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0007","url":null,"abstract":"This chapter presents an outline of the thought of Edmund Husserl, particularly Husserl’s conceptions of the Lebenswelt (or ‘lifeworld’ and Epoche, as a preluded to the following four chapters on Siegfried Kracauer. The chapter also discusses other aspects of Husserl’s theory of phenomenology, including the distinction between the perceptual lifeworld and the cultural lifeworld, and the concepts of the ‘natural attitude’, and ‘Eidos’","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130976744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913) 《关于电影美学的思考》(Lukács 1913)
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0005
I. Aitken
{"title":"‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913)","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0005","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0005","url":null,"abstract":"This chapter is a close analysis of Lukács’ 1913 paper ‘Thoughts towards an Aesthetic of the Cinema’, in Which Lukács writes about the relation between film and the theatre. The paper forms part of the ‘Kino Debate’, then taking place in Germany, over the future potential of the cinema as a vehicle for liberation and of aesthetic value. The paper relates film to the body and intuition, in contrast to the theatre, which is regarded as a vehicle for the high intellect. In this paper, Lukacs introduces the notion of the ‘cinema of the fantastic’ and opposes this to the hegemony of logic within modernity. Key notions such as the ‘great moment’ and the ‘present moment’, and the banality of ‘ordinary life’, and the concept of Stimmung, are also considered.","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"112 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128080029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Photography’ (Kracauer 1927)
Cinematic Realism Pub Date : 2020-12-15 DOI: 10.3366/edinburgh/9781474441346.003.0009
I. Aitken
{"title":"‘Photography’ (Kracauer 1927)","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0009","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474441346.003.0009","url":null,"abstract":"This chapter is a close analysis of Kracauer’s 1927 essay ‘Photography’. In this essay, Kracauer regards photography as contributing towards the pervasive alienation within modernity, and he contrasts the photographic image with the ‘memory image, which contains substantial value. Nevertheless, the alienating photographic image can also reveal the nature of alienation, so has a positive potential. Kracauer also argues that the film image is less alienating than the photographic image because it can preserve more of the memory image","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123739680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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