{"title":"A Field Guide to Oil in Santa Barbara: Pedagogy and Practice for Environmental Media Studies","authors":"Emily Roehl, S. Gerson","doi":"10.1525/001c.36325","DOIUrl":"https://doi.org/10.1525/001c.36325","url":null,"abstract":"During fall 2018, a multidisciplinary cohort of graduate students participated in a course conducted by professors Javiera Barandiarán and Mona Damluji as part of the Mellon Sawyer Seminar on Energy Justice in Global Perspective at the University of California, Santa Barbara. For their final project, the students worked in groups to conduct place-based, site-specific research on the history and politics of oil in Santa Barbara County. Each group led a tour of a site significant to the history of oil in the region and produced a digital portfolio that contained contemporary and archival images, scans of archival documents, and observational site descriptions. The digital portfolios they compiled were then used to create the multimedia narrative and map A Field Guide to Oil in Santa Barbara. This essay contextualizes the Field Guide within the dominant narratives of oil in the Santa Barbara region, which attempt to contain oil as a naturally occurring substance of the past and not an ongoing part of the area’s role in global systems of oil extraction and capital. This collaboratively written introductory essay is at once a pedagogical reflection and a critical assessment of the field guide as a form of practice in environmental media studies. Over the past decade, field guides of various kinds have emerged across the humanities as hybrid artistic/academic projects, as outcomes of activist scholarship, and as provocations for site-responsive knowledge production. Field guides have also been used by governments and extractive industries to survey, categorize, and lay claim to resources. While acknowledging its experimental nature, this essay explores how the Field Guide is a model for interdisciplinary pedagogy and practice in environmental media studies.","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124939855","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Animal Oil, Animal Blood: Energy, Metabolism, and Protecting the Seal Hunt in the North American Arctic as an Act of Colonial Resistance","authors":"Sage Freeburg","doi":"10.1525/001c.35471","DOIUrl":"https://doi.org/10.1525/001c.35471","url":null,"abstract":"Interrogating dominant conceptions of energy is an important practice in diversifying the field of the energy humanities. By including various understandings and definitions of energy in the field’s discussions, we can strive to reach a more culturally inclusive understanding of energy. This article proposes that emphasizing a singular conception of energy (petroleum) is socially harmful and leads to inconsistent policies surrounding the trade of energy sources. Specifically, the essay examines the 2009 European Union trade ban on seal products, which continues to adversely affect Inuit communities in the Canadian Arctic by limiting the financial viability of the subsistence seal hunt. The ban occurs while the potential of oil development in the waters surrounding Nunavut is consistently reviewed and examined by the Canadian government, demonstrating bias in which voices are amplified in discussions of energy-related policy during the early twenty-first century. To fully demonstrate the connection between subsistence sealing and oil development, the essay interrogates dominant conceptions of energy and reframes energy narratives. This reframing is compared to historical formations of energetic sources that proved more fluid and less centered on a single source. The discussion identifies Alethea Arnaquq-Baril’s 2016 film Angry Inuk as a central activist text that supports a reinsertion of Inuit perspectives into policy decisions regarding the seal hunt. Furthermore, the film aids in understanding the impact of unilateral energy formations by contesting the 2009 seal trade ban and discussing the subsequent cultural harm. Throughout the essay, the reader is asked to consider in what forms energy appears, as well as the importance of acknowledging the many forms through which energy arises. This leads us to understand that energy formations are reflective of the culture in which they are built, and that restricting the trade of energy is harmful to cultures and communities.","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128408680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Magic and Haunting: Oil Media at Venezuela’s Lake Maracaibo","authors":"M. Zazzarino","doi":"10.1525/001c.36323","DOIUrl":"https://doi.org/10.1525/001c.36323","url":null,"abstract":"Energy humanities emanating from the Global North often presents questions of oil disinvestment through a linear narrative of enchantment and disenchantment. According to this narrative, modern humankind has enjoyed the benefits of oil without much question, and it is only after the effects of climate change are felt that one arrives at a moment of disenchantment from oil’s allure. This article seeks to complicate this narrative by focusing on mediations of Venezuela’s oil extraction epicenter: Lake Maracaibo. Through textual and visual analysis of Standard Oil’s El Farol (1935–75) and the independent documentary film Pozo Muerto (1968), the article suggests that the persistent language of magic, bedazzlement, and enchantment is not the only register available to understand complex landscapes in regions where oil development is perceived as a cyclical, disruptive process rather than as a finished one. Inspired by María Pilar Blanco’s notion of ghost-watching (2012) and paying attention to local visual practices, I suggest that a language of haunting is better suited to explain the lived experience of petroculture from the perspective of extraction enclaves such as Lake Maracaibo. Unlike the register of magic, which presents oil as a transformative agent that converts the subsoil into wealth at great speed, a register of haunting effectively registers the