{"title":"Proza Pawła Sołtysa – w kręgu poetyki","authors":"Izabela Grzelązka","doi":"10.31338/2657-599x.ph.2022-1.4","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2022-1.4","url":null,"abstract":"The subject of this article is the prose of Paweł Sołtys, or more precisely, two volumes of short stories: Mikrotyki and Nieradość. Narration, space and autobiography are compared with the assumptions of small realism. There is also a reference to the context of contemporary prose, including its trend about Warsaw. The analysis of these categories aims to identify the poetics of Paweł Sołtys.","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121266586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nowoczesność i uniwersalność grekańskiej poezji Salvina Nucery","authors":"E. Janion","doi":"10.31338/2657-599x.ph.2022-1.5","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2022-1.5","url":null,"abstract":"This article discusses Salvino Nucera's (b. 1952) collection of poetry written in Greko (Calabrian Greek, Grecanic) – a language of a small community in Southern Calabria. The article focuses on the poetic strategies of constructing a modern subject in a language that is intrinsically connected to traditional pastoral culture and provides extremely limited vocabulary. It is argued that Nucera refers to the Calabrian landscape, often to specific places, typical elements of nature and everyday practices, which in his poetry become universal metaphors and create an image of a modern intellectual's complex identity.","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122072539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Transformacje wizerunku Fryderyka Chopina w Lecie w Nohant","authors":"K. Samsel","doi":"10.31338/2657-599x.ph.2021-4.2","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2021-4.2","url":null,"abstract":"The paper analyses the character of Frédéric Chopin in the Summer at Nohant by Jarosław Iwaszkiewicz. The internal differentiation of characteristics introduced in the composer’s figure produces a new type of unity. The Summer at Nohant gains the dimension of Iwaszkiewicz’s “comedy of greatness”. Interconnections between similar or related works shape the multifaceted character of Chopin in the Summer at Nohant.","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"305 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123666995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Po cóż patrzeć pod wodę? Obrazy nie-ludzkich seksualności w amfibiotycznym kinie Jeana Painlevégo","authors":"Paulina Dudzińska","doi":"10.31338/2657-599x.ph.2021-4.4","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2021-4.4","url":null,"abstract":"The article discusses the anthropomorphic strategies of presenting sex lives of non-human creatures in the cinematic works of Jean Painlevé (1902–1989). Regarding queer studies, I closely analyse the Love life of the octopus (1965), Sea horse (1934), Acera or the witches dance (1972). These films enable the formulation of the concepts of sex and sexuality that surpass the frames of anthropocentric, reprosexual heterorealism. I also discuss the theory of sexuality in the works of Deleuze and Guattari, indicating their concepts as productive to articulate the notions of sex and sexuality that are inclusive to the non-human.","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121414419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Artysta zdradzony i zawiedziony. Portret Aleksandra Puszkina w Maskaradzie Jarosława Iwaszkiewicza","authors":"M. Olszewska","doi":"10.31338/2657-599x.ph.2021-4.1","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2021-4.1","url":null,"abstract":"Jarosław Iwaszkiewicz's dramatic works, diversified in terms of theme and genre, by no means occupy a marginal place in his comprehensively perceived writing oeuvre. Three of Iwaszkiewicz's plays, linked by the artist's theme, deserve a special mention: Lato w Nohant, Maskarada and Wesele pana Balzaka. The subject of analysis in this article is the play “Masquerade”. That play focuses on the character of Alexander Pushkin and his complex relationship with the environment, which lead to the self-destruction of the poet, for whom the only salvation is death. In this play, Iwaszkiewicz connected the artistic theme with the question of subjectivity and identity.","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125323183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mężczyźni wobec akcji metoo (jateż) na polskojęzycznym Facebooku. Analiza reakcji na kryzys normatywny w relacjach między kobietami a mężczyznami","authors":"P. Bagiński","doi":"10.31338/2657-599x.ph.2021-4.3","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2021-4.3","url":null,"abstract":"","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114679753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rewokacje antyczne w poezji Wacława Iwaniuka","authors":"Stanisław Stabryła","doi":"10.31338/2657-599x.ph.2021-3.4","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2021-3.4","url":null,"abstract":"The recallings to antiquity in Vaclav Iwaniuk’s poetry assume the reinterpretations in most cases. The above review of the mythological and historical motifs taken from the Greek or Roman antiquity allows us to conclude, first of all, that they were brought up to date owing to the use of the method we have called a reinterpretation. The poet, referring to the Greek myth or the history, tried to find the patterns and the symbols that make it possible to understand the history of his nation, its past and present situation, and his own life and fate.","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125079479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Getto bardzo miejskie, czyli raz jeszcze o określeniach warszawskiej żydowskiej dzielnicy zamkniętej","authors":"Agnieszka Witkowska-Krych","doi":"10.31338/2657-599x.ph.2021-3.3","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2021-3.3","url":null,"abstract":"The article examines the specific linguistic expressions used to name the phenomenon of the Warsaw ghetto established in November 1940 and existing until May 1943. The common denominator of the terms analyzed here is their semantic components that directly refer to the urban character of the ghetto. The range of meanings of the expressions presented here and their simultaneous urban connotations reflect how Jewish and non-Jewish residents of Warsaw who were directly affected by the city’s division conceptualized the phenomenon of the ghetto. The article supplements the already known diagnoses concerning the metaphors of the Warsaw ghetto and provides a commentary on a more general level about ways of naming the space of oppression.","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133413897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Człowiek podziemny w prozie konfesyjnej oraz wspomnieniowej Fiodora Dostojewskiego i Marii Komornickiej. Przypadek Notatek z podziemia i Biesów","authors":"Aleksandra Anna Kargol","doi":"10.31338/2657-599x.ph.2021-3.1","DOIUrl":"https://doi.org/10.31338/2657-599x.ph.2021-3.1","url":null,"abstract":"This paper considers the idea of an underground man. It attempts to answer why writers reach for such a type of heroes and their position in the face of contemporary novel solutions. Maria Komornicka and Fyodor Dostoyevsky see in fallen individuals a source of creative inspiration. The confessional prose of these writers is an attempt to talk about the nihilist heroes who have chosen to live in a place of the metaphorical underground. The underground space becomes a construct of these works, and it is also a symbolic place where individuals desire chaos and darkness. The heroes of Demons and Notes from the Underground escape from where “everyone” lives and go underground, devoting themselves to underground mysticism because only such space protects them against the total collapse of the universe. Underground imagery governs the research process and shows how it determines the structure of a work and influences the methodology and ways of reading these works","PeriodicalId":239308,"journal":{"name":"Przegląd Humanistyczny","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125746919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}