BENTUK DAN FUNGSI TARI SILAMPARI KAYANGAN TINGGI DI LUBUKLINGGAU SUMATRA SELATAN

Hilaria Widia Ayuningtyas, S. Syahrial
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Abstract

This study examines Silampari Kayangan Tinggi dance in Lubuklinggau. Its main focus is on the aspects of form and function in its prsentation. Using the theory of form by Suzanne K. Langer which is described using concept of Y. Sumandiyo Hadi and theory of function by M. Jazuli. This research is a type of qualitative research with an intersubjective approach that emphasize observation in the field by capturing information and illustrated in fact. This dance form is also a development of the Silampari dance which is the root of the welcoming dance in Lubuklinggau city and Musi Rawas district. This dance ia a guest welcoming dance perfomed by woman totaling four to ten dancers and two tepak bearers namely Bujang Dere (son and daughter of the city of Lubuklinggau). The result of this study indicate that the Silampari Kayangan Tinggi dance as form of respect to the guest of honor who visited Lubuklinggau.Keywords: Form, Function, Silampari Kayangan Tinggi Dance.
本研究考察了卢布克灵高的Silampari Kayangan Tinggi舞。它的主要重点是在其表现形式和功能方面。使用Suzanne K. Langer的形式理论,这是用Y. Sumandiyo Hadi的概念和M. Jazuli的功能理论来描述的。本研究是一种采用主体间性方法的定性研究,强调通过捕捉信息和事实说明来进行实地观察。这种舞蹈形式也是Silampari舞蹈的发展,Silampari舞蹈是Lubuklinggau市和Musi Rawas地区欢迎舞蹈的根源。这是一种欢迎客人的舞蹈,由四到十名舞蹈演员和两名tepak表演者表演,即Bujang Dere (Lubuklinggau市的儿子和女儿)。研究结果表明,Silampari Kayangan Tinggi舞是对到访卢巴克灵高的贵宾的一种尊重。关键词:形式、功能、西兰巴利卡扬干亭基舞
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