《关于电影美学的思考》(Lukács 1913)

I. Aitken
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引用次数: 0

摘要

这一章是对Lukács 1913年论文“对电影美学的思考”的仔细分析,其中Lukács写了电影和剧院之间的关系。这篇论文构成了当时在德国举行的“基诺辩论”的一部分,讨论了电影作为解放和审美价值载体的未来潜力。本文将电影与身体和直觉联系起来,而戏剧被认为是高智力的载体。在本文中,卢卡奇引入了“梦幻电影”的概念,并将其与现代性中的逻辑霸权对立起来。关键的概念,如“伟大的时刻”和“现在的时刻”,“平凡的生活”的平庸,和刺激的概念,也被考虑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Thoughts towards an Aesthetic of the Cinema’ (Lukács 1913)
This chapter is a close analysis of Lukács’ 1913 paper ‘Thoughts towards an Aesthetic of the Cinema’, in Which Lukács writes about the relation between film and the theatre. The paper forms part of the ‘Kino Debate’, then taking place in Germany, over the future potential of the cinema as a vehicle for liberation and of aesthetic value. The paper relates film to the body and intuition, in contrast to the theatre, which is regarded as a vehicle for the high intellect. In this paper, Lukacs introduces the notion of the ‘cinema of the fantastic’ and opposes this to the hegemony of logic within modernity. Key notions such as the ‘great moment’ and the ‘present moment’, and the banality of ‘ordinary life’, and the concept of Stimmung, are also considered.
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