Greget: Jurnal Pengetahuan dan Penciptaan Tari最新文献

KOREOGRAFI KRIDHA MANGGALA KARYA DWI MARYANI 韩语kridha manggala karya dwi maryani

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2020-12-28 DOI: 10.33153/GRT.V19I2.3457

Debita Emy Rachmawati, Matheus Wasi Bantolo

{"title":"KOREOGRAFI KRIDHA MANGGALA KARYA DWI MARYANI","authors":"Debita Emy Rachmawati, Matheus Wasi Bantolo","doi":"10.33153/GRT.V19I2.3457","DOIUrl":"https://doi.org/10.33153/GRT.V19I2.3457","url":null,"abstract":"This research is a discussion about the dance Kridha Manggala by Dwi Maryani which was created based on the Javanese dance tradition of Surakarta and Poco-Poco dance. The problem in this study was the form and creation of this work. To discuss the issue using the thought of choreography according to Sal Murgiyanto, the category of contemporary dance based on tradition according to Matheus Wasi Bantolo, the form of the dish using the analysis of Janet Adshead, and the process of creation using thinking of Alma M Hawkins. The methods in this study are descriptive analytic with qualitative data, and use a choreographed approach.The results showed that this work is a work Dwi Maryani showed that there is a combination of two elements that are Java elements and the Poco-Poco. The second combination of this element makes a fierce idea for Dwi Maryani in creating the work of Kridha Manggala. The combination of these two elements can be seen in terms of motion, music, and costumes. The process of creating this work through stages, viewing, sensing, interning, imagining or imagination, tilling, and forming. Live through the exploration, improvisation, and composition stages. Keywords: Kridha Manggala, Dwi Maryani, choreography.","PeriodicalId":234292,"journal":{"name":"Greget: Jurnal Pengetahuan dan Penciptaan Tari","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117056464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

KEPENARIAN GULU DALAM TARI SRIMPI LUDIRAMADU GAYA SURAKARTA

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2020-12-28 DOI: 10.33153/GRT.V19I2.3456

Aqueenes Forsa Putri Setiawan, Dwi Rahmani

{"title":"KEPENARIAN GULU DALAM TARI SRIMPI LUDIRAMADU GAYA SURAKARTA","authors":"Aqueenes Forsa Putri Setiawan, Dwi Rahmani","doi":"10.33153/GRT.V19I2.3456","DOIUrl":"https://doi.org/10.33153/GRT.V19I2.3456","url":null,"abstract":"Essay of this artwork present an analysis dizziness of Gulu’s in a Srimpi Ludiramadu dance Surakarta sytle covers problem 1). How was the dizziness of Gulu’s in the Srimpi Ludiramadu dance?, 2). How does the garap fillings and shapes of Srimpi Ludiramadu dance the dizziness of the Gulu’s?, 3). How was Gulu’s role in Srimpi Ludiramadu dance?. The three issues are discussed of the normatical concept of the Javanese Hasta Sawanda and the consept of garap fillings and shapes. The methods of art were conducted through library studies, observation, and interviews. Research has shown that the dizziness Gulu’s in a Srimpi Ludiramadu dance is required a process whish is countinue and intensive. Dancing a group dance must be supported by personal and group consciousness. The dizziness of the Gulu’s on this Srimpi Ludiramadu was taste of mrabu, kenes, and meneb supported with makeup and karawitan to keep up the impression of grace. Keywords: Dizziness, garap, Srimpi Ludiramadu.","PeriodicalId":234292,"journal":{"name":"Greget: Jurnal Pengetahuan dan Penciptaan Tari","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127146278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

PERKEMBANGAN REOG CING PO LING PAGUYUBAN PONCO MANUNGGAL JATI DI DESA JATIREJO, KECAMATAN KALIGESING, KABUPATEN PURWOREJO

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2020-12-28 DOI: 10.33153/GRT.V19I2.3454