histories of dispossession, interruption, and uncertainty that permeate the experience of petroculture in Venezuela. Ultimately, I argue for a perspective that examines the labor of constructing oil as a miraculous mediator while acknowledging alternative registers to understand petrocultures.","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"214 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122105547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reading California’s Power Grid: A Metonymic Methodology","authors":"S. Gerson","doi":"10.1525/001c.35472","DOIUrl":"https://doi.org/10.1525/001c.35472","url":null,"abstract":"As climate change intensifies, the global imperative to minimize carbon emissions and move beyond oil deepens. Many visions for the future of energy imagine increased electrification as a solution to the transition away from fossil fuels that does not require major cultural change. In this imaginary, electricity acts as a bridge between the fossil-fueled twentieth century and technologically driven green energy futures. Not only does the vision of a green electrified future fail to address the unjust cultural and political power relations that surround energy systems, it also ignores the already disastrous impacts climate change has had on the US power grid. Examining the environmental entanglements of and the cultural imaginaries that shape electrification is necessary to imagining and enacting more just and transformative energy futures that do not use electrification as a means of prolonging the current extractive, colonial, and capitalist cultural approaches to energy. This essay takes as its starting point the tension between visions of green electric futures and the material reality of the grid. Focusing on California’s electricity grid, this essay analyzes electricity’s complicated web of power relations by triangulating three case studies that apply a metonymic methodology for close reading the region’s power grid. PG&E’s smart meter upgrades are the focus of the first case study. The second case study examines California’s recent electricity equipment–sparked superfires. Finally, the essay concludes with a third case study focused on PG&E’s public safety power shutoffs, the utility’s safety response intended to prevent additional fires. Ultimately, the three case studies, when juxtaposed, provide very different perspectives on the dominant narratives surrounding electrification. When triangulated, the case studies show how the imaginary of easily accessed limitless electricity, which fuels visions of increased electrification as a solution to climate change, relies on both an abstraction of the power grid and the continuation of unjust colonial practices.","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127110425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exceeding Evidence: Photography Theory and Global Climate Model Visualizations","authors":"T. Corballis","doi":"10.1525/001c.28273","DOIUrl":"https://doi.org/10.1525/001c.28273","url":null,"abstract":"In “Exceeding Evidence,” I develop an interpretation of climate model visualizations based on insights from aesthetic and photography theory. Through this interpretation, I hope to redeem climate model images from their association with a dominating and removed “Earth from space” perspective (as made in T. J. Demos’s Against the Anthropocene [2017]). I draw on the observation from photography theory that images can be read either for their comprehensible, narratable information or for the ways in which their detail exceeds comprehension and narrative. This insight suggests that climate model images, like photographs, might be used for more than just evidence—they might give a sense of the world’s excess over our ability to understand it, and so a connection with the world “in its own terms.” To this end, I give a close reading of two visualizations made by NASA’s Scientific Visualization Studio, based on global climate model and satellite data of carbon dioxide levels during 2015. The first visualization not only projects the data on a global map but also expands it into a three-dimensional cylinder. The second demonstrates how satellite data is integrated with model data. These visualizations are interesting for more than the evidentiary and rhetorical uses of climate model visualizations—they also offer a rare if not unique disclosure of the planet as a whole.","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133804947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Environmental Management of the Media. Pietari Kääpä. London and New York: Routledge/Earthscan, 2018. ISBN 978-1-138-64982-8","authors":"Stephen Rust","doi":"10.1525/001c.27364","DOIUrl":"https://doi.org/10.1525/001c.27364","url":null,"abstract":"Pietari Kääpä’s groundbreaking study of environmental management of the media industries in Great Britain and the Nordic countries is among the most important publications in the field of cinema and media studies in the past five years. I expect it will find a wide audience among academics, environmental media consultants, media producers, industry executives, and all those engaged in the effort to green the screen. The first half of the book sets up the theoretical and methodological framework and examines Britain as a generally positive case study of government-industry-media producer cooperation on a centralized regulatory approach due to the leadership of BAFTA and other key intermediaries. The second half examines the de-centralized approach being taken across the Nordic countries as a generally negative case study of current management practices. Environmental Management of the Media deploys environmental communication research methods through a focus on the efficacy of existing environmental communication strategies and recommendations for improving that communication. As co-editor of the highly-regarded collection Transnational Ecocinema (2013), Kääpä brings an awareness of discourses shaping the field of ecomedia studies that adds an additional