圣巴巴拉石油实地指南:环境媒体研究的教学法与实践

Emily Roehl, S. Gerson
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引用次数: 0

摘要

2018年秋季,一群多学科的研究生参加了由javier era Barandiarán和Mona Damluji教授主持的课程,这是加州大学圣巴巴拉分校梅隆索耶全球视角能源正义研讨会的一部分。在他们的期末项目中,学生们分组工作,对圣巴巴拉县的石油历史和政治进行基于地点、特定地点的研究。每个小组都参观了一个对该地区石油历史具有重要意义的地点,并制作了一个数字作品集,其中包含当代和档案图像、档案文件扫描和观察地点描述。他们编制的数字作品集随后被用于创建多媒体叙述和地图《圣巴巴拉油田指南》。本文将《实地指南》置于圣巴巴拉地区石油的主流叙事背景中,这些叙事试图将石油视为过去自然发生的物质,而不是该地区在全球石油开采和资本体系中所扮演的角色的一部分。这篇合作撰写的介绍性文章是对作为环境媒体研究实践形式的实地指南的教学反思和批判性评估。在过去的十年中,各种各样的实地指南在人文学科中出现,作为艺术/学术混合项目,作为激进主义奖学金的结果,作为对现场响应性知识生产的挑衅。政府和采掘业也使用实地指南来调查、分类和对资源提出要求。在承认其实验性质的同时,本文探讨了《实地指南》如何成为环境媒体研究中跨学科教学法和实践的典范。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Field Guide to Oil in Santa Barbara: Pedagogy and Practice for Environmental Media Studies
During fall 2018, a multidisciplinary cohort of graduate students participated in a course conducted by professors Javiera Barandiarán and Mona Damluji as part of the Mellon Sawyer Seminar on Energy Justice in Global Perspective at the University of California, Santa Barbara. For their final project, the students worked in groups to conduct place-based, site-specific research on the history and politics of oil in Santa Barbara County. Each group led a tour of a site significant to the history of oil in the region and produced a digital portfolio that contained contemporary and archival images, scans of archival documents, and observational site descriptions. The digital portfolios they compiled were then used to create the multimedia narrative and map A Field Guide to Oil in Santa Barbara. This essay contextualizes the Field Guide within the dominant narratives of oil in the Santa Barbara region, which attempt to contain oil as a naturally occurring substance of the past and not an ongoing part of the area’s role in global systems of oil extraction and capital. This collaboratively written introductory essay is at once a pedagogical reflection and a critical assessment of the field guide as a form of practice in environmental media studies. Over the past decade, field guides of various kinds have emerged across the humanities as hybrid artistic/academic projects, as outcomes of activist scholarship, and as provocations for site-responsive knowledge production. Field guides have also been used by governments and extractive industries to survey, categorize, and lay claim to resources. While acknowledging its experimental nature, this essay explores how the Field Guide is a model for interdisciplinary pedagogy and practice in environmental media studies.
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