Sudrajat Dewandana, Katarina Indah Sulastuti

{"title":"PERKEMBANGAN REOG CING PO LING PAGUYUBAN PONCO MANUNGGAL JATI DI DESA JATIREJO, KECAMATAN KALIGESING, KABUPATEN PURWOREJO","authors":"Sudrajat Dewandana, Katarina Indah Sulastuti","doi":"10.33153/GRT.V19I2.3454","DOIUrl":"https://doi.org/10.33153/GRT.V19I2.3454","url":null,"abstract":"The article entitled Development of Reog Cing Po Ling Paguyuban Ponco Manunggal Jati in Jatirejo Village, Kaligesing District, Purworejo Regency is trying to uncover two problems, namely: (1) how the form of the show Reog Cing Po Ling Paguyuban Ponco Manunggal Jati in Jatirejo Village, Kaligesing District, Purworejo Regency today.; and (2) how is the development of Reog Cing Po Ling Ponco Manunggal Jati Group in Jatirejo Village, Kaligesing District, Purworejo Regency from 2016-2019. The first problem was examined based on the form theory which explained that the form of the performance consists of interconnected elements including dance moves, floor patterns, dance music, makeup and clothing, property, time and place of performance. Meanwhile, to examine the second problem used development theory that the development is a process of re-processing based on elements of tradition and expansion of the introduction area in the form of a new look without reducing or eliminating the values of existing traditions so that it can be enjoyed by the wider community. This research is qualitative. The techniques or steps in this study include the stage of data collection, the stage of data analysis, and the stage of preparing the report. The results of this study showed that Reog Cing Po Ling Ponco Manunggal Jati was carried out communally with elements of the show arranged neatly. The development of Reog Cing Po Ling Paguyuban Ponco Manunggal Jati lies in the elements of the show and the expansion of the stage area. The development occurred due to the influence of factors both from inside and outside the reog Cing Po Ling art group. Internal factors that influence the development of Reog Cing Po Ling include creativity of art actors, management of organizational systems, and spirit of togetherness among art actors. While external factors such as local government, artists from outside, and the development of technology Keywords: Reog Cing Po Ling Paguyuban Ponco Manunggal Jati, Form, Development. ","PeriodicalId":234292,"journal":{"name":"Greget: Jurnal Pengetahuan dan Penciptaan Tari","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125308347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ANALISIS GERAK TARI MERAK SUBAL KARYA S. MARIDI PADA SANGGAR SOERYO SOEMIRAT DI SURAKARTA

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2020-12-28 DOI: 10.33153/GRT.V19I2.3455

Endra Sabekti, D. Wahyudi

{"title":"ANALISIS GERAK TARI MERAK SUBAL KARYA S. MARIDI PADA SANGGAR SOERYO SOEMIRAT DI SURAKARTA","authors":"Endra Sabekti, D. Wahyudi","doi":"10.33153/GRT.V19I2.3455","DOIUrl":"https://doi.org/10.33153/GRT.V19I2.3455","url":null,"abstract":"The research titled \"Analysis of Merak Subal Dance Movement by S. Maridi at Soeryo Soemirat Gallery in Surakarta\", was created by S. Maridi in the 1969s. Merak Subal Dance is a dance that represents the life (behavior) of peacocks. S. Maridi's Merak Subal dance was inspired by sundanese peacock dance.This study aims to describe and analyze the movements in The Merak Subal Dance. The research method used is descriptive analytics with qualitative data properties, namely collecting data through observations, interviews, subsequent library studies analyzed descriptively. The research problems were analyzed using conceptual foundations from Soedarsono on dance forms and Agus Tasman on the analysis of dance moves and characters.The results of Merak Subal Dance research in Soeryo Soemirat gallery showed that the dance was presented in the form of a group dance drawn by three dancers with a duration of about eight minutes. Elements that make up The Merak Subal Dance are motion, floor design(floor pattern), top design, dramatic design, theme, makeup and fashion, dance music, property, lighting, venue and performance time. Then the analysis of motion includes materials, energy, space, time, organization, aggregation, character, description. Keywords: Merak Subal Dance, choreography, Soeryo Soemirat gallery.","PeriodicalId":234292,"journal":{"name":"Greget: Jurnal Pengetahuan dan Penciptaan Tari","volume":"141 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124491118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

GARAP DAN STRUKTUR TARI ANOMAN CAKIL SUSUNAN DIDIK BAMBANG WAHYUDI GARAP和查克的舞蹈结构，BAMBANG WAHYUDI的教学结构

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2020-12-28 DOI: 10.33153/GRT.V19I2.3453

