{"title":"柏格森，《影像与时间》","authors":"I. Aitken","doi":"10.3366/edinburgh/9781474441346.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter presents an outline of the ideas of Henri Bergson, as a prelude to the later exploration of Georg Lukács in chapters 2-5 of this book. Bergson’s ideas on the image, the body and time, and film are considered, including his notion of ‘cinematographic time’ and ‘duration’. The chapter also includes a general account of the nature of temporality and discusses the influence of Einstein’s theory of relativity on notions of time.","PeriodicalId":242576,"journal":{"name":"Cinematic Realism","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bergson, the Image and Time\",\"authors\":\"I. Aitken\",\"doi\":\"10.3366/edinburgh/9781474441346.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter presents an outline of the ideas of Henri Bergson, as a prelude to the later exploration of Georg Lukács in chapters 2-5 of this book. Bergson’s ideas on the image, the body and time, and film are considered, including his notion of ‘cinematographic time’ and ‘duration’. The chapter also includes a general account of the nature of temporality and discusses the influence of Einstein’s theory of relativity on notions of time.\",\"PeriodicalId\":242576,\"journal\":{\"name\":\"Cinematic Realism\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cinematic Realism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474441346.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinematic Realism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474441346.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter presents an outline of the ideas of Henri Bergson, as a prelude to the later exploration of Georg Lukács in chapters 2-5 of this book. Bergson’s ideas on the image, the body and time, and film are considered, including his notion of ‘cinematographic time’ and ‘duration’. The chapter also includes a general account of the nature of temporality and discusses the influence of Einstein’s theory of relativity on notions of time.
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