International Journal for History, Culture and Modernity最新文献_第3页

Enlightenment and Modernity, Historians and Philosophers 启蒙与现代性，历史学家与哲学家

International Journal for History, Culture and Modernity Pub Date : 2020-11-11 DOI: 10.1163/22130624-20200002

J. Robertson

{"title":"Enlightenment and Modernity, Historians and Philosophers","authors":"J. Robertson","doi":"10.1163/22130624-20200002","DOIUrl":"https://doi.org/10.1163/22130624-20200002","url":null,"abstract":"\u0000Since the 1990s, historians of the Enlightenment have been notably keen to emphasise their subject’s contribution to modernity. In doing so, they have not shied away from ground usually occupied by philosophers, identifying Enlightenment’s modernity with a system of values and even with specific philosophical positions. This article asks how this has come about, and what have been its consequences. It does so by offering an account of Enlightenment historians’ relations with philosophy since the 1960s, when Franco Venturi repudiated Ernst Cassirer’s philosophical understanding of Enlightenment and urged historians to adopt a different approach. Before 1989, it will be argued, historical study of Enlightenment expanded rapidly but with little reference to philosophers, or interest in demonstrating the modernity of Enlightenment. It was the challenge of Postmodernism (however intellectually chaotic it seemed) in the 1980s, and still more Jürgen Habermas’s vigorous espousal of modernity, which gave historians their cue. Three dimensions of the ensuing association of Enlightenment with modernity are identified: Enlightenment and the public sphere; Radical Enlightenment and one-substance metaphysics; and Enlightenment as cosmopolitan and global. In conclusion, it is argued that while this enthusiasm for modernity appears to be on the wane, the episode has underlined the impossibility of separating historical and philosophical study of Enlightenment.","PeriodicalId":227091,"journal":{"name":"International Journal for History, Culture and Modernity","volume":"118 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129165154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

Monumentality, Counter-monumentality, and Political Authority in Post-socialist Albania 后社会主义阿尔巴尼亚的纪念性、反纪念性与政治权威

International Journal for History, Culture and Modernity Pub Date : 2020-09-16 DOI: 10.1163/22130624-00802003

Raino Isto

引用次数: 2

The Patarei Sea Fort: Perspectives on Heritage, Memory and Identity Politics in Post-Soviet Estonia 帕塔雷海堡:后苏联时期爱沙尼亚遗产、记忆和身份政治的视角

International Journal for History, Culture and Modernity Pub Date : 2020-09-16 DOI: 10.1163/22130624-00801007

Onessa Novak, G. Plets

引用次数: 0

Disclosing a Transfer: Art and Religion in the Notebooks of Dominique de Menil 揭示一种转移:多米尼克·德·梅尼尔笔记中的艺术与宗教

International Journal for History, Culture and Modernity Pub Date : 2020-09-16 DOI: 10.1163/22130624-00802004

S. Perks, Rajesh Heynickx, Stéphane Symons

{"title":"Disclosing a Transfer: Art and Religion in the Notebooks of Dominique de Menil","authors":"S. Perks, Rajesh Heynickx, Stéphane Symons","doi":"10.1163/22130624-00802004","DOIUrl":"https://doi.org/10.1163/22130624-00802004","url":null,"abstract":"\u0000The art collector and educator, Dominique de Menil (1908–1997) has mostly been remembered as a pragmatic orchestrator of high-profile commissions in the art world. However, little attention has been paid to her role as a thinker. This article seeks to address that lacuna in the literature by attending to an overlooked source in the Menil archives, de Menil’s notebooks, which were written between 1974 and 1994. By analysing de Menil’s use of metaphor in the notebooks, we place them within the trajectory of de Menil’s intellectual development stemming back to her 1936 article: ‘Pour l’unité du monde chrétien’. The first part situates the metaphors which de Menil employed in the notebooks from the 1970s in the intellectual context of her inception of these figures of speech in Montmartre, Paris in 1936. The second part unpacks a central metaphor which grounds de Menil’s conception of tradition. The third part compares de Menil’s art historiography vis-à-vis other models which sought to reinvigorate the avant-garde art scene via pre-modern sources. The Coda critically assesses de Menil’s art historiography against other prevalent views on the relation between pre-modern and modern works of art.","PeriodicalId":227091,"journal":{"name":"International Journal for History, Culture and Modernity","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130159455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Embryonic Modernity: Infectious Dynamics in Early Nineteenth-Century Finnish Culture 胚胎现代性:19世纪早期芬兰文化的传染动力

International Journal for History, Culture and Modernity Pub Date : 2020-09-16 DOI: 10.1163/22130624-00802001

Hannu Salmi, Jukka Sarjala, H. Rantala

引用次数: 2

Colony, Metropole, and the Ocean in Between 殖民地，大都会和中间的海洋

International Journal for History, Culture and Modernity Pub Date : 2020-09-16 DOI: 10.1163/22130624-00802002

Matthijs Kuipers

引用次数: 0

Encounters: Handling, Placing and Looking at Photographs in Relation to Migration 遭遇:处理、放置和观看与迁徙有关的照片

International Journal for History, Culture and Modernity Pub Date : 2020-06-11 DOI: 10.1163/22130624-00801004

Eva-Maria Troelenberg, C. Caraffa, Anna Sophia Messner

引用次数: 1

Secrets from the Family Album: Official and Silenced Knowledge on Migration 家庭相册中的秘密:关于移民的官方和沉默的知识

International Journal for History, Culture and Modernity Pub Date : 2020-06-11 DOI: 10.1163/22130624-00801002

Ya’ara Gil-Glazer

引用次数: 0

Ragnhild’s Images: Migration, Settler Colonialism and Photography 拉格希尔德的影像:移民、移民殖民主义与摄影

International Journal for History, Culture and Modernity Pub Date : 2020-06-11 DOI: 10.1163/22130624-00801003

S. Lien

引用次数: 0

Portraying Race beyond Ellis Island: The Case of Lewis Hine 描绘埃利斯岛以外的种族:刘易斯·海因的案例

International Journal for History, Culture and Modernity Pub Date : 2020-06-11 DOI: 10.1163/22130624-00801006

Leslie Ureña

{"title":"Portraying Race beyond Ellis Island: The Case of Lewis Hine","authors":"Leslie Ureña","doi":"10.1163/22130624-00801006","DOIUrl":"https://doi.org/10.1163/22130624-00801006","url":null,"abstract":"Lewis Hine first went to New York’s Ellis Island Immigration Station to take photographs that would elicit sympathy from his students at the Ethical Culture School toward the new immigrants. Since then, the photographs, dating from 1905 to 1926, have visually defined his sitters as foreigners in classrooms, in print, and at museums. Produced at a time when the so-called race of the foreign-born was deemed indicative of their overall character and abilities, the photographs both sustained and countered turn-of-the-century racialized conceptualizations of newcomers. More recently, contemporary artists including JR and Tomie Arai have returned to Hine’s Ellis Island work for installations that bring the past into direct dialogue with the present, confronting contemporary viewers with enlarged versions of his photographs. Hine’s pro-immigrant intentions and reputation as a social reform photographer, however, have clouded how these photographs also racialized their sitters. This article traces the circulation of a selection of Hine’s works in different contexts dating from 1905 to today, and considers them within the broader histories and theories of photography, race, and immigration.","PeriodicalId":227091,"journal":{"name":"International Journal for History, Culture and Modernity","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114656197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1