layer of research depth and critical thinking. Of all the recent efforts to examine the people in charge of creating and managing the ecological footprint of film and media production on a national and international scale, Environmental Management of the Media is the most comprehensive, consistent, and well organized.","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121863123","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: Playing Nature: Ecology in Video Games. Alenda Y. Chang. Minneapolis: University of Minnesota Press, 2019. ISBN 145296226X","authors":"Başak Ağın","doi":"10.1525/001c.27368","DOIUrl":"https://doi.org/10.1525/001c.27368","url":null,"abstract":"","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126706916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Book Review: A Billion Black Anthropocenes or None. Kathryn Yusoff. Minneapolis: University of Minnesota Press, 2018. ISBN 9781517907532","authors":"A. López","doi":"10.1525/001c.27370","DOIUrl":"https://doi.org/10.1525/001c.27370","url":null,"abstract":"To make up for the absence of engagement with environmental issues, increasingly the Anthropocene label is getting slapped onto conferences, journal themes, and book titles to signal an ecological turn across disciplines. Triggered by the emerging alarm of looming threats of the climate crisis, extinction shock, and pandemics (among a long list of environmental dangers), this evolving environmental attention is welcome, but the careless and uncritical application of the term, Anthropocene, is perhaps less so. Worldecologist scholars Raj Patel and Jason W. Moore argue that using Anthropocene as a marker for the human-altered environment (as it is commonly conceived of in geology and in popular discourse) assigns blame to humans being humans, but misidentifies what is actually the results of particular human activities governed by the structure of capitalism. Instead, they advocate using “Capitalocene,” because it’s not just an economic system but “a way of organizing the relations between humans and the rest of nature” that is the source of our planetary ecological crisis (Patel and Moore 2017, 3). The Anthropocene equalizes the infinitesimal contributions of its primary victims—the majority of humans who did not create the planetary ecological crisis—with its main perpetrators.","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121222377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Blued Trees Symphony as Transdisciplinary Mediation for Environmental Policy","authors":"Aviva Rahmani","doi":"10.1525/001C.25256","DOIUrl":"https://doi.org/10.1525/001C.25256","url":null,"abstract":"As the devastating impacts of anthropocentric behaviors have emerged in the Anthropocene, the specter of globalized “ecocide” has also emerged, requiring creative policy solutions. The *Blued Trees* project was an experiment in modeling how art might forestall ecocide by legally redefining public (economic) good to reconcile with common (benefit to a community) good. This continental-scale work of interdisciplinary art was copyrighted in 2015, requiring courts to recognize an emergent overlap between copyright ownership, eminent domain law, and new forms of art. My intention was to create a transdisciplinary, art-based model for sustainable relationships with other species and across demographics, which could be scaled in the court system for policy implications. My premises were that transdisciplinary thinking—work that dissolves disciplinary boundaries—can best preserve habitat integrity in these complex, uncertain times, and that laws are the building blocks of policy. *The Blued Trees Symphony* was conceived as sonified biogeographic sculpture in five movements based on the eighteenth-century sonata form, with the musical structure narrating a contest between Earth rights and accountability for ecocide. The legal theory was litigated in a mock trial produced with the fellowship program A Blade of Grass in 2018. The work, which brings together art, music, and performance with law, ecological science, and dynamic systems theory, continues as a work in progress in that some of its elements, such as trees and ecosystems, the score, and the vital need to stop ecocide, remain alive and very much in play today.","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"305 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131481303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"What Climate Models can tell us about Pacific Climate Variability [Video]","authors":"S. Stevenson","doi":"10.1525/001C.22185","DOIUrl":"https://doi.org/10.1525/001C.22185","url":null,"abstract":"Global climate models are the main tool of climate scientists who investigate the impact of human action on future climate change. Run on supercomputers, these models can simulate global interdependencies of diverse climate factors such as ocean circulation, sea level rise, or vegetation growth. They also integrate socio-economic models that predict population growth, GDP, actions of cities and transportation, and air pollution. However, different models or model ensembles produce different future scenarios because the systems that are modeled are extremely chaotic: they contain a lot of \"noise\" and the slightest change in assumed background conditions or the recognition of feedback processes between, for example, ocean surface temperatures and cloud formations, will produce very different future scenarios. Since the apparent differences between climate models are due to both random internal climate variability and real structural differences in model physics, climate scientists are running model experiments (computer simulations) that compare the performance of the different models in order to better understand the physics behind them.\u0000 \u0000Video available at: https://vimeo.com/527397952","PeriodicalId":235953,"journal":{"name":"Media+Environment","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124205286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}