MAESWARA SWATANTRA NJUK农场的形式和功能

Delima Indra Prasta, F. H. Mulyatno
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引用次数: 0

摘要

摘要maeswara Swatantra Anjuk Ladang舞蹈是Didik Purwanto在Nganjuk摄政时期创作的一种新的创作舞蹈。这场舞蹈是由7名女舞者利用波哥的财产进行的。本研究将从本质上揭示Nganjuk地区Maeswara Swatantra Anjuk Ladang舞蹈的形式和功能。本研究运用理论基础来剖析问题形态,运用罗查那·维德斯特维宁格拉姆关于物质形态和形态揭示的概念。为了剖析功能问题,本研究运用Soedarsono的功能理论将功能分为两个部分,即主要功能和次要功能。主要功能分为3个,即:(1)作为仪式手段,(2)作为个人娱乐的手段和(作为审美呈现的设施)。次要功能是教育、宣传、公使馆和一个地区的身份。在本研究中使用的方法定性方法与民族志的方法,通过不同阶段的观察,数据收集和数据编写。研究结果表明,Maeswara Swatantra Anjuk Ladang Dance是一种主题集体舞,既是一种迎宾舞,也是一种区域影像。关键词:形式,功能,舞蹈Maeswara Swatantra Anjuk Ladang
本文章由计算机程序翻译,如有差异,请以英文原文为准。
BENTUK DAN FUNGSI TARI MAESWARA SWATANTRA NJUK LADANG DI KABUPATEN NGANJUK
AbstractMaeswara Swatantra Anjuk Ladang Dance is a new creation dance created by Didik Purwanto in Nganjuk regency. The dance was rushed by 7 female dancers using the Bokor property. This research will essentially reveal about the form and function of the Maeswara Swatantra Anjuk Ladang dance in Nganjuk district. The research uses foundations of theory to dissect Problem forms used Sri Rochana Widyastutieningrum concept about the physical form and the form of the reveal. To dissect function problems, this study uses function theory Soedarsono on the function of the show is divided into two namely function Primary and secondary functions. The primary function is divided into 3 namely (1) As a ritual means, (2) as a means of personal entertainment and (as Aesthetic presentation facilities. Secondary functions are such as education, propaganda, Legation, and Identity of an area. The methods used in this study Qualitative method with an ethnokoreological approach through various stages of observation, data collection and data writing. The results of this study showed that the Maeswara Swatantra Anjuk Ladang Dance is a themed group dance that serves as a welcome guest as well as the regional imaging of Nganjuk regency.Keywords: forms, functions, dance Maeswara Swatantra Anjuk Ladang.
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