N. Aini, Soemaryatmi Soemaryatmi

{"title":"GARAP DAN STRUKTUR TARI ANOMAN CAKIL SUSUNAN DIDIK BAMBANG WAHYUDI","authors":"N. Aini, Soemaryatmi Soemaryatmi","doi":"10.33153/GRT.V19I2.3453","DOIUrl":"https://doi.org/10.33153/GRT.V19I2.3453","url":null,"abstract":"Anoman Cakil dance was created in 1986 at the request of the ASKI Dance Department. External factors are a major factor in the creation of Anoman Cakil dance which is supported by internal factors. This thesis, titled Anoman Cakil dance, composed by Didik Bambang Wahyudi, focuses on the study of dance work and the structural analysis of Anoman Cakil dance. Issues to be explained in this study are (1) How to work on Anoman Cakil dance by Didik Bambang Wahyudi (2) How to present the structure of Anoman Cakil dance.This research uses qualitative research methods, data obtained through literature study, interviews and observations. The results of data processing are then presented descriptively. To answer this problem, this study uses the concept of cultivation as a knife for analysis, namely the concept of cultivation by Rahayu Supanggah. The structural analysis of Sumandiyo Hadi was used as a theory to examine the structural problem of Anoman Cakil's dance presentation. The elements of cultivation work in the form of material work on, work on, working on facilities, working on furniture and determinant work on. Application of cultivation in dance in the form of the background of the creation of dance, Didik Bambang wahyudi as cultivators and Anoman cakil dance as material and means of working on.Anoman Cakil dance including wireng pethilan dance with stories originating from the Ramayana Epic, presented by two dancers in pairs, with figures Anoman and Cakil. And, victory on the Cakil figure. Anoman Cakil dance consists of three parts in the form of Forward Beksan Structure, the Beksan section which consists of the then spread hand arm and keris shell. Beksan retreat is the last part of the Anoman Cakil dance presentation structure. Dramatic flow of Anoman Cakil dance is classified as multiple conical dramatic grooves with a small climax before heading to the main climax. Keywords: Wireng, pethilan, Anoman, Work on, Structural.","PeriodicalId":234292,"journal":{"name":"Greget: Jurnal Pengetahuan dan Penciptaan Tari","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121114912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

BENTUK DAN FUNGSI TARI SILAMPARI KAYANGAN TINGGI DI LUBUKLINGGAU SUMATRA SELATAN

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2020-07-23 DOI: 10.33153/grt.v19i1.3183

Hilaria Widia Ayuningtyas, S. Syahrial

引用次数: 0

TINDAK TUTUR DIREKTIF DALAM SENI PERTUNJUKAN JAWA

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2019-09-10 DOI: 10.33153/grt.v18i1.2640

Sutarno Haryono

引用次数: 1

BENTUK DAN FUNGSI TARI MAESWARA SWATANTRA NJUK LADANG DI KABUPATEN NGANJUK MAESWARA SWATANTRA NJUK农场的形式和功能

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2019-09-10 DOI: 10.33153/grt.v18i1.2639

Delima Indra Prasta, F. H. Mulyatno

{"title":"BENTUK DAN FUNGSI TARI MAESWARA SWATANTRA NJUK LADANG DI KABUPATEN NGANJUK","authors":"Delima Indra Prasta, F. H. Mulyatno","doi":"10.33153/grt.v18i1.2639","DOIUrl":"https://doi.org/10.33153/grt.v18i1.2639","url":null,"abstract":"AbstractMaeswara Swatantra Anjuk Ladang Dance is a new creation dance created by Didik Purwanto in Nganjuk regency. The dance was rushed by 7 female dancers using the Bokor property. This research will essentially reveal about the form and function of the Maeswara Swatantra Anjuk Ladang dance in Nganjuk district. The research uses foundations of theory to dissect Problem forms used Sri Rochana Widyastutieningrum concept about the physical form and the form of the reveal. To dissect function problems, this study uses function theory Soedarsono on the function of the show is divided into two namely function Primary and secondary functions. The primary function is divided into 3 namely (1) As a ritual means, (2) as a means of personal entertainment and (as Aesthetic presentation facilities. Secondary functions are such as education, propaganda, Legation, and Identity of an area. The methods used in this study Qualitative method with an ethnokoreological approach through various stages of observation, data collection and data writing. The results of this study showed that the Maeswara Swatantra Anjuk Ladang Dance is a themed group dance that serves as a welcome guest as well as the regional imaging of Nganjuk regency.Keywords: forms, functions, dance Maeswara Swatantra Anjuk Ladang.","PeriodicalId":234292,"journal":{"name":"Greget: Jurnal Pengetahuan dan Penciptaan Tari","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115280820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

PERAN JOGED DANYANG DALAM RITUAL BERSIH DESA DI DUSUN NATAH 在NATAH村的清洁仪式中跳舞的角色

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2019-09-10 DOI: 10.33153/grt.v18i1.2645

Siti Khasanah, Katarina Indah Sulastuti

{"title":"PERAN JOGED DANYANG DALAM RITUAL BERSIH DESA DI DUSUN NATAH","authors":"Siti Khasanah, Katarina Indah Sulastuti","doi":"10.33153/grt.v18i1.2645","DOIUrl":"https://doi.org/10.33153/grt.v18i1.2645","url":null,"abstract":"Joged Danyang is the core dance in the village’s clean ritual ceremony held in Natah hamlet of Tirtomoyo district Wonogiri. Natah villagers believe that Natah Hamlet is guarded by Danyang named Gadhung Mlathi. People believe that if not implementing a clean ritual village then there will be catastrophe. The problems that will be discussed in this research are roles and forms. The method used is a qualitative method with a descriptive analytical approach displays the observation results based on the actual circumstances. A discussion on the form of Joged Danyang using the theory of Suzane K. Langer includes: Dancers, motion, makeup, dance music, time and place, and offerings. To discuss the role of Joged Danyang using the theory of Sumandiyo Hadi as worship or adoration to the spirit of ancestors and communication with God or the Almighty, as a means of influencing the power of nature and as a means for legitimacy. Results of this study showed that the form of a Joged Danyang very simple, movement experiencing repetition and view of dancers focus on Danyang furniture. Joged Danyang role respect and communication to the community. Joged Danyang from the clean ritual of the village. Some impacts of entertainment, economic aspects, and aspects of the Social. Thus Joged Danyang has an important role in Natah community of Tirtomoyo Sub-district and surrounding areas.Keywords: Joged Danyang, form, and role.","PeriodicalId":234292,"journal":{"name":"Greget: Jurnal Pengetahuan dan Penciptaan Tari","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134096380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

KREATIVITAS DWIYASMONO DALAM KARYA TARI HARJUNA KERATARUPA HARJUNA kerat阿鲁pa舞蹈中的二维亚mono创意

Greget: Jurnal Pengetahuan dan Penciptaan Tari Pub Date : 2019-09-10 DOI: 10.33153/grt.v18i1.2643

Fitri Monika Sari, Nani Prihatini

{"title":"KREATIVITAS DWIYASMONO DALAM KARYA TARI HARJUNA KERATARUPA","authors":"Fitri Monika Sari, Nani Prihatini","doi":"10.33153/grt.v18i1.2643","DOIUrl":"https://doi.org/10.33153/grt.v18i1.2643","url":null,"abstract":"This research focuses on Dwiyasmono’s creativity in creating Harjuna–Keratarupo Dance. Harjuna–Keratarupo Dance is a phetilan dance two adult males. Issues raised in the research is about the form of Harjuna–Keratarupo Dance. And about Dwiyasmono’s creativity in the Creations of Harjuna–Keratarupo Dance. This research is a Qualitative research using descriptive methods of analysis and the technical collection of observations, interviews, bibliography studies and Documents. To analyse the shape of the dish using form concepts expressed by Suzane K. Langer and its elements the constituent was outlined using Soedarsono’s theory. To Explain Dwiyasmono’s creativity analyzed using theory Rhodes that creativity there are four elements, namely person, press, process, product. The results of the research known as Harjuna-Keratarupo Dance in the form of a divided into three parts, namely the Maju Beksan, Beksan and Mundur Beksan. This dance has the merging of two styles of dance motion. Dwiyasmono’s creativity in the cupping section of the Surakarta movement is combined with the movement of Yogyakarta style. The dance music in the dance is colored with a leather puppet pack. The development of the garage is influenced by external factors and internal factors, especially for its withdrawal.Keywords: Harjuna Keratarupo, form, Dwiyasmono, creativity.","PeriodicalId":234292,"journal":{"name":"Greget: Jurnal Pengetahuan dan Penciptaan Tari","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125141